Livestonth
I am only giving this movie a 1 for the great cast, though I can't imagine what any of them were thinking. This movie was horrible
BelSports
This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.
Gary
The movie's not perfect, but it sticks the landing of its message. It was engaging - thrilling at times - and I personally thought it was a great time.
Benedito Dias Rodrigues
l bought this movie because Monica Bellucci of course a Italian Goddess l love her but watching the movie l realize that Monica's character is merely decorative unfortunately,the plot is around the Teacher Martino (Elio Germano) and Napoleon (Daniel Auteuil)...when the Tyrant went to island of Elba in exile he needs a person to write your memories even Martino hating Napoleon he accept the invite to have a chance to kill him,the movie works like a Italian comedy as always with those extravagant characters talking loud in your language is very funny,the casting is amazing they acting very well on their roles which complete this good picture!!!
jotix100
Martino, a young teacher in the island of Elba, has been formed by Maestro Fontanelli, an excellent educator, to be his own man and to say whatever he thinks, something that gets him in trouble at the school where we first meet him because he is teaching revolutionary ideals. The island is in a frenzy because of the arrival of one of the most influential men in European history of the 19th century. Napoleon is coming to his exile, not exactly a high point in his life.With surprise, Martino is chosen to accompany Napoleon who is writing his memoirs and is in need of help for his own project. The young man comes from a sea merchant family. His brother and sister want him to go on an commercial expedition, but Martino has decided his place belongs in Elba because he will try to assassinate Napoleon. Little deters him after his mentor Fontanelli is tried for treason and condemned to be shot by a firing squad.Martino finds his consolation with the much older Baroness Emilia, a beautiful woman. In his own interaction with the deposed emperor, a different kind of man emerges. Napoleon is seen as a more human person who really enjoys the company of Martino, not suspecting with the plans the young man's own plans for him. Unfortunately, Martino is not able to put his design into action because Napoleon has other plans in mind.Paolo Virzi, the director of "Caterina va in citta", shows why his early promise is still there. Mr. Virzi also collaborated with the screenplay, which is based on a novel by Ernesto Ferrero. The director shows he is as good in intimate drama as well as with this type of spectacle. Alessandro Pesci, the cinematographer, does an excellent job with the images he was able to get.Elio Germano, a young Italian actor is the best thing in the movie. He is playing against more experienced players, yet he manages to convince us he is the idealist youth trying to get justice to what he perceives is a noble cause. The great Daniel Auteuil is a more subdued Napoleon than one would expect from anyone's interpretation of this larger than life man. Monica Belucci is the love interest of Martino, but she has little to do. Omero Antonutti plays Fontanelli.
Gordon-11
This film is about a young teacher who has strong opinion about Napoleon as a bad person. The teacher plots to get near Napoleon and kill him, but fate decides otherwise.The production of the film is worth commenting. The sets are lavish all lavishly decorated down to every detail. Even scenes of the rather run down streets are well composed and realistically decorated. Costumes are excellent. Monica Bellucci gives a memorable performance in her argument scene in her bedroom with Martino. I think the plot is more comedy oriented, so the development of the bond between Napoleon and Martino is not strong enough. Otherwise, the film is entertaining to watch.
Federica Boldrini (federicaboldrini1984)
Screened this morning for the press at Roma film festival, "N - io e Napoleone" is easy to love. First of all it can count on great production values, as very few Italian films nowadays can, with wonderful settings and costumes. The cast is great too. Director Virzì constantly speaks of the young lead Elio Germano as "a young De Niro". Now, of course he is going a way too far, but sure the boy can act. I loved his performance, and he did a great job with the (tuscan) accent. Daniel Auteuil is a great actor and did very well as Bonaparte. It's really great to see him acting in Italian, I hope to see him working in Italy again very soon. The supporting cast worked well too - people like Valerio Mastrandrea or Sabrina Impacciatore may seem unlikely choices, but they all gave fine performances. Even Massimo Ceccherini, best known for appearing in his own moronic films and in trashy TV reality shows, fitted in well and was actually funny. The low point of the cast was the "Diva" Monica Bellucci. Sure, she was slightly better than usual, but she managed to look (and sound) utterly unnatural even in the part of baronessa Emilia, in which, with a good dose of self irony, she used her own umbro accent. The script, by veteran Furio Scarpelli and Virzì himself is clever, with lots of laugh out loud lines, and a few very emotional moments too. Sure, the ending left me puzzled. The message is kind of ambiguous: the whole film says that political ideals can bring you to blind hate, but if you get closer you will learn that the object of your hate is after all a little human being like everyone else, sometimes funny, sometimes sad, sometimes pathetic, so that suddenly it's difficult to hate him; then, in the last few minutes it says that after all it would have been better to shoot him in the head at the beginning. Personally, I dislike very much this notion. "Io e Napoleone" is still a pleasant film, the best presented at the Festival so far (the other being Fur and the Hoax). My rating is 8/10
