Ghost in the Shell 2.0
Ghost in the Shell 2.0
| 12 July 2008 (USA)
Ghost in the Shell 2.0 Trailers

In the year 2029, Section 9, a group of cybernetically enhanced cops, are called in to investigate and stop a highly-wanted hacker known as 'The Puppetmaster'. Ghost in the Shell 2.0 is a reproduced version of its original 1995 counterpart. Among a numerous enhancements, for the film's 2.0 release, were a number of scenes were overhauled with 3D animation, visual improvements, and soundtrack rerecorded in 6.1 surround sound.

Reviews
MoPoshy Absolutely brilliant
Beystiman It's fun, it's light, [but] it has a hard time when its tries to get heavy.
Organnall Too