jakob13
'Phantom of Chinatown, released in 1940 by Monogram Pictures, known for low budget films, it is remarkable in that it momentarily reversed a trend in the detective genre.Keye Luke had the starring role in this predictable murder mystery, as James Lee Wong detective.Better known as Charlie Chan's number one son, Kato in the Green Hornet and the blind master Po in the Kung Fu, Phantom of Chinatown offered him the chance to defy the stereotyping of Asians in cinema.Although there were capable Asians to play the role, the role was given to a European or white American actors, extravagantly disguised as a creation of social and cultural mores of the time.As Sax Rohmer's idea of a Yellow Peril, British-born Boris Karloff became Dr. Fu Man Chu; the Georgian Akim Tamiroff the wily warlord in Frank Capra's The General Dies at Dawn or the Swede Warner Oland the deceitful war lord in Josef Sternberg's Shanghai Express.On the other hand, a more comic buffoon character Charlie Chan amused Americans for almost 20 years with his fortune cookie philosophy, oddly cadenced English and exaggerated gestures bordering on the obsequious, as he solved crimes the world over.A creature from the pen of Earl Derr Bigger, Chan reinforced the stereotype of Chinese. As a stock sidekick, he had his number one son, American born, educated and speaking a colloquial English to heighten the ridiculous among second generation born Chinese, who although born in the US remained 'foreign'. John Marquand's Mr. Moto, played by the Hungarian Peter Lorre had all the features of the Japanese that became more exaggerated and racist during world war two. Wily, clever and speaking correct English resonated through his nasal cavity, he too was mysteriously different as a solver of murder and mayhem. (Imperial Japan's bombing of Pearl Harbor ended the Moto series.) And then there was Hugh Wiley's creation in The Saturday Evening Post, James Lee Wong detective. Played in five films by Treasury agent Boris Karloff, who played him in a scholar gown, with a self- effacing and -deprecating manner.Karloff's English, correct as it is, distanced his Chinese detective by a lisp and a clipped to stress his foreignness.And the in 1940, Keye Luke plays Wong, the first Asian actor in a title role and a sound film as detective.Oh, what a difference: Luke's Wong is a Yale graduate; he speaks an impeccable American English; dress in a well-cut suit; he wears a dashing, raffish, pencil-like mustache, which makes him not only handsome, but shows that he is the leading man.Luke plays Wong with style, energy and youth enthusiasm, a good chip from the American Plymouth Rock.In consequent, the wisecracks and stereotyping are held to a bare minimum, a welcome relief.He's bright, no nonsense and lends an invaluable hand to the police captain who treats on an equal foot.The story line is formulaic, and tersely hold in a little over 60 minutes. The narrative holds our attention without taxing it.Of course what would a murder mystery picture with Asians be without exotic elements.. And Phantom of China doesn't let us down.Well we have scenes of the Gobi desert, search for a lost Ming Temple, an eternal sacred fire and a mysterious scroll to stitch the intrigue together.The murder is quick, by poison. The foot work quick without much fanfare to catch the killer.And there is the dead archaeologist assistant, played in a down-to-earth fashion by the Lotus Lang as Wen Lin, who keeps her counsel to herself.Wen Lin is written as a serious, supporting character whose manners and intelligence enhances the strength of Luke's Wong.Moreover, the film is peopled with many, nameless Chinese American actors and actresses who speak a standard English, are professional in demeanor and dignified in their roles. But for that one moment of stereotypical relief—Keye Luke's cook who speaks in a broken singsong cadence. And yet, he, too, is not made out to be a pumpkin nor a fool, the minor white detective assumes that role.Phantom of Chinatown directly shies away any allusions to the bloody Sino-Japanese war. Remember we are in an America with a strong isolationist streak, and substantial popular of America First, meaning keep out foreign wars.Suddenly the denouement is disconcerting: not in who the murder is nor his motive greed, but in the explanation of the scroll and the sacred fire that never stops burning.The scroll is the key to the secret of the Ming Tomb. It explains why the flame is eternal; it is fed by an unquenchable pool of petroleum that would be of great value to the forces of Chan Kai Check's troops fighting the Imperial Japanese invaders. (And by extension, after the war the fuel for China's growth and economic health.) Wen Lin is Chang's agent and as the film rushes to its conclusion, Wong and Lin will bring the news to China to bolster the war effort.Alas, the bombing of Peal Harbor put the kibosh on the Wong series, but not on the silliness of the Charlie Chan films.And no more did Hollywood until much later feature an Chinese or Asian actor as a leading man. And Luke went back to playing second banana and supporting roles.And it is this relatively obscure film that is worth reviewing for its brief breakthrough the walls of cultural racism in Hollywood and in America.
