ManiakJiggy This is How Movies Should Be Made

Hadrina The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

Brendon Jones It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.

Micah Lloyd Excellent characters with emotional depth. My wife, daughter and granddaughter all enjoyed it...and me, too! Very good movie! You won't be disappointed.

merklekranz Vincent Cassel is at the top of his game, scoring a half million dollars in a daring robbery and shoot out. Treat Williams and Paul Schulze play his squabbling sons. When the old man is shot by some unsavory characters looking for his stashed cash, Williams and Shulze each get partial information on the money's location. This of course smacks of Clint Eastwood and Eli Wallach's quest for Confederate gold hidden in a cemetery, while being pursued by Lee VanCleef, in "The Good, the Bad, and the Ugly". There is some sharp humor in "Hand Gun", and the acting and character development is excellent. Highly recommended. - MERK

rsoonsa This entertaining and well-crafted film opens with a ferocious shootout, following a New York City daylight heist, after which only one of the bandits survives, Jack McCallister (Seymour Cassel), who flees with one-half million dollars that he stows in a Coney Island storage facility locker before going to a hiding spot, a dingy apartment, while being sought by police and mobsters, in addition to Jack's sons George (Treat Williams) and Michael (Paul Schulze), all of whom are desirous of locating the secreted loot. Jack is deceived and gunned down, but before his death he separately tells his sons a portion of information that will lead them to the locker, and if they combine this death throe knowledge, the cash will be theirs to share equally, but mutual distrust between the brothers who additionally are being pursued by renegade police and gangsters, leads to an exciting and ironic climax. Acting throughout is top-flight with players being ably directed, and ad libbing is smoothly accomplished by Williams, together with Vincent and others, the former earning acting honours with his terrific turn as an amoral career criminal, while others who impress include Schulze, Cassel, Star Jasper and the unduplicatable Anna Thomson (Levine) as Jack's lady love. Director Whitney Ransick scripts as well, a very neatly composed screenplay, indeed, as he confidently weaves various subplots together, abetted by consistently creative compositions from cinematographer Michael Spiller who, along with composer Douglas J. Cuomo, strongly benefit a film that avoids hackneyed formulae that plague its genre of crime themed works, thanks to the solid contributions from all involved, including those charged with post-production finishing.

sbunc92-3 I'm not sure why this movie was called Hand Gun. There are a lot of guns in the movie but the title is to generic. The movie itself is mostly forgettable and none are the characters are very sympathetic. It does have a surprising sense of humor. It is subtle but it is there.

John Seal Handgun is about as original as its title, but it benefits from a reasonably well written screenplay and a simply outstanding cast: really, how can you go wrong when you have Seymour Cassel, Frank Vincent, Luis Guzman, Treat Williams, Michael Imperioli, and Paul Schulze all in the same film? Predictable? yes. Enjoyable? Thoroughly. Mob movies fans need to catch this one.