Stevecorp Don't listen to the negative reviews

SteinMo What a freaking movie. So many twists and turns. Absolutely intense from start to finish.

Sabah Hensley This is a dark and sometimes deeply uncomfortable drama

Darin One of the film's great tricks is that, for a time, you think it will go down a rabbit hole of unrealistic glorification.

GL84 Arriving at a countryside mansion, several strangers and police detectives holding a criminal are forced to stay with the eccentric hosts of the house and find themselves playing deadly games with each other than expected and makes for a far more dangerous stay as the guests turn up dead.This one wasn't all that bad of an effort. One of the more engaging aspects of this one is the rather enjoyable atmosphere created throughout this one which gives this quite a lot to like. Employing the Gothic standouts in the atmospheric location and setup of the house, from the elaborate decorations, furnishings and general old-school air featured with the layout of the house structured up on a remote hilltop filled with the flair featured here. From the cloth drapings, candlelit rooms and raging thunderstorm in the background, they give this the same type of atmosphere and suspenseful air that continually appears in the older Gothic horror fare just before this one was released and eases the film into the eccentric behavior from the hosts rather well. As the first initial meeting between everyone is to offer up an orgy between them all signals, their rather bizarre behavior and straightforwardness showcasing all manner of sexual shenanigans give this a generally depraved ambiance that matches the Gothic trappings rather nicely. This also ties in nicely with the idea of the paranoia and sexual frustration that plays out here with the general air of sleaziness usually featured that manages quite a lot to like with how all the jealousies lead to pent-up rage and murder. Even as the events in the night continue, from the constant enforcement of the supernatural presences in the house which causes everyone to go crazy or the various murder guises that occur which merely add to the paranoid already featured throughout here and readily enhances this one significantly that gives it enough to hold itself out over it's few minor issues. The main problem here is the film's somewhat staid and glacial pacing that really does lower this one quite a bit. Barely anything happens at all for large portions of time as this one tends to remain wallowing in Gothic tropes for the vast majority of the time and doesn't really bring anything out of the incredibly fun atmosphere presented. This one is generally much too interested in its paranoia amongst the cast to really lift itself out of the doldrums as it moves along at a somewhat steady pace that might be considered way too slow for some to really enjoy all that much. As well, the other problem here is the rushed and nonsensical finale that brings everything to a head in a much too rushed manner as a result of the pacing setting up atmosphere over it's pacing so the film just ambles along throughout the main storyline then blazes through the final five minutes to pay it all off which leads to a truly bland effect. These are all that hold it back, though.Rated Unrated/R: Violence, Full Nudity and Language.

Red-Barracuda Extreme weather forces a group of disparate people to gather in a house once owned by a dabbler in the occult. Needless to say, something evil begins to influence events after some of these uneasy guests conduct a misguided séance.I hadn't even heard of Something Creeping in the Dark prior to a very kind fellow IMDb user sending me a copy. It's a pretty obscure Italian horror film from the period when the giallo was the number one sub-genre from that country. Surprisingly, this isn't really a giallo at all, despite often having the feel of one. Instead it is resolutely an example of a supernatural occult chiller. It builds up its setup quite well with a tense credit sequence with dramatic music and odd freeze-frames that announce the various cast and crew. Events soon end up at the aforementioned mansion but truthfully not a great deal is made of the premise and there is overall quite a limited supply of action or thrills on offer. It has some dreamlike sequences though and it overall has a decent enough atmosphere but you can't help but feel it could have been executed with a bit more vigour and it does pale a bit when compared to most other Italian horrors and thrillers from the early 70's. Nevertheless, it's not exactly a dud either and could maybe best be described as a fairly workmanlike chiller.

