Hamlet
Hamlet
| 07 July 1964 (USA)
Hamlet Trailers

Shakespeare's 17th century masterpiece about the "Melancholy Dane" was given one of its best screen treatments by Soviet director Grigori Kozintsev. Kozintsev's Elsinore was a real castle in Estonia, utilized metaphorically as the "stone prison" of the mind wherein Hamlet must confine himself in order to avenge his father's death. Hamlet himself is portrayed (by Innokenti Smoktunovsky) as the sole sensitive intellectual in a world made up of debauchers and revellers. Several of Kozintsev directorial choices seem deliberately calculated to inflame the purists: Hamlet's delivers his "To be or not to be" soliloquy with his back to the camera, allowing the audience to fill in its own interpretations.

Reviews
Steineded How sad is this?
Platicsco Good story, Not enough for a whole film
CrawlerChunky In truth, there is barely enough story here to make a film.
Freeman This film is so real. It treats its characters with so much care and sensitivity.
machadocoelho I have first seen Kozintsev's Hamlet back in 1963 and saw it again yesterday, as part of my job as music critic in a São Paulo newspaper, for the commemoration of Shostakovich's centennial -- he is the author of the soundtrack. The film has not aged, it is still one of the most beautiful adaptations of Shakespeare tragedy, Smoktunovsky's acting is thrilling and Shostakovich's soundtrack is marvelous. His irony reveals itself in the way he accompanies the scene at the graveyard: Hamlet's bittersweet dialog with the gravedigger (what an actor!) and his sad monologue about frailty having in his hand's Yorick's skull. A great film!
hamletmachin I share the previous reviewer's high estimation of this wonderful film. It is a highly political and imaginative interpretation of Hamlet, making Hamlet a man of action who is nevertheless alienated at court. The opening sequence is a stunning interpretation of Hamlet's view that the time is out of joint--Hamlet rushes back to court on horseback even as the flags of mourning are being unfurled. Claudius's speech is delivered by a herald and then translated by ambassadors. When we get to Claudius giving the rest of it to his court, it's not clear how much time, if any, has passed. nor is it clear who is in command (who is giving the orders that the flags be unfurled, cannons fired, the proclamation read, and so on). When Claudius finally addresses Hamlet aft the camera tracks him moving right down the table of courtiers, Hamlet's chair is empty. the opening sequence also moves from open external spaces ( a shot of the sea, a long shot of the land, and moves to increasingly shut in , interior spaces (the castle gates drop as the music gets ominous) to suggest that Denmark is indeed a prison. Visually and musically the film is very rich. I would rank this as the best of the filmed Hamlets.
sunlion Film is like a poem - nothing can be added, nothing can be taken away. Black and white shades only add to the graphic drama. Acting is as powerful as a storm on the high seas. I strongly recommend also "King Lire", also in black and white and in the same "Olympic" quality. Note! - not for the blockbuster lovers,movie is very artistic, it requires you to actually understand what is being said.
dmeltz I have to marvel at the production values in this wonderful film. Exquisite sets, lighting and costumes. Stunning location. Epic original music score by Dmitri Shostokovitsch -- the music alone is more than enough to recommend this film. Great acting by, among others, Innokenti Smoktunovsky as Hamlet. Every scene an artistically complete poem of light and sound. Oh, and if you wonder what it's like to hear Shakespeare in Russian . . . it's great! The translation is by Boris Pasternak, one of the finest poets in any language. An epic treatment of the epic story.