Lovesusti The Worst Film Ever

GetPapa Far from Perfect, Far from Terrible

Kirandeep Yoder The joyful confection is coated in a sparkly gloss, bright enough to gleam from the darkest, most cynical corners.

Hattie I didn’t really have many expectations going into the movie (good or bad), but I actually really enjoyed it. I really liked the characters and the banter between them.

MartinHafer Hmmm...a spaghetti western that comes on DVD without English dubbing and only captions! Now that's something you just don't see every day! And, after seeing many dubbed films (some of which were terribly done), it was nice to see this captioned film. Could the reason this one not be dubbed be because it wasn't shown in the States or was perhaps seen as not worthy of dubbing? Who knows.Unfortunately, my excitement at seeing a dubbed film was short-lived. At the four minute mark, there was a shootout that was, I suppose, done for laughs. But, since it was really, really stupid, it didn't make me laugh...just groan in disbelief. I think the Banana Splits or Paul Rubens would have done this scene more subtly! In the next scene, two bounty hunters are killed by our anti-hero, Winchester, and he releases their prisoner--an Indian woman. Sadly, she really doesn't look like an American-Indian--more like some Italian lady with light brown-green eyes--and they didn't do much to pull off this character other give her buckskins to wear! In that case, I'm going wrap myself up in aluminum foil tomorrow in the hopes I get to play an alien in an Italian sci-fi epic! Soon after this, Winchester meets up with Roy and the fun begins. Well, okay, the fun NEVER begins...but at least the story starts to move...a bit. Aside from some very sloppy slapstick, the film is about Roy and Winchester both looking for treasure--only one of them has apparently gone straight in the meantime. But frankly, considering how bad the film is and how disappointed I was that the famous Mario Bava could make such a rotten film, I totally lost interest. And, unless you have suffered a serious brain trauma, you, too, will find little to entertain you in this film that looks as if no one cared in the least if it resembled the old west in any way at all! By the way, if you care, the money that the American-Indian prostitute is paid is very clearly the type made from 1928 until very recently--not even close to the sort of money they actually used in the old west. Also, the 'American-Indian' lady clearly is wearing modern band-aids on her nipples--a common practice when the film will NOT show explicit nudity (allowing a tiny measure of modesty for the actress). Apparently, someone forgot to tell the cameraman, as it appears in the film and makes the viewer think "...huh?!?!".

bensonmum2 Reading various comments on the internet about Roy Colt and Winchester Jack, you would think that it was the worst movie ever made. I've now seen most of Mario Bava's films (23, to be exact) and I've seen my fair share of Spaghetti Westerns. While Roy Colt and Winchester Jack isn't a very good example of either, it's hardly the worst film Bava made (see Dr. Goldfoot and the Girl Bombs) or the worst Spaghetti Western I've watched (see God's Gun). In fact, there are moments and certain set-pieces in the movie that I really enjoyed. The best example that comes to mind is the film's finale. Without giving it away, I'll just say that it's a nice twist that worked for me. The film's soundtrack is interesting. I wouldn't call it a traditional Spaghetti Western, but it's enjoyable enough anyway. Brett Halsey and Charles Southwood are okay in the title roles, but Marilu Tolo stands out in the role of Manila. More of Tolo would have been a good thing. Finally, while some of the more eccentric characters in the movie don't work, the gunfighter in the opening scenes with Tourettes Syndrome is a real hoot.I actually would have enjoyed Roy Colt and Winchester Jack more and rated it higher if it weren't for two things. First, the movie hardly feels like a Bava film. There are none of the great director's flourishes of color or unique camera tricks I look forward to seeing. It's all rather flat and dull looking. Second, and my biggest complaint with the movie, is the character called The Reverend. A more annoying character I can't think of at the moment. He's not funny, he's not threatening, and his idiosyncrasies are downright painful to watch. Similar to what I wrote about Tolo, less of The Reverend would have been a good thing.

spider89119 This is the only western that I know of that was directed by the great Italian horror director Mario Bava. He directed quite a few non-horror movies, but his true talent is mainly exhibited within the categories of horror and giallo. His other films usually aren't meant to be taken very seriously, and this one is no exception. That having been said, this film is still lots of fun to watch, especially if you are a spaghetti western fan.The music score is great. The trumpet, guitar and organ music set the proper tone for a spaghetti western.The acting seems about average for a Eurowestern. Marilu Tolo is beautiful as Manila, and she steals the show by doing the best acting out of the entire cast, as well as being so nice to look at. The character called "the reverend" is very annoying, and suffers from some very corny translation in the subtitles. I probably would have given this movie a higher rating if it had been dubbed in English, since I prefer watching westerns that way. They could have at least done a better job with the subtitles! This movie is a bawdy, humorous spaghetti western, not the dark and vengeful kind one might expect from a director of horror movies. The humor misses in a couple of parts, but works pretty well in general if you recognize this as a light-hearted film. The story is one of those in which everyone double crosses one another in the search for gold. It is typical, but engaging and fun. There is a twist at the end, but I saw it coming about 10 minutes into the film.This one's not bad, and all connoisseurs of the spaghetti western should see it at least once.

django-1 Now that this is available in a beautiful letterboxed, subtitled DVD, ROY COLT AND WINCHESTER JACK can be enjoyed by anyone who wants to see it. Is it worth seeing? Well...what you have is basically a lowbrow Eurowestern comedy that belongs on the same shelf with STING OF THE WEST and IT CAN BE DONE AMIGO. The various supporting players are colorful, and there are two strong American leads in the charismatic Brett Halsey and the engaging Charles Southwood. Though hidden under a lot of makeup, Marilu Tolo is as sexy as ever. I've never found Italian western comedies to be that worthwhile (or western comedies in general, BLAZING SADDLES excepted)--for me, most of the best qualities of westerns are lost when they are played for laughs. There are a number of laughs in this film--Halsey and Southwood both play comedy well--but the viewer should be warned that the laughs are on a Bowery Boys/Police Academy-level. I like that kind of comedy, but you may not. The reason this film was reissued is that it was directed by Mario Bava; however, had I seen the film without knowing that, I would never have guessed. Bava scholars can no doubt find similarities, but I would not consider his direction a major element here (see my review of RINGO DEL NEBRASKA, one of Bava's two other westerns). Overall, this is an enjoyable Eurowestern comedy, with excellent and creative production design (now THERE is a Bava quality!) and good performances, but I don't really consider it essential, only for the serious Eurowestern fan or the Brett Halsey fan (of which I'm one).