GetPapa Far from Perfect, Far from Terrible

Aedonerre I gave this film a 9 out of 10, because it was exactly what I expected it to be.

Ava-Grace Willis Story: It's very simple but honestly that is fine.

Kinley This movie feels like it was made purely to piss off people who want good shows

twuaung This review contains **Spoilers** and the reason is because I came here after watching the movie to see what others thought about it. It's quite confusing at the end...because it's unexpected. Some of the reviews are hilarious, others reflect the viewers' confusion. As soon as it ended...I had a theory, and I don't see any other theories like it - so this is my way of documenting that. Two things I would suggest...1) At the end go back and watch the beginning and 2) listen to the story of the fox & the hare at the beginning...and then go back to the end (again) to listen to its continuation. Some people said the fox was trying to convince the hare to go on an adventure...and we assume the fox is the bad guy...but I think the hare is the tricky one here...firstly, the hare asks the fox to be friends...that's immediately suspicious. And all of the things that the hare agrees to...are not in the hare's nature - so this is a deceptive hare (or a self-deceived hare). Secondly...someone was wondering which boy was the fox and which was the hare...I think it's obvious. Johann (dark hair) is the hare. As the narrator pans to him at the end...he references the hare - and he references the questions they (alluding to the doctors) were asking the hare...as doctors ask Johann questions...why were you in the forest? Was there anyone with you? (was he there alone...?) Why the ropes? Then at the end the hare asks the fox...why did you leave me alone...and the fox says, I thought it was YOUR idea. Going back to the beginning...when he was trying to remember whose idea going into the forest was...Robin's or Johann's...and he couldn't remember well whose idea it was.So this is my theory. There is no Robin...there is no Fox. 1) This movie opens up and ends with Johann being in a mental institution (one where he's being a 2-way mirror...where he can be observed by doctors) - so we know he has some mental challenges. I believe that this entire story happened in his head. This is why he can't remember who came up with the idea...was it him? was it robin? - Robin is a hallucination in his mind. And it's also why, at the end, he asks the fox...why did you leave me alone? "I thought it was your idea" he said to the hare. The hare orchestrated it. 2) I think that's why he was acting so strangely, at the end...he was beginning to suspect something was wrong...and he set up a trap, with ropes. We don't see the other guys face in the trap...we can only see him - he trapped himself. 3) I have another theory, in addition to the first, that Henri, the lady's son, was actually Johann...and he was having flashbacks of his childhood. He was jealous of Robin's interaction with the boy...but it was himself...as a child, before he came out. He began reading the book - and there were letters in it...and the letters made him suspicious of who was behind all of this...so he began acting strangely, went back into the woods, & set up a trap and trapped himself. Also remember when they found the farmhouse and the boys mention the bikes disappear in the middle of the woods...Henri has a look on his face - he knows what happened to the bikes...because Henri is Johann...and all of this is happening in Johann's mind.

Horst in Translation (filmreviews@web.de) "Rückenwind" or "Light Gradient" is a German movie from seven years ago written and directed by Jan Krüger and this was far from his first work in terms of gay-themed movies. And admittedly, it is also not as bad as the short film he made on this matter early in his career. But "Rückenwind" is still a pretty unsuccessful project overall. There was not a single factor about this film that I really liked. I have seen many gay-themed (short) films and the problem is in 90% of the cases that the film relies way too heavily on the couple being homosexual and not heterosexual as if this was already a major plot point. In my opinion, you have to deliver in the face of this background information and not act as if this is the plot already. To be more focused on this film here, this is also a major flaw I believe. Apart from that, the writing does not feel too inspired either. It was obviously the maker's intention to deliver a character study here, in which nothing really spectacular happens, but even from that perspective I found it lacking and boring. It certainly does not help that the two lead actors do not seem to be among the most gifted of their craft. looking at their bodies of work in recent years, it seemed that they stopped acting. And Krüger also has not made a feature film in 5 years anymore. I hope if he does another one one day, he will have improved a bit as "Rückenwind" is disappointing for the most part and lack relevance despite being very short and running only for approximately 75 minutes. Not recommended.

jm10701 I loved this movie! I don't care that I don't understand the end or much of anything else about it. I may figure it out someday, or I may not, but that does not in any way diminish the joy this wonderful movie gave me.I was fascinated for every one of its 75 minutes. The music alone is exhilarating, an eclectic mix including an 18th century Handel song and modern instrumentals that made me want to dance (and I am NOT a dancer). Sebastian Schlecht, who plays Johann, the darker-haired of the two lovers, is extraordinarily appealing in a quirky, understated way, and his expressions during the last ten minutes of the movie just blew me away.I never assume actors are gay, but if these two are not, then they had the best direction any two straight actors ever had, and they followed that direction with courage and dedication and talent few actors have. I believed completely in the passion and the tenderness between them, and their love scenes are some of the most erotic I have ever seen, although they are not even close to being explicit sexually.I can't get over how much better this movie is than other reviewers led me to expect.

Jon ****** POSSIBLE SPOILERS ********** But wait! You can't spoil a movie that has nothing to spoil!I'm a fan of indie films and foreign films, but I'll be the first to admit, I've seen a lot more bad ones than good ones. So as an expert on bad movies, let me tell you, this one is terrible. What happens in it? Maybe something, but whatever the hell it is, it happens off-screen. There's a lead-up to the point when the something may or may not have happened (i.e., the whole, drawn-out, insufferably boring movie), and an epilogue in which a character mumbles something about a fox and a hare in a hospital.But what happens? Well, there's a flash of ropes, and a struggle and darkness, and.... well that's it.I'm not exaggerating. That's the movie. the lead-up is lyrical... a prologue about a fox and a hare... then lots and lots of bicycle riding in the woods. Bicycling riding on abandoned runways. Sun shining through the trees as they ride bikes through the woods. S&M in the woods, robbing sandwiches from other bike riders in the woods. Outdoor showers with a garden hose, skinny-dipping on a pier, and then the thing that possibly happens, and then the epilogue.At least "The Singing Forest," in my mind the worst movie ever made, *tried* to tell a story. This one doesn't even try.So this is how to torture Hitler in hell. Strap der Führer into a chair, with his eyes pried open a la Alex in A Clockwork Orange, and force him to watch the "Light Gradient" over and over... But, every time it finishes, pause to beat him and shout "Achtung! Explain it to me, Herr Hitler! I know you understand what happened! Now talk!" Beat him for five more minutes, say "Vee haff vays to make you talk" and play the loop again.Hmm. Maybe even he doesn't deserve that.