Phonearl
Good start, but then it gets ruined
Glucedee
It's hard to see any effort in the film. There's no comedy to speak of, no real drama and, worst of all.
Billy Ollie
Through painfully honest and emotional moments, the movie becomes irresistibly relatable
clamshack
Its amazing to see that a short film can pack such a powerful punch. The interaction between the two actors is really what takes this simple story to the next level. The young girl (Milya Corbeil-Gaubreau) ) is a natural talent, visibly at ease in front of the cameras. The dad (Alain Houle) portrays a complex set of emotions, from light and happy at first to torn and sad as the story unfolds. Its surprising to see such a convincing display: he really conveys how his mood is transformed within a short span of time. Very moving.I'm not usually a fan of shorts but this one made a believer out of me.Won best international fiction at Sundance. Both the director (Genevieve Dulude-Decelles) and the actors show immense talent.
Eric M. Van
The story of this French-Canadian short film (part of the 2014 Sundance Shorts program) could not be simpler: a young girl is spending time with her Dad and positively bubbling over the prospect of enjoying a special evening with him, when an alternative unexpectedly presents itself. What was a simple situation a moment ago is now a complex one, and the mood changes instantly. The young actress playing Fanny, Milya Corbeil-Gaubreau, makes her debut here and is a gifted natural. The directorial style might strike some viewers as slow, but with actors this good, you want to linger. The director, Genevieve Dulude-Decelles, is a talent to watch.