Out of Bounds
Out of Bounds
| 31 October 2003 (USA)
Out of Bounds Trailers

Louise (Sophia Myles) is an alienated boarding school student in the midst of a hot and heavy affair with the husband of her headmistress, Veronica (Sophie Ward). Suspicion and passion hang in the air of the isolated campus until Matthew (George Asprey) suddenly disappears. Fearing the worst, Louise struggles to uncover what happened to her lover, but is foiled at every turn by Veronica, who begins to take a sadistic glee in the psychological torment she inflicts upon her. When a mysterious woman appears around the campus, Louise becomes convinced that she is being framed for the murder of Matthew, or even worse, being set up to be the next victim. Alone and friendless, Louise must keep herself alive long enough to uncover the truth of Mathew"s disappearance.

Reviews
Stometer Save your money for something good and enjoyable
Freaktana A Major Disappointment
Aubrey Hackett While it is a pity that the story wasn't told with more visual finesse, this is trivial compared to our real-world problems. It takes a good movie to put that into perspective.
Sarita Rafferty There are moments that feel comical, some horrific, and some downright inspiring but the tonal shifts hardly matter as the end results come to a film that's perfect for this time.
Theo Robertson A couple of years ago I did manage to speak to writer/director Merlin Ward who like nearly every British screenwriter was having problems getting money for his projects and was suffering the heart breaking experience of seeing his screenplays sitting on a shelf gathering dust , so when I heard one of his projects was finally going into production I felt happy for the guy . Alas after seeing OUT OF BOUNDS I found myself asking couldn't one of Merlin's other scripts have been more deserving of funding ? Some people haver mentioned that the look of the film is at fault and the whole feel of the movie has that made for television look similar to one of those feature length plays found on ITV during 9pm on a Sunday night . This is certainly true but it's the screenplay that's at fault . The story starts with an art teacher at an all girls school having sex with Louise one of the pupils . It should be pointed that Louise is 18 and well above the age of consent but I couldn't help thinking this doesn't make it all right in anyway and I watched this the same day as a certain Scottish football team revealed that their new coach was someone who spent time in jail for having sex with a 15 year old so sure as heck I wasn't going to empathise with the characters Problem number one: I couldn't empathise with the characters but that's not the major problem with the script which lies in its contrived over complicated nature in the last third . Rmember when you saw RETURN OF THE KING in cinemas ? Remember everyone started reaching for their jackets and handbags half an hour before the final credits ? We have a whole series of similar false endings here where you think the mystery has been cleared up then BANG Mr Ward decides an already over cluttered screenplay isn't complicated enough so he adds yet another plot twist which makes the story more and more ridiculous as it trundles along Merlin I hope you make a success of your career but remember one thing - Less is more
ditto_3510 Wow, what can I say? This film was superb. With a young lady trapped in a whirling story with 2 other ladies, with a dark past to hide, and about her affairs, despairs and strives for life and truth. In a creaky old 'lady's school', it provided the eerie setting for the murders that were to take place. With twists and suspense, and a fine, fine plot, this film will have you gripped. With its stunning mix of complex mysteries and murders to boot, this film was a thrill a minute to watch. Excellent acting skills and the most precise timing I have ever seen in a film really brought it together. I urge any of you people out there reading this to see it, as I hope to again. And hey, why not email me about what you think? Maybe you agree/disagree with my comments? I guess I'll see.
lakrasia It was a strong cast and tension built up nicely for a good deal of the film. I found the two main characters quite intriguing, as well as convincing. It had a creepy feel to it. The opening music suggested a cheap b film, but the acting lifted it a bit above that and it had some psychological interest. I'd have preferred if it had continued as a psychological drama; it had the potential to be better than it was.I decided not to include spoilers, but the story line really was poor towards the end. Did the writer think that we're so used to twists that we need an exponential number of them in order to keep surprising us? I enjoyed it until the last 20 minutes or so, at which point the story became plain silly. A real pity, as it was a reasonably good film in the beginning.
moviemedia This shocker of movie comes highly recommended in several recent reviews, and foolishly I've been dragging my heels on giving it an eyeballing - but now I've cracked, and what a treat to behold! Writer Director Merlin Ward's movie debut OUT OF BOUNDS, is a genuine beacon of classy Brit storytelling, shining brilliantly against the usual slew of boring Brit fare, punch drunk on easy come easy spend lottery funds. Ward is a true left brain, right brain entrepreneur, having courageously funded his own movie and surrounded himself with the best in the business to realise this incredible result. Here's a story that delivers classic tension right from the opening titles - and which had me sweating on the edge of my seat till the final terrific twist in the tail - which I genuinely didn't see coming! The fine performances Ward extracts from his cast is a sharp measure of raw professionalism, and his stars Sophie Ward (no relation), Sophia Myles and understudy national treasure Celia Imrie, should be proud to add this outing to their career portfolios. Stealthily underlying the action, composer Mark Ryder's deadly score is an unnerving cardiac backcloth, worthy of Hitchcock's chilliest - and a very natural marriage to Ward's taught and frugal direction.In the set up, boarding school student Louise (Myles) pleads with her sexy headmistress Veronica (Ward) to let her stay on at school during half term, ostensibly for extra studies. But oh dear, the seemingly innocent little girl happens to be a regular item with Veronica's hunky American hubby and fellow teacher, Matt (George Asprey). So what happens when Veronica finds out? and does Ward's dark and driving script visually live up to the graphic shock horrors that inevitably follow? For my own part, I needed a couple of Lorazepam after what you might call one of Celia Imrie's more interesting scenes!For those lucky enough to see it, Sam Raimi's wonderful US movie A SIMPLE PLAN, creatively eclipsed the more media bullish but greatly inferior FARGO. In the same way, Merlin Ward's OUT OF BOUNDS does just this to all those tired British wannabe thrillers with nothing on board but a fat promotional budget. Clearly, OUT OF BOUNDS is a great Hollywood movie in all but country of origin, and if lacking in multi-million pound promotion, still has a massive audience in waiting, by way of good old fashioned word of mouth. Press Play and enjoy!Roger Hopkins