morrison-dylan-fan Being in the mood to watch a Giallo film,I started to take a look at a mountain of gialli DVDs.Getting near the end of the pile,I spotted a Giallo which I had heard Kim Newman & Alan Jones mention on a DVD commentary,which led to me getting ready to find out what is creeping in the dark.The plot:Arresting homicidal manic Spike on a busy road,police officers Sam and Inspector Wright get set to take Spike back to the police station. Preparing to put Spike in the car,the police are stopped in their tracks,when a bad storm causes the road to become flooded.Talking to all of the other drivers stranded on the road,Sam and Wright decide that they will take Spike and the guests to a near by mansion,where they can all stay for the night.Originally expecting the decaying mansion to be empty,the cops and drivers are shocked to find that it is inhabited by Joe.Attempting to make themselves comfortable in the mansion,the group are disappointed to find that the flood has destroyed the phone service in the area.Bored out of their minds,the residences of the mansion decide that the best way to pass the time is not to play pass the parcel,but to hold séance for the former owner of the mansion,who is rumoured to have had an interest in the occult.View on the film:Opening with a blunt stop/start credit sequence,writer/director Mario Colucci & cinematographer Giuseppe Aquari casts the film against a deep blue atmosphere,which along with subtly showing the mansion "drowning" in the flood,also creates a sharp,haunting atmosphere,as Colucci reveals something mysterious to be lurking in the corners of the mansion.Backed by a slithering score from Angelo Francesco Lavagnino,Colucci gradually scatters the hidden secrets of the mansion across the screen with ultra-stylised first person camera moves,which allow the viewer to feel the full sense of insanity gripping each of the unlucky guests.Keeping the film locked either on the road or in the mansion,the screenplay by Colucci attempts to cross the murder mystery elements with the Giallo and Supernatural Horror genres. Whilst Colucci does very well at using the Supernatural Horror edge to give the title a final sting,he sadly struggles to build any sense of the central mystery progressing,with each of the thinly-drawn characters appearing to have hardly any interest in actually uncovering the secrets of the mansion,which along with including some ill-fitting Giallo murder scenes leads to this being a film that sadly creeps back into the dark.

MARIO GAUCI I first became aware of this (and its equally obscure director) via the *** star rating on the "Giallo" section of the "Cult Filmz" website; incidentally, I also did not know that Farley Granger had worked so extensively in Italy – in that Luchino Visconti's SENSO (1954) was no fluke (I recently watched him in a hybrid poliziottesco/giallo, and another good one it was, Massimo Dallamano's WHAT HAVE THEY DONE TO YOUR DAUGHTERS? [1974])! Having mentioned the latter, this too is as much a horror piece as a giallo since it involves a manifestation brought about by a séance conducted at dead-of-night. The cast is quite interesting – not only mixing familiar/international names (including, apart from the afore-mentioned American actor, Italians Lucia Bose' and Giacomo Rossi-Stuart) with unknown faces, but there are even a couple of behind-the-camera personnel (producer Dino Fazio and renowned composer Angelo Francesco Lavagnino, who also supplies a fine moody score) in the significant roles of Police Inspector and Professor/Occultist respectively! The plot is the typical 'old dark house' routine throwing myriad characters together, stranded by bad weather in a remote and forbidding environment (adding plenty of atmosphere to the already dour brew); harking back to Agatha Christie's much-filmed "And Then There Were None" prototype rather than the traditional stalk'n'slash formula, it is something of a quintessential offering (thus undeservedly overlooked) in this regard. By the way, the notion of having the spirit at large possessing members of the household in turn to commit mayhem would be adopted by Hollywood much later for the not-too-bad IDENTITY (2003)! The still attractive (and former Miss Italy) Bose' was on something of a latter-day roll during this period – since, among others, she made two similarly notable (and likewise strange) efforts i.e. Romolo Guerrieri's THE DOUBLE (1971) and Giulio Questi's extremely-rare ARCANA (1972); unfortunately, her character is made to expire halfway through, but the actress nonetheless makes a lasting impression. Ditto Granger, uncharacteristically cast here as a hardened criminal, pretty much retains the youthful looks that had served the Hollywood veteran so well in his heyday; the film's marvelous – if somewhat abrupt – finale has him as the ghost's latest 'fall guy', to adopt a noir phrase (a genre which tended to elicit the best from the actor).