Simon Konianski
Simon Konianski
| 11 November 2009 (USA)
Simon Konianski Trailers

Simon, 35, has returned to live temporarily with his father. They make life unbearable for each other. To add spice to this situation, Uncle Maurice and Aunt Mala, Ernest's brother and sister, meddle in everything and, notably, try to find a "nice little Jewish girl" for Simon to marry. When Ernest passes away, Simon fulfils his father's last request: bury him in the village where he was born, in the depths of Ukraine. And so Simon finds himself caught up in an event-packed road movie in the company of his paranoid old uncle, his aunt who nags him endlessly about his "Goy dancer", his six-years-old son, his father's body and his ghost, and also a rabbit. Not to mention his ex who hassles him by phone. The journey will be nothing like a cruise down the Nile!

Reviews
Breakinger A Brilliant Conflict
SparkMore n my opinion it was a great movie with some interesting elements, even though having some plot holes and the ending probably was just too messy and crammed together, but still fun to watch and not your casual movie that is similar to all other ones.
Bea Swanson This film is so real. It treats its characters with so much care and sensitivity.
Marva It is an exhilarating, distressing, funny and profound film, with one of the more memorable film scores in years,
Armand Jewish humor. impact of civilizations. a funeral. and importance of roots. result - a nice movie without any ambition. nostalgic, full of old ingredients, a tale about sense, legacy, origin and family links, picture of past in the eye of a young man for who father was only a disgracing shadow of childhood, father himself, map of a travel as key of self sense, pregnant with many fruits of sentimental refuges, it is only a kind of delight who makes few emotions and a lot of smiles. a piece with good intentions. but not more. because to present roots of this problem is not very easy. and joke is not a good solution. but it is a decent film. and it is important. the details - bones of silence.
jotix100 Simon, a thirty-something man, in Belgium, is seen arriving to his father's building. His wife, the fiery dancer Corazon, has thrown him out of the place they shared together. Ernest, the father is not too happy to get the unwanted company after being a widower for a long time. Simon hates everything about his father's life, down to the fact the old man reuses the tea bags and other annoying habits.Ernest enlists his brother Maurice and sister Mala to try to get a nice Jewish girl for Simon. They never cared for Corazon, but they love little Hadrien, whom they call Schmuli. Their matchmaking efforts are not welcome by Simon, who feels Ernest and his siblings are interfering in his life. When Ernest suddenly passes away, his surviving brothers reveal something from the dead man's past that stuns Simon: Ernest was married in Russia many years before he met Simon's mother. So now, they want Simon to do the right thing by taking the father back to rest with the first wife.Thus, finding the right person to transfer the body becomes imperative. When the charges for the service comes to 30,000 Euros, Simon, who is broke, decides to take it upon himself to get his father to his final resting place. Along the way, accompanied by Maurice, Mala and little Hadrien, Simon will discover a world he has given for granted. Passing Auschwitz becomes a sobering experience. The long road to Ostrov gives Simon a different perspective in life."Simon Konianski" a modest Belgian film was shown recently on a French cable channel. Conceived and directed by Micha Wald, it is a simple story about a man at the crossroads of his life. His own Jewish background has been forgotten along the way, in contrast with that of his father, his relatives and friends that saw the bad times and the extermination of most of their relatives and friends. These people are survivors who will never forget. The film first half deals with Simon's non acceptance of his roots, while the second half becomes a road movie bringing the father to his native birthplace. The director gets good ensemble acting from his cast, most of them unknown to this viewer. Jonathan Zaccai does a fine turn as he portrays the title role. Popeck is seen as Ernest, whom is shown as a Jewish stereotype. Young Nassim Ben Abdelmoumen is perfect as little Hadrien. The supporting cast are fun to watch. In the background Mr. Wald plays some 1950s Cuban music that stands in contrast with the action and the era where it takes place.