Breakinger A Brilliant Conflict

filippaberry84 I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

Usamah Harvey The film's masterful storytelling did its job. The message was clear. No need to overdo.

Tyreece Hulme One of the best movies of the year! Incredible from the beginning to the end.

Suradit If you enjoy stories based on ridiculous premises; if you're a devotee of deplorable acting; if you get a kick out of seeing naked men who, for the most part, would be best filmed in really dim lighting, this is the movie for you. The lead character is reasonably good, but most of the supporting cast seem to specialize in over-acting while spending their time unsuccessfully searching for ways to speak that don't sound like Nathan Lane and Martin Short trying to be too camp.Reminds me of porn produced 40 years ago with modest improvements in the technical results.

bkoganbing It's fairly obvious that the man who pretends to be a director Bruce La Bruce ought to stick to doing strictly porn. His pretensions to art wouldn't be taken seriously in a Film 101 class at NYU.Performing for porn and acting are two entirely different skills and our director seems not to notice the difference or care. His performance as the effeminate writer is no homage to Truman Capote. If Truman were alive he'd sue. In fact if the sisters of the late Eigil Vesti are alive I hope they sue this man. Naming one of your characters with the same name of the victim of a sensational gay homicide is not my idea of satire.Back in my working days at the New York State Crime Victims Board, I got into the Norwegian Consulate to do the paperwork intake for a claim filed by one of the two sisters of Eigil Vesti. Eigil was a young and naive Norwegian kid who was picked up and killed for somebody's idea of kicks. Before his body was discovered with a black leather mask on his head, his picture was all over the Greenwich Village and Chelsea areas of Manhattan as a missing person for about three weeks.I really fail to see the humor in using the name of the victim of one of the many GLBT homicide cases I did a claim for. He was a beloved younger brother to those two women from Norway whose first visit to the USA was to bring back his body for burial in their country. Having dealt with Eigil Vesti's family, I see no humor in defaming his memory in this disgusting manner.The film was bad enough as it was, using Eigil Vesti's name was way beyond bad taste, it's despicable.

flowerboy When the director is also an actor, you know you're in for some painful viewing. This movie is another case in point. LaBruce gets more and more self indulgent as the movie progresses, ending with a long scene of him kissing (very badly I must say) his true love Ward and then prancing away down the beach with him. As if to say 'this is my movie and i can do anything I want!' Totally ridiculous. Why do these directors do it? I guess it's because they can. Yes, there are some really morbid scenes of S&M (the one of the Vercase man being cut with a blade was really awful to watch), amputees etc. but that doesn't make this movie "edgy". I guess I ended up watching it because I'm gay and this is a gay movie, but how I suffered!

Phatima In HW, the always-entertaining Bruce la Bruce has produced his most appealing film to date by far. Model and former Madonna boy-toy Tony Ward is sweet and funny as Monty, the object of ice-queen film-maker Jurgen Anger's (played by la Bruce) instant love. The graphic, fetishistic sexual encounters of Santa Monica Boulevard hustlers and their johns are merely clever sidebars to the main story of Monty and Jurgen's collaboration and romance. HW is far too bizarre for mainstream moviegoers; a pity, as its themes are universal and their exposition right on target.