Small Town Girl
Small Town Girl
NR | 10 April 1936 (USA)
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Kay is a girl living in a small rural town whose life is just too dull and repetitious to bear. One night, she meets young, handsome, and rich Bob Dakin, who asks her for directions while drunk and then proceeds to take her out on a night on the town. Kay likes the stranger, and when the drunken Bob decides that they should get married, Kay hesitates little before consenting. The morning after the affair, Bob, once sober, regrets his mistake. His strict and upright parents, however, insist that the young couple pretend marriage for 6 months before divorcing, in order to avoid bad publicity. Bob resents Kay for standing in the way of him and his fiancée, Priscilla, but Kay still hopes that he'd have a change of heart.

Reviews
TrueJoshNight Truly Dreadful Film
Hulkeasexo it is the rare 'crazy' movie that actually has something to say.
IncaWelCar In truth, any opportunity to see the film on the big screen is welcome.
Caryl It is a whirlwind of delight --- attractive actors, stunning couture, spectacular sets and outrageous parties. It's a feast for the eyes. But what really makes this dramedy work is the acting.
mark.waltz When big city folk invade the New England town of Carvel for a big game, STG Janet Gaynor ends up on a sudden date with BTB Robert Taylor and after a night of champagne, ends up in front of a JIP. It's a definite case of WTH the next morning when they wake up in his car with a marriage license sitting between them. This Carvel is no relation to the home of Andy Hardy in the series which began the following year at MGM, but like some omen (bad or good), Lewis Stone is cast here as Taylor's very serious father. He's a doctor who works at a Boston clinic, and is involved with the snooty and selfish Binnie Barnes who agrees to go away for six months to avoid the scandal while Taylor and Gaynor pretend to be on their honeymoon and attempting to make their marriage work.Comedy erupts on Taylor's yacht as Gaynor deals with sea sickness, even though she's ordered the most magnificent of foods she feels are typical high society cuisine. But once they settle into their marriage, Gaynor's feelings become clear even though Barnes' sudden return from her trip means nights alone as he neglects her and the clinic (especially a young patient who adores him) and Barnes simply hangs up the phone when Gaynor desperately tries to get ahold of him. "Uncle Henry" Charley Grapewin is dapper here as the well dressed head of the clinic who has no faith in Taylor's future as a top doctor, thinking him a fool and warning Stone that he may not have a long future if his frivolous behavior continues.This is at its most entertaining during the first half, although at over 100 minutes, it does tend to drag a bit. At times, Gaynor's small own girl is totally like Esther Blodgett during the early scenes, even though she adds some glamour along the way covering provincial innocence that Barnes considers non-threatening. But classic Hollywood always gave the underdog the man, and while Taylor may seem at home in fancy nightclubs (the one in Carvel seems way out of place) and on yachts, he's certainly not going to find happiness with the selfish Binnie no matter how much she tries to manipulate him. It's no surprise to discover that "A Star is Born's" William Wellman directed this, and it would be Gaynor's next role which brought her screen immortality.Joining Taylor, Gaynor, Barnes and Stone are James Stewart as Gaynor's small town admirer (really given nothing to do), Nella Walker as Taylor's kindly society matron mother (who sees through Barnes and obviously would prefer Gaynor), as well as Frank Craven and Elizabeth Patterson as Gaynor's parents and Andy Devine as their son-in-law whose seemingly giant baby pelts everybody with rice pudding and potatoes. It's typical MGM light romantic fare where the praises of home and family explodes off the screen, city people are presented as pretentious and short-sighted to the rest of the world, and the sweet country folk are praised as only as Louis B. Mayer could demand them to be.
edwagreen Wonderful Janet Gaynor and Robert Taylor comedy depicting the differences between the upper and middle classes of society.Gaynor longs for a life outside of her town and Taylor represents everything that she wants. Though meeting him in an unusual way, and marrying him while he is drunk, he turns his part as a total heel when he becomes sober. Reluctantly, she agrees to stay with him for 6 months in pretending that there is wedded bliss.We know that the picture shall be devoted to how the two will find their way to love despite there being Taylor's fiancée, nicely played by a bitchy Binnie Barnes. Despite his cruelty to his wife, Taylor shows an element of compassion in his treating of a brain injured child. Somehow that child will become the link that will bring this couple together and start Barnes packing.
