Cleveronix A different way of telling a story

AnhartLinkin This story has more twists and turns than a second-rate soap opera.

Sanjeev Waters A movie that not only functions as a solid scarefest but a razor-sharp satire.

Brenda The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

Leofwine_draca HAPPY PEOPLE is another sterling documentary from Werner Herzog, this time exploring rural life in Siberia. Herzog is my favourite documentary filmmaker so it's a natural that I'd enjoy this movie and it's just as good as the rest of his work. For much of the running time this film follows around trappers as they strive to survive in an inhospital landscape. There are stunning landscape shots and nature photography as well as animals, dogs, and handicrafts. We watch the trappers set their traps and build canoes and cabins while lengthy interviews with the wilderness people really get to the heart of the subject at hand. As is usual for Herzog, he takes a little-known subject and explores it in depth in a fascinating way.

dylansgabriel The documentary starts in the village of Bakhtia at the river Yenisei, in the Siberian Taiga. (The Taiga is the surrounding wilderness.) There are no roads; the only way to reach Bakhtia is by helicopter, or by boat. And even boats can only get to Bakhtia during the few ice-free months; otherwise the river is frozen over.Bakhtia has approximately 300 inhabitants, and the majority of them make their living as trappers. Most of the film focuses on these hunters. And, say the trappers spoken to, they are happy. Out of all the opportunities available to them, trapping is the best way to make a living, they explain. One gets to work and live in the beauty of the Taiga, and the only person they must answer to is themselves.The nature and landscape seen in the film is of course stunning. The documentary was filmed over the course of a year, and across the four seasons, and that is the way the film is divided (starting with spring, ending with winter).The trappers we follow are seldom in Bakhtia. There is only a small window of time in which they can hunt, but most of their work is done preparing for the hunting. And they stick to the old ways, being almost entirely self sufficient. The only two modern technologies they use are chainsaws and snowmobiles. Other than this, the men make everything themselves; their own shelter, their own traps, and they catch and prepare the majority of their own food.The men trap alone, and only have their dogs for company. "You are no hunter without a dog," one trapper says. But the companionship the men share with their canines is just a bonus, because the dogs are used practically. Actually, the dogs' presence is discussed extensively in the film. One of the most interesting things, as one man discusses, is the relationship these trappers share with the animals. He explains that some men nearly share a plate with their dog, and let the dog sleep on their cot. Himself? He makes his dog sleep outside, even when it's very cold, and he does not feed it too much. Though, he still says, there is definitely love shared between him and his dog.The film also tackles a major problem in Bakhtia: alcoholism. As one labour worker explains, most of the old ways (such as the critical role of elders) have been lost and forgotten. So now drinking is rampant, perhaps because most men only have their work (monotonous, lonesome, and tough) and nothing else.One aspect in which the documentary is lacking, is that it fails to suggest any solutions (either from the filmmakers, those filmed, or anyone else) of how to heal the problems these humane and modest people face. Seeing into Bakhtia, I was both grateful for and saddened (mostly saddened) by my Westernized life. The trappers in the film claim to be happy, but how pleasant, truly, can such a severely isolated life, killing and constantly working to survive, bring happiness? I think what is meant, is that out of the opportunities available to them, trapping is indeed the best. Happy or not, without having to answer to any government, or anyone else, these hunters really are their own makers, in the good and the bad."Happy People" is a rare, thought-provoking look into a type of life many would otherwise never be able to see. It's a solid, responsible, and progressive use of the film medium. But when it comes to deeper political issues, and discussion around them, "Happy People" misses the mark.screenplayisles.blogspot

Yashesh Joshi With "Happy People: A Year in the Taiga" Werner Herzog (along with Dmitry Vasyukov and crew) once again ventures into an exotic, distant land; narrating traditional (at times prehistoric) way-of-living of the 300-odd people in the remote village of Bakhta in Siberian Taiga.The film primarily focuses on village's main breadwinners: 'trappers' who quarry in the thick of below -50 degree winter in the wilderness stretching thousands of square kilometers, across the Yenisei River flowing alongside the village. The village is almost untouched by modernity and highly independent--snow-mobile and chainsaw few of the exceptions. Inaccessible most of the year, village can only be reached by a plane, or a boat in the short-lived, appropriate spring-summer season. Herzog/Vasyukov esthetically showcase the authentic 'happiness' a human-being relishes even in absence of technology and materialistic advancements. All you need is a sense of freedom and accomplishment that folks in Taiga mostly come upon by the constantly keeping themselves constructively engaged. Instead of harming/modifying the nature, they have learned to live in harmony with it--assimilating their lifestyles around four different seasons: Spring, Summer, Fall, Winter.The related blog-post has some delightful screen captures from the film covering the 4-season cycle and the specific chores set around them. Wish I could post them here, somehow! Posting sans the pictures, anyhow.Spring:-Passing on the conventional wisdom (Ski-making) -Setting up the base structure of quarry-traps -Smoking the Ski for shape and sturdiness -Canoe for fishing made of local wood -Widening of canoe using fire -Testing the new canoe and green huskies in first watersSummer: -Constructing huts for deep winter in the wilderness -Thawing of the river, Yenisei -Inherent tendencies of the Orion kicking in!Fall: -Nut gathering squirrel connotes: "Winter is coming" -Night-fisherman: fish is attracted to the fire-light -Storing supplies nearby winter hut, away from Bear's reach -Bear hibernating but rats still a threat -Wading upstream: Transporting essentials to the hutWinter:-Checking the traps for quarry Earning his keep, smells prey! -After a hard day's work returning back to a roof that might cave-in under snow -Meanwhile, in the village: Fishing Holes Returning home for New Year/ChristmasTrappers visit family during festivities, notice the husky running behind the snowmobile--he runs all the 150 frozen kilometers of the river! After a short stay with family (till Jan 6, Christmas) a trapper gets back to his wilderness for a couple more months--to his hut (that is naturally insulation using earth and dry moss) with his best friend.Thanks to Herzog, this documentary is a chance to live a dream lifestyle lot of us crave for.

SpiritFilms If you like Werner Herzog then this film won't disappoint. His style is simple, honest and transparent. He gives you a clear sense of the reality of what most people would perceive to be a harsh way of life in the Russian Taiga. We see humans who are connected to the cycles of nature, to the animals, the forest and to their traditions. There is a quiet wisdom and deep joy in this way of life and the film serves as a powerful contrast to virtually every other piece of media being made today. The film is like poem to a way of life that now seems like a distant dream. It is beautifully shot, with vignettes that look like they are living paintings; Russian characters from the time of Tolstoy or Dostoyevesky.