Manhatta
Manhatta
| 01 January 1921 (USA)
Manhatta Trailers

Morning reveals New York harbor, the wharves, the Brooklyn Bridge. A ferry boat docks, disgorging its huddled mass. People move briskly along Wall St. or stroll more languorously through a cemetery. Ranks of skyscrapers extrude columns of smoke and steam. In plain view. Or framed, as through a balustrade. A crane promotes the city's upward progress, as an ironworker balances on a high beam. A locomotive in a railway yard prepares to depart, while an arriving ocean liner jostles with attentive tugboats. Fading sunlight is reflected in the waters of the harbor. The imagery is interspersed with quotations from Walt Whitman, who is left unnamed.

Reviews
Claysaba Excellent, Without a doubt!!
ThrillMessage There are better movies of two hours length. I loved the actress'performance.
SanEat A film with more than the usual spoiler issues. Talking about it in any detail feels akin to handing you a gift-wrapped present and saying, "I hope you like it -- It's a thriller about a diabolical secret experiment."
Caryl It is a whirlwind of delight --- attractive actors, stunning couture, spectacular sets and outrageous parties. It's a feast for the eyes. But what really makes this dramedy work is the acting.
framptonhollis One of the earliest "city symphonies", and arguably one of the most groundbreaking avant garde films of the 1920's, 'Manhatta' is a lyrical, slow, and moving tribute to a great American city based loosely off of a Walt Whitman poem. The imagery isn't as intense and vibrant as that in many other films of a similar nature, whether they be other city symphonies or just other avant garde/experimental films in general, but there are several shots in here that definitely widened my eyes. The very specific positioning of the camera for certain angles helped give much of the short film a very epic feel. At some points, it even felt extremely futuristic and, to me, evoked some shots from Fritz Lang's legendary classic 'Metropolis'. It's only about twelve minutes, so any fan of experimental film might as well check it out as it is highly revolutionary and visually pleasing.
gavin6942 This groundbreaking silent documentary captures the beauty and majesty of the New York City in its streets, skyscrapers, bridges, rail yards and harbors.Is this film groundbreaking? I would have to agree with that. But unfortunately, it doesn't break nearly as much ground as it could. The film reminds me of "Berlin", the documentary made by Karl Freund and Carl Mayer, among others. The big difference being that "Manhatta" is not particularly long.And that is why I can only give it so much love, because I wish more of 1920s New York was captured on film, an era that is still remembered fondly today (2017). Any document would be somewhat priceless to the right people.
Horst in Translation (filmreviews@web.de) "Manhatta" is a 10-minute documentary from 1921 (looks older though), so not too long anymore until the 100th anniversary of this one. Looking at the year, nobody should be surprised that this is a silent black-and-white movie. The two men who made it are Charles Sheeler and Paul Strand, the former never made another film and Strand was also not exactly too prolific in the years before or after this film, probably his most famous. The reason why it is somewhat known is that it got included in the National Film Registry. I must say I did not find it an interesting watch. No narrator, but the images also do not really speak for themselves. Maybe you need to be from Manhattan to appreciate this one or have a special connection to the Big Apple. Neither applies to me. That's why I do not recommend the watch.
PWNYCNY This wonderful documentary offers a glimpse of New York City from a bygone era, when the city had factories, and steam ships we docked in the harbor and when steam and smoke was bellowing into the sky, a time of industry, of power, and economic might. The documentary suggests an industrious people, a mass of humanity inhabiting a great metropolis, uniquely American, bristling with unbounded energy. The great ocean liner entering the harbor, the impressive buildings, some of which still exist today but back then glistening structures, the epitome of modern design, all suggesting a society in which the sky's the limit. This is a great documentary.
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