HarlowMGM Janet Gaynor is best remembered for being the star of three silent classics, SEVENTH HEAVEN, SUNRISE, and STREET ANGEL, for which the then 22-year-old actress won the first Best Actress Academy Award and became the last superstar of the silent era. She was wildly popular in the 1930's as well, right up to her self-imposed retirement in 1938. In the early 1930's she was in fact the most popular young actress on the screen. Alas, because most of her films were made by Fox and have had little circulation since initial release (with the very notable exception of the classic A STAR IS BORN), she tends to be overlooked among the thirties stars today. SMALL TOWN GIRL, however, is better known than most of her films mainly because the MGM film airs quite often on TCM.SMALL TOWN GIRL is an excellent light romantic drama with an utterly endearing and empathic performance by Janet. She stars as a twenty-something girl who has become bored out of her mind by the daily routine of her life - working at her brother-in-law's "mom and pop" grocery, customers buying the same things every week, eating the same meals every specific day of the week, having to listen to mindless small talk of customers as well as the repetitive comments of friends and relatives. Perhaps worst of all is her utterly unromantic and unambitious semi-boyfriend James Stewart. Janet appears to be the only person in town who knows there's a better way of life out there but she's powerless to find it. When the kids of a nearby college and young football fans cause a slight traffic jam passing through town going to a game, Janet looks on with wistfulness at their carefree, fun, and promising lives. After almost being run down by handsome (make that gorgeous) Robert Taylor, he stops and they talk a bit. He asks is she knows a short cut to the tavern he's headed to and with his warm personality and obvious breeding has little difficulty persuading her to join him. They have a wonderful evening and Taylor gets quite plastered (apparently a frequent occurrence for him) and Janet herself imbibes in champagne for the first time but remains sober. Driving her home, Taylor impulsively decides to propose to her and drives to the justice of the peace where some of his friends were just married. Janet protests mildly but finds herself unable to turn away from this prince charming that dropped in her lap from out of nowhere and finally agrees to marry him.Driving away after becoming man and wife, the ever intoxicated Taylor runs off the road in a slight crash in a ditch and falls asleep. The next morning, he sobers up and doesn't remember anything but learns he is now a married man. When he learns Janet wasn't drunk at the time they married he suspects her of being a fortune hunter, meanwhile she learns he was already engaged to socialite Binnie Barnes and he's the son of a wealthy man and is a promising young doctor. Taylor decides to avoid scandal they will live as man and wife in-name-only for six months and then divorce. He is quite cool now to Gaynor whom he sees as an opportunist and his hostile demeanor has Janet now disliking him as well. But as time passes Janet recaptures the attraction and affection she initially felt for him whereas he is still waiting for the day the marriage will end and he can openly see Binnie Barnes.Janet Gaynor gives a wonderful performance in this movie, the viewer is completely with her at all stages. Her sincerity shines through every scene and shows you why 30's audiences loved her so much. She is very fine in the early scenes fully capturing small town discontentment as well as her impetuous first night with Taylor and she never makes a false move throughout the film. Robert Taylor is so dashing it's hard to imagine any woman who could resist his charms. He is excellent and like Janet, you can't help but being drawn to him even when he is unsympathetic because you know he is better than his actions. The supporting cast generally has insignificant roles but James Stewart (in one of his first films) is so credible as the bland boy next door it's a wonder he didn't end up typecast for good as the Ralph Bellamy of rural films, the perennial second placer. Elizabeth Patterson as Janet's mother and Lewis Stone as Robert's father do what they can with their small roles and it was fun to see a toddler on screen (Janet's sister Isabell Jewell's daughter) being a picky-eating little brat unlike most films of the era with perfectly mannered children. SMALL TOWN GIRL is a small gem in MGM's crown and most definitely worth seeing.
blanche-2 "Small Town Girl" is a light, entertaining piece starring Janet Gaynor and Robert Taylor. Gaynor is a young woman sick of her humdrum life. When she meets playboy Robert Taylor, she's enchanted by him, as most women of the '30s were. While they're together, he gets smashed and proposes. Thinking of her family and what she's got to go back to, she accepts. He's engaged already, so his family encourages him to wait six months before divorcing the stranger he married. You can figure out the rest.The two stars are very appealing. Gaynor always had a sweet, charming, and innocent demeanor; Taylor is elegant and handsome. James Stewart plays a neighborhood boy who likes Gaynor. He doesn't have much of a part and very little function in the movie, but he's cute. Seeing him in some of the early films and realizing what a mega-star he became, it's hard to believe he was ever subjected to these tiny roles, but he was. He has more to do in "Murder Man," which is actually earlier than this film. MGM seemed to just stick him where they needed him, as they did Spencer Tracy in his early years. You can't argue with their formula, as it yielded two great stars.