TheLittleSongbird
The 6 Mr Wong films(five of which with Boris Karloff in the title role) are not great films, however they are all far from bad either. Phantom of Chinatown may not have Karloff but it is for whatever foibles it has one of the better films in the series. The photography can lack finesse in places while the film is scripted competently if routinely though with a fair few bright spots. And Grant Withers still doesn't do much for me, going for shouting his lines and frozen facial expressions, though not quite as badly as in Mr Wong in Chinatown, rather than subtlety. The sets are very nicely done though, and the music score is jaunty and eerie as to expect. There is some humour here and it manages to be of the funny and witty kind, the Chinese treasures and Washington Bones comparison agreed is the most inspired. The story is not exceptional but it is diverting and has a good deal of mystery and suspense. It also doesn't try to do too much so it is not as convoluted as a couple of Karloff's entries were, especially Mr Wong in Chinatown(you may have guessed already that that it is my least favourite of the 6, though it's still not a bad film). Luckily too, despite there being the risk of being there Chinese are portrayed sympathetically and any stereotyping(if any at all) is equally tastefully done, nothing at all to be offended at. Phantom of Chinatown moves along at a brisk pace, so the film was never a dull watch. Keye Luke may not be as enigmatic as Karloff but he for obvious reasons is still much more convincing as a Chineseman. He had big shoes to fill and fills them admirably, giving a very charming and sometimes amusing performance. Lotus Long is also wonderfully mysterious, and while not of the outstanding kind the supporting cast are competent at the least. To conclude, a decent film and one of the better Mr Wong films, even without Karloff. 7/10 Bethany Cox
hengir
Apart from the whodunit element of the film which drives the narrative in an entertaining way there are other interesting things in the film. Several James Lee Wong films had been made previously with Boris Karloff in the title role, who as the elderly 'Chinese cop' solved several mysteries and although he was made up to look oriental (skin colour etc.) there was always that beautiful English voice spoiling the effect. The films were nevertheless good mystery stories, filmed in Monogram's low budget efficient way.In 'Phantom of Chinatown' James Lee Wong is played by Keye Luke, a rare leading role then for an Asian actor. He is not a detective but a student and younger. (Confusingly Grant Withers who plays Inspector Street was in the earlier Karloff films and this one but treats Wong like he had never met him before. Perhaps this is a prequel!) Keye Luke is excellent and it is a shame he didn't make any more Mr Wong films as he is definitely shines in this. Charming and bright and capable. He has a nice line in humour too. The other members of the cast are OK. Grant Withers as Street is his usual grouchy self. Lotus Long as the Chinese secret agent is particularly delicious. A series with her and Luke would have been great. Oh well.It also has a very sympathetic view of the Chinese people. Wong is definitely the most able character in the film. Furthermore at the beginning as the professor shows film of the expedition and what appears to be ungainly dancing to which the academics in the audience laugh patronisingly, until they are reminded sharply that the Chinese were civilised long before the west. In another scene at the murdered man's house when people are questioned about their movements Captain Street assumes that all Lotus Long would eat for lunch would be "chop suey" and is surprised to learn she had coffee and apple pie. A nice inversion of a cliché. The best gag in the film is when Keye Luke compares the acquisition of Chinese treasures to digging up Washington's bones in the USA. As a positive picture of Asian Americans the film stands out for its time.
dbborroughs
Final film in the Mr Wong series loses Boris Karloff and in its place has Keye Luke as James Wong detective. Luke best known as Charlie Chan's number one son was forever in support so its nice to see him in a lead role. It also gives mystery, and especially Charlie Chan fans a glimpse at how Luke might have played the classic detective.The mystery here is rather bland. During a lecture about an expedition to China the professor giving the talk is killed right in front of everyone. The question is how was it done and by who. You'll have to see the film to find out the why and who, I will tell you why, and thats because of the information that is contained on a scroll that was found in a tomb that will lead to great riches. Its a been there done that sort of affair that reminded me of one of the Mr Moto movies. Its not bad, certainly the cast is game, however the script just doesn't have any real life in it. It just doesn't have any life in it.Still, I have to say that bland or no its an okay time passer best left for a late night or rainy day movie marathon when these kind of movies seem oh so much better.
