Titreenp SERIOUSLY. This is what the crap Hollywood still puts out?

PlatinumRead Just so...so bad

BoardChiri Bad Acting and worse Bad Screenplay

Erica Derrick By the time the dramatic fireworks start popping off, each one feels earned.

jm10701 How do I get it all into just 1000 words? Having read some negative reviews before watching the movie, I set out to prove them wrong. I can't. This is a TERRIBLE movie! I'll just list a few of its most glaring flaws:(1) The dialog is about half in unintelligible English, half in Armenian; the DVD subtitles translate Armenian into English but leave us to struggle alone through mumbled English and VERY heavily accented and garbled Armenglish; the closed captions do the opposite, giving the English dialog ONLY; all through the movie I had to switch back and forth between subtitles and closed captions as the characters switched between Armenian and English; it was infuriating.(2) ALL of the dialog is stilted, pretentious, moronic crap, but EVEN WORSE than the dialog is the mind-bogglingly stupid pseudo-mythological narration read by poor Peter Coyote, who must be desperate for work.(3) In some scenes, extremely shallow depth of field and oblique angles caused the camera to have to shift focus constantly, which completely ruined whatever was going on and gave me a headache; it was most noticeable when Will was writing an email, but the focus shifting happened pretty often; maybe it was supposed to be artistic, but it was just distracting.(4) Ben Foster is TERRIBLY - and I do mean TERRIBLY - miscast in this movie, and he seems to be angry about it all the way through. I have never seen such obvious discomfort IN EVERY SCENE from any actor in any movie. It's like watching him sulk for two hours. Besides making the whole movie irritating, his extreme discomfort kills whatever chemistry there is supposed to be between his Will and Lubna Azabal's Gadarine.(5) Braden King is an untalented narcissist. He should NEVER be allowed to make another movie! Maybe he can get a job at Burger King in some small town I'll never have to visit.

Armand at first sigh, a film about nothing. in fact, a mirror. or a trip. or a basket of questions. a poem. and frame of a meeting. the gorgeous images from Armenia, the faces and words of characters, the Romanian "Bun e vinul ghiurghiuliu" in a bus from Caucasus are only ingredients. but the subject of film is importance of roots. discover of sense. silence as aura. and delicate steps of self image. a film about birth of miracle. and about sparkles of its cell. nothing else. nothing more. so, all common pieces are different. the man in a strange country in search of pure freedom. a woman who describes her as result of her pictures. an Armenian family. few friends. and the shadow of gestures. essence of story - the church. the window as stick. the priest in Holy Liturgy. the nuns. and the solitude of stranger far by his guide.

bitashafipour I'm not a harsh critique when it comes to slow, beautifully shot romantic films and I grew up with Iranian cinema and the utterly slow movies of Abbas Kiarostami, Majid Majidi and Mohsen Makhmalbaf, but 'Here' is slow for no good philosophical, metaphysical, spiritual, or even sensual reason. The cinematography is lovely, and the production value is good, but the script could have had a couple of rewrites. The acting is okay and what makes it okay is not the work of the actors but the weakness of the script and the lack of enough tension or conflict for the actors to deliver their best performance possible. Despite the slowness and the rawness of the script, I did like the setting, Armenia, which we don't get to see very often in non- Armenian cinema, and how life is like there.

sergius248 This is one of those movies that let one wander ones own masochistic tendencies. There are some interesting premises, the exotic allure of the Armenian location, known and usually decent actors, a background of a complex and modern conflict and the human interest of a different culture. All is wasted. From the first moment of the movies one realizes that it is an exercise in narcissism. All unveils on incredible slow pace, with the long shots of landscapes, glances and a mostly discontinued episodic narrative. The type of film you can leave for coffee and return to without missing much. At the end it boils down to the story of a rather uninteresting romance interspersed with insufferable dullard voice-overs and tedious pretentious imagery. Avoid.