Long Arm of the Law
Long Arm of the Law
| 11 July 1984 (USA)
Long Arm of the Law Trailers

A group of desperate Chinese criminals hope to make a quick, effortless score in Hong Kong. Things go afoul, and the gang must hide out until the heat dies down, besmirched with the blood of an undercover cop.

Reviews
Matcollis This Movie Can Only Be Described With One Word.
NekoHomey Purely Joyful Movie!
StyleSk8r At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.
Staci Frederick Blistering performances.
Thy Davideth Long Arm Of The Law is a film I highly recommended to anyone who likes gangsters films. Thought the concept is simple the storytelling is very well told and kept me fat and happy. The tone is very dark although at times there is some goofy $#!+ like this guy forcing a woman to blow him at gun point or when the gangsters shot this cop and he fell onto the ice ring and blood splattered. I don't know. I found it funny. Though it is mainly a crime thriller, it does have some very bloody violent action. The final 20 or so minutes of the film is f#@$ing awesome. Hard to acquire, but if you can it is well worth it.
bcheng93 i see that there is only one mediocre review and the rest were all good, so most people understood the story and what it was trying to say. the mediocre review came from an American who read only positive reviews for it, got hyped, went out and bought the DVD and then felt the only good thing about the movie was the final shoot-out. well...,he's partially right as the final shoot-out is awesome and serious fans of international gangster movies know about the shoot-out. the guy obviously has not watched a lot of movies or he would have also mentioned the helicopter scene that was ripped off in " the godfather 3 ".if the movie were to be made here in America even at that time it would have costed between 10-15 million to make probably and johnny mak was able to make a great movie that stands the test of time for under one million. we in America get the best in every department and the most budget to make movies with. we make mediorce movies with no original ideas and then our citizens mock other countries motion picture gems!huh...go figure that out!all-right...i'm done ranting, more about the movie. this movie was actually the first new wave gangster movie to come out of hong kong, a couple of years before john woo's " a better tomorrow ". it is based loosely on fact because during the 80's in hong kong the most ruthless gangsters were in fact the ones that snuck over the border from mainland china, did their crime and if they were smart got the hell out of there pronto. the movie is very bleak because its trying to show the mindset of the ruthless mainland criminals. life was pretty hard back then in mainland china, if you made 200 dollars us a month you had it pretty good. in the opening shots of the film showing guangchow city...well it really was like that. i've been to china multiple times in the 2000's and a lot of china still looks like that. the common people are very poor, there is no middle class. the reason the mainlanders went to hong kong to commit crimes was that it was easier, there were more targets and there was no death penalty, where-as in china they put you in front of a firing squad right away.i don't condone robbing and killing if necessary as a way for your family to improve its lot in life but i can picture somebody doing it out of desperation. people get sick of being poor with no way out, how would you feel if a loved one was dying and you can't afford the medicine, or not being able to put enough food on the table?so, the mainlanders go to hong kong and usually rob jewelry stores and banks. they were better criminals then the natives because they were ex- military and they were desperate. many of them wound up getting used by the local criminal elements. they were so sick of being poor that they would put up their lives as collateral to the devil. well...the crew make it to hong kong minus one member and something goes wrong right away. they were suppose to be on a planned timetable and nothing seems to work out. they get set up by the local criminal element that they are involved with and mayhem just follows and erupts.i know that there were not any famous actors in the movie except for Lin Wei and none of the production was top notch and there wasn't enough character development as it was a short film, but the movie is an oh so compelling watch. the final 20 minutes was such a compelling watch and you could actually feel the grit and the desperation and it was filmed in the walled city which is like a ghetto times 10.BTW...everything happens in the midst of two days, new years eve 1983 and then the next day which is new years 1984. that it happen then also played a part in the movie cause you could see how it didn't really mean anything to the mainlanders, but in the upscale whorehouse where they spent their last night there were no clients as everybody was home with their families.this is must watch hong kong cinema and if your a gangster movie fan then that is a double bonus. this movie ranks very high in the best movies of the 80's from hong kong. i think it is in the top 5 and it is certainly in my top 5. enjoy it if you get the chance...and i have to say again it is very bleak, not a happy film.
