robotbling
(www.plasticpals.com) Rather than making one really good short film, director Greg Pak decided to film all four of his robot-themed short stories and compile them into one film.The first story, My Robot Baby, follows a couple as they take home a robot baby to show they are responsible enough to handle a real one. It's not a bad concept for a robot-themed film, and is a plausible scenario that will be familiar to anyone who had to take care of an egg for a sex ed class. As it turns out, the robot baby looks quite a bit like a football-sized egg with cardboard eyes stuck onto it. Despite the cheesy props the story does contain some interesting ideas, like when the robot's "mother" reprograms the bot so that it automatically takes care of itself. Unfortunately the concept was better explored and in much greater detail in Steven Spielberg's A.I., and it quickly dissolves into a silly suspense film when the baby robot runs amok late at night.The second story, The Robot Fixer, isn't really about robots at all. A distraught mother is visiting her comatose son, who has been hit by a car. While cleaning up his apartment, she and her daughter find his collection of robot toys. The mother decides to complete her son's collection in a symbolic bid to put her son back together. By the time this one was over I was ready to stop watching this turd, so I did.
Pierre Radulescu
Robot Stories, created in 2003 by Greg Pak is his first (and so far his only) feature film. It consists of four independent vignettes, each one treating another aspect of our relations with the world of robots. A couple who wants to adopt a child gets a robot-baby instead, just for exercising. A mother tries to connect to his comatose son by sharing his passion: fixing robot-toys. A robot-worker gets in love with a female-robot. An old sculptor who will die soon has the option to become a robot and live for ever in a hologram.The movie got very controversial reviews. Some compared Robot Stories with other movies of the same kind to find out that everything that was to be said about robot stuff had already been said. Some others tried to consider the movie on its own merits. I think it should be considered also within the context of Greg Pak's creation, all his comics and very short movies (videos of less than 10 minutes, even less than 2 minutes): it is about the interactions between our universe and the universe of his comics.Robots were created with the aim to help us: in our work, or in our moments of fatigue, when we need some kind of intelligent toys to play with. Only it happened that robots went further and created their own universe, sometimes controlled by us, sometimes with them in control, sometimes cooperating with us, sometimes competing. Contacts between our universe and theirs can be sometimes beneficial for both, while many times it is about collisions with unpredictable outcomes. On the other hand, in most cases the universe of robots offers a window for us, to look into it: what happens there, in their world, is the objective image of what we are.If we consider now the four vignettes of the movie, we could say that the vision of Greg Pak about the matter is rather pessimistic. Babies are replaced by robots, communication between humans is possible only using robots, human sentiments are felt by robots only (and humans forgot about them), medicines cannot compete viruses any more while death sends human beings into the world of robots for ever. Is the picture too pessimistic? Well, let's put it this way: babies start being little savage robots till we learn how to communicate with them, communication between humans is ultimately possible, even if we need robots for that, and so on. Discussing this movie we can go either way. Plus think about that: the movie uses robots to describe our own world. Is it about them or about us? As I said, we can go either way.The first vignette (My Robot Baby) is funny and witty. What are babies after all, other than little savage and absurd things you cannot communicate with? Anything you try, they keep on crying. And only when you don't know what to try anymore and get discouraged, they start understanding you. The communication channel is set when the little thing realizes you can be weak, too.The second vignette (The Robot Fixer) is a little gem. Mother and daughter come at the bed of their son and brother: he lies in a coma, brain-dead, and the only decision to take is when to unplug him. The daughter realizes it very well, while the mother is thinking how to connect with the son in his last days. A set of little robot toys discovered in his little condo shows her that she knew the son very little. And the mother starts to learn about robots, to play with them, to fix the toys, to be at least now in synch with the boy. Is it too late? Is it useless? Maybe any human attempt is useless or it comes to late, but it doesn't matter. It has to be done.The third vignette (Machine Love) is funny, but rather weak, in my opinion. An android worker (nicely played by Greg Pak) is surrounded at office by humans devoid of any warmth, while he discovers, step by step, the miracle of love. I saw better ones, even between robots. The standard was probably set by Data, what do you think? As for the last vignette (Clay), it has a great subject, maybe difficult to be grasped. To continue your life for ever, frozen in a hologram, or to accept the dignity of your never more? Well, when you tackle with a great subject, you should have a moment of genius, to say there the ultimate truth. I think the moment of genius came for Greg Pak in the second vignette. But all in all, you shouldn't miss these four Robot Stories. They are uneven, that is true, but Greg Pak is a very cool creator.
mindeyed
You will be thoroughly confused if you get hooked in on the one-liner that promotes Robot Stories; Love, Death & Robots or something to that effect. It confused the hell out of me when 3 friends and I went out of our way to attend the screening. Robot Stories is set around four stories all shot on digital video. The stories are bland, campy and utterly boring. Any attempt at an artistic or original plots or vision is null and void with this film and director. It seems that Robot Stories is unfortunately another product of a $60,000.00 a year film school education.
I'd also like to add that the VC film festival made it very difficult for people to purchase tickets during the last few days before the film. It's very annoying to drive long distances and not know if the show is going to be sold out.
