A documentary about Sam Peckinpah's personal director's cut of his last film The Osterman Weekend (1983); recently restored by film historian Mike Siegel. Siegel documents the discovery and acquisition of the 35mm print after 24 years of unprotected storage; outlining the process of cleaning and scanning the film as well as some assets now lost to time.
Reviews
Exoticalot
People are voting emotionally.
Reptileenbu
Did you people see the same film I saw?
Dorathen
Better Late Then Never
Neive Bellamy
Excellent and certainly provocative... If nothing else, the film is a real conversation starter.
