Ombline
Ombline
| 17 November 2012 (USA)
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Ombline, a 20-year-old woman, is sent to prison for three years after committing a violent assault on a police officer. Just when she has lost all hope for the future, she discovers that she is pregnant. The law allows her to rear her newborn for the first 18 months of its life, after which time the child must be given up and placed into state care. Ombline has no intention of surrendering her beloved little boy and is prepared to do anything to convince the authorities that she is capable of rearing the child after she has left prison. As her maternal instincts assert themselves, the young woman finds she has a cause worth fighting for, and an opportunity to rebuild her shattered life…

Reviews
Evengyny Thanks for the memories!
Melanie Bouvet The movie's not perfect, but it sticks the landing of its message. It was engaging - thrilling at times - and I personally thought it was a great time.
Philippa All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.
Fulke Great example of an old-fashioned, pure-at-heart escapist event movie that doesn't pretend to be anything that it's not and has boat loads of fun being its own ludicrous self.
dbdumonteil "And the rain was upon the Earth forty days and forty nights "The movie begins with an admirable prologue in which Ombline tells her dear child the famous story of the deluge ;with no other hint at religion (the heroine does not seem to be a true believer),it serves as a perfect metaphor of what the poor girl is going through.A human being down on her luck indeed:don't we learn that her mother died when she was one and that her dad (who appears in a short sequence at the end of the movie) was arrested when she was thirteen ?That does not mean that all imprisoned women (and men) are all victims: but some really got a raw deal ,but some are indeed ,and their fight is already lost before it begins.Wealthy people have their powerful lawyers ,poor people are left in the cold world of a would be justice.And however ,Ombline does not give up; she's got a reason to live :her child. To give birth to a baby in jail does not arm you for life ;although the heroine tries to decorate the cell ,it won't delude for long : the prisoners' ceaseless screams in the night are an appalling nuisance when your baby tries to sleep.In France,the law is adamant : a woman can keep her child in jail till he is eighteen months;then he is entrusted to a host family's safekeeping.And if the mother's behavior does not satisfy the authorities,she can be denied visits .So it's a ceaseless fight against the wardens and her mates;some of them are genial though ;one of the wardens is a caricature ,par excellence the nasty woman devoid of pity ,it may seem a cliché, but we should not forget that it's a hard job ,in fact an honest movie dealing with a warden's life should be made.Of course there's hatred,violence ;but there' s solidarity too ;the scene when the prisoners work for their "Goldilock and the three bears " puppet show is a wonderful moment for these inmates who look for a bit of company;and although the host family is obviously too old and cannot realize how privileged their grandsson is ,they show much sympathy for the unfortunate mom.Mélanie Laurent is extraordinary in this thankless part ;sometimes she makes me think of a young Simone Signoret.Yes she's that much good. If some developments are artificial (the drugs in the cell) ,the movie (the first one by the director) does not suffer for it."And Noah sent a dove which returned with an olive leaf in its beak" Now , Ombline says to her baby ,we have to rebuild everything.
GUENOT PHILIPPE Melanie Thierry gives here a very interesting performance as an inmate who is pregnant and then have to face with all difficulties for her that follow. At first, I confounded her with Lea Seydoux. She looks like her very much. It's a real women's story, as we saw very often in the US movie industry, in the past, women in jail, but less brutal. A very sensitive feature, of course. We find here some ugly characters, such as the Corinne Masiero's one, the bad gal of this dark but not so desperate tale. Masiero is somewhere a sort of female Marc Barbe, for this kind of topic. If you know what Marc Barbe is usually taken for in dramas. See his filmography...A good little drama, for which, I presume, not so many audiences asked for. So shame.