Sand
Sand
R | 27 November 2000 (USA)
Sand Trailers

A young man tries running from his past by hiding from his two violent brothers, only to have them track and harass him and his friends.

Reviews
NekoHomey Purely Joyful Movie!
Steineded How sad is this?
Myron Clemons A film of deceptively outspoken contemporary relevance, this is cinema at its most alert, alarming and alive.
Kimball Exactly the movie you think it is, but not the movie you want it to be.
kentbartholomew Rarely do you watch a movie with so many recognizable names that is this bad and by bad I mean every facet of this movie is bad. Tinny, grating, soundtrack, confusing plot (I'm being generous to call it a plot)ad-hoc script and ridiculously unbelievable characters. How Emilio Estevez who strolls through for a couple of scenes, Harry Dean Stanton who is only on camera for one scene and Dennis Leary ever became involved in this debacle is truly mind-boggling. In the case of Dennis Leary's character it's almost like they wedged his role in at the last minute for name recognition, as his role has nothing to do with the plot. His screen time is spent just delivering Dennis Leary stand-up type monologue. Pretty much all of his scenes sound ad-lib. Ditto with Jon Lovitz and Julie Delpy. Adding to the misery is an out of place acoustic number with Kari Wuhrer and Michael Vartan on guitar. We won't even get into the uncomfortably creepy relationship between Wuhrer and Norman Reedus who plays her surfer dude brother. How many siblings kiss each other on the mouth? It was like they were originally going to have the characters they play be former lovers then decided to go another direction without editing the film. The list of missteps goes on and on.My only regret is that I have to give this film one star as IMDb won't let me give it zero. A real stinker.
Thomas Ferreira I thought the movie story wise had a conceivable plot. It was just executed poorly. I thought Norman Reedus did a great job with what he had but it wasn't much. The character development was bare little to none which didn't leave the actors with much to do. Michael Vartan was not a good lead for this movie. He was very wooden. Also with the little amount of character development it didn't leave you caring about any of the characters including Kari. I have thought about buying this movie so I could rewrite it and give more character development and depth. My favorite scene was actually the scene that involves Reedus and his friends confronting the two brothers after his sister is nearly raped. It was shot well and acted well. Beyond that, everything else was subpar. The movie just had so much potential and it was executed poorly.
vandino1 Matt Palmieri must go to a lot of Hollywood parties or be connected to somebody cool enough to line up this many b-list celebrity performers in one certifiably awful film. Is this a case of "paycheck time" or a case of "Hey, Harry Dean Stanton agreed to do it, why not join the party?" Maybe they all have the same agent who got a call asking for the whole group to do either 'The Surreal Life' or appear in this film. Either way, it's still Surreal Life. Stanton, Denis Leary, Jon Lovitz, Julie Delpy, Kari Wuhrer and Emilio Estevez...... what, no Janice Dickinson or Verne Troyer? Oops, this was made in pre-Surreal Life 1999 and only surfaced recently... like the bones of a corpse washing ashore. My mistake. And anyone else's mistake for watching this. Even back in 1999 the Tarantino copycats had worn out their welcome, but this flimsy tripe is more of a fifth generation carbon copy of a Tarantino rip-off. And even if you watch it for the interesting cast you get cheated. Sure, you get Leary phoning in his usual acerbic performance, but his lines are mostly weak. Then there is Stanton who has ONE scene, and Lovitz, Delpy and Estevez who have little more than that. These should really be uncredited "guest" performances but they're featured prominently on the video cover. The real stars are Vartan, Wuhrer and a bunch of other young actors who mostly posture and yell at each other virtually nose to nose throughout. It's the old game of covering weak dialogue by having the actors shout rather than speak. Ooh, the intensity. And the storyline is so wrong-headed that it seems to flow like a dream spun by idiots. No example of this is more telling than the endless back and forth battle between the low-life brothers and the surfer dudes--the surfers apparently believing, not once, not twice, but even three times, that their besting of low-lifes with GUNS (yet not relieving said low-lifes of their weapons) means the scumbags have learned their lesson and will not RETURN with their GUNS. Oh, why go on...this film is junk and leave it at that.
kdude12 It is an extreme challenge to find a sufficiently negative phrase to describe this movie. It is utterly boring, predictable, and without any interesting features whatsoever... no wait, that doesn't sound nearly negative enough. The plot isn't worthy of a newpaper cartoon strip, nothing much happens, the settings are uninteresting. You'd be better off sleeping or watching the clouds in the sky float by. The only provocative issue is the question it raises (for me) regarding why I let it remain on screen. No, wait, there's also the question regarding how anybody could make a film like this.