Jeanskynebu the audience applauded

Boobirt Stylish but barely mediocre overall

Pacionsbo Absolutely Fantastic

Frances Chung Through painfully honest and emotional moments, the movie becomes irresistibly relatable

SnoopyStyle In NY, Buzzy (Edward Burns) and Katie (Caitlin FitzGerald) are in their newlywed bliss. It's both their second marriage. Her sister Marsha is constantly fighting with her 18 year husband Max. Buzzy gives Katie's loser ex-husband Dara a charity vacuum cleaner to sell. The couple is surprised by the arrival of his half-sister Linda (Kerry Bishé) from LA. Katie had never met her. She has come across the country on a whim to stop her ex Miles from getting married. Her irresponsible ways start affecting the newlyweds.Edward Burns delivers an ultra low budget indie. He uses the faux documentary concept. It is surprisingly well made. The characters are fun. He's trying for Woody Allen adjacent. It's not big laughs but it's loads of fun. I really like the Burns FitzGerald chemistry. FitzGerald is funny as frantic. Their struggles are endearing. It's one of Burns' better work.

phyllisknox If you are looking for a mind-numbing action film, this one is NOT it! But if you are looking for quirky humour, biting wit, some sweetness and real connection to a story, (oops almost forgot....and you also love New York City, even though it was shot in T.O. I think) take the time and enjoy this film experience. This picture is in the school of Woody Allen's New York "relationship" films. Its an interior bristling with irony, conflict and resolution, and fun. Edward Burns writing is seamless, suspenseful, mature and real. Skillfully acted, beautifully on the edge, I cared about these people. Burns has written and produced an Everyfolk picture here....thank you thank you.

aslett Despite treading in those dangerous waters of 'a newly married couple's love and trust being put to the test' Newlyweds is a surprisingly comfortable film to watch.Edward Burns is the Writer/Director/Actor/Tea & Sandwich Maker & etc. playing genial Buzzy. With his reedy voice and understated charm Burns reminds me of Gene Kelly - who he physically resembles but for an extra twelve inches in height. He's a regular guy working as a trainer at a gym. He has a prim, young and well-to-do wife, Katie (Caitlin Fitzgerald). We're informed early on that despite the fact they don't see much of each other the relationship thrives on this. We have to be told the fact because we don't actually see it in the 90 minute span of the film. Still, you have to bear it in mind as one of the questions the film poses is rather like that old joke: Should a married couple be Frank and Earnest? ("No, one of them should be a girl!" is the answer they give in Utah). For despite being newlyweds they are safe and contented. Their personalities and personal situations don't seem to allow for doubt and jealousy, drama and, perhaps, passion. And as neither is particularly big on self-analysis or inveterately curious about the other much has been left untouched and undiscovered. There is a lot of talk about 'telling the truth' and being 'honest' while wordlessly asking the question 'about what?' The major catalyst comes in the shape of Buzzy's sister Linda who has come to New York from the west coast to get an old boyfriend back (played by Kerry Bishé – who wins a gold star on her resume for a terrifically deft portrayal of a girl who's immature, unstable, provocative, self absorbed, heartbroken and a dozen more things I can't think of the words for). Throw in Katie's ex husband and her bickering sister and spouse and you have a tight ensemble cast who seem to be having a lot of fun with their characters and manage to present them in a way that allows us to criticize them but never come near to hating them.Something I love about the film: Burns has developed the Annie Hall faux documentary interviews to a new level that follow relevant scenes to behave rather like the person's conscience speaking. I know Kurt Vonnegut had a gripe about writers telling us what a person thinks but I've never had a problem with it (if a writer can tell us what underwear someone is wearing they can sure as hell tell us what they're thinking). But how do you do it in film? Having every character doing voice-overs would be dumb. So while we might wonder what the real motives of characters are in some of the emotional exchanges the 'interviews' act as a clarifying narrative. OK, I'm assuming they are telling the truth as far as they see it. I'm assuming a lot. That's the way it came across to me. And this has an intriguing effect on the way you feel (I felt) about the outcome. You may not be sure how all of the plot lines are going to unfold but you don't dread a negative outcome due to these personality building blocks that give it all a sense of karma.This is the most accomplished of Burns' films that I've seen. It has a grace and polish that makes me disbelieve stories of how quickly it was made. Surely there was a lot of workshop rehearsal work before shooting? Good film making just can't be this easy.

rwdrex Though I've spent much of my life enjoying and at times worshiping Woody Allen I've never actually related to his film's characters. But I did relate to the people in this film by Ed Burns. I enjoyed the drama and laughed my ass off at the realities of it all. And the low budget, shot on a shoestring, added to the charm.The film has a simple premise, a newlywed couple spend a couple of days of drama with the wacky in-laws and then must come to terms with their own relationship and it's newly discovered quirks.I love the in camera, documentary-style confessions of the characters. It allows for added depth and contrast to what the audience sees. And the performances are dead on. No wooden acting. Very fresh and real dialog with a quick moving story.The last Ed Burns' film I saw was She's The One, and then after seeing Confidence I kinda lost track of him. I am glad I saw this film, just to know that he's still doing quality stories. Now I gotta go back and see what I've missed.Highly recommended to those who miss the character and heart in the current big budget crap coming out of Hollywood. Kudos to Ed Burns and crew.