Dmitry Alemasov Released in 1984, "Long Arm of the Law" has a layer of historical context that may be unfamiliar for nowadays audience outside China.The movie is exactly set in time: around Christmas of 1983 and New Year eve of 1984.In the very beginning the police file of Big Tung (or Brother Tung, called so by his buddies and partners from HK underworld) is displayed.Aged 32 at the time, Tung was one of the Red Guard leaders in Canton back in the Cultural Revolution, moved to Hong Kong in 1979, since then was suspected of several crimes. Obviously, other gang members were in the ranks of Red Guards too. As I think, they inherited their merciless and cruel attitude to others from there.On the opposing side, there is superintendent Lee, looking between 40 and 50. In the sixties he surely was on service and stood against leftists who terrorized Hong Kong in 1967. For him, the "O Gang" came from that time. In the eyes of this police official, chasing the gang was not investigation but warfare, and finally it turned so.
Schwenkstar When I came across this film on IMDb I found the comments here to be very positive, portraying the film as one of the milestones of Hong Kong action cinema. With these glowing reviews I decided to make a "blind buy" purchase and order it on DVD through an online retailer. It was only $8.00 and I figure it was worth the gamble, especially since I had such admiring reviews to back me up. This aura of positive reviews, however, made me ask the question, "If this film is so essential to Hong Kong cinema, why hasn't anyone seen it? Or better yet, why is it completely unknown?" After I received my DVD and watched it, I found out.The film is rather dull in all accounts. The film tries to build back story for the characters in the beginning of the film, but it only spends approximately ten minutes here before thrusting the characters into a clichéd action story. Ten minutes isn't enough time to build characters, especially when there is about six characters to develop.And the film doesn't spend time on their relationships or internal psyches throughout the rest of the film. Instead, it concentrates on a fumbled heist, a few murders, torture, and whorehouses, totally devoid of any human emotion.And the acting doesn't doesn't help in any way either. Most of the characters seem to be assigned one emotion and each must play that emotion to the fullest. As a result we witness over-the-top and occasionally irritating performances (some of the characters seems to be be on the verge of tears every time they are in a mess, causing the audience to groan at their complaining and constant whining).As for that narrative portion of the film, it is greatly unfocused. The film is more of a culmination of scenes rather than a solid plot thread and the audience becomes confused trying to figure out how these scenes are related.Also, the film places focus on irrelevant and unimportant scenes that do not further the story nor the development of the characters, such as the time spent on scenes at the whorehouse. These scenes seem pointless since they merely show the sexual intercourse between the men and prostitutes and do not add any commentary on anything.However, the film does contain one noteworthy merit and that is the final shoot out that takes place in the back alleys of Hong Kong.The sequence lasts about ten minutes and is indeed well executed. Here, the fugitives are running away from what appears to be an unending force of police officers through a labyrinth of hallways. The narrow passages and maze-like structure reflects the claustrophobic nature the characters are feeling and as more and more officers propagate within this tight locations, the fugitives are squeezed into a smaller and smaller area until they must make a final stand.However, this scene is only well made on a technical level. Since the characters and story are so underdeveloped, we don't really care what the results of the shootout will be. Instead, the viewer will take joy in the sequence on a purely visual level, making the scene an experience but not a satisfying dénouement.I don't see how this could possibly be a cornerstone of Hong Kong cinema when it has been so sloppily made. Most likely the film has simply received a small cult following thanks in part to the well executed final sequence, and thus have been over-praised in some areas.The film isn't a totally lost, but it really isn't worth seeing. I would recommend this to only those who are Hong Kong Action (Heroic Bloodshed, Gun-fu, Bullet Ballet) completests, and even then it would only be to see that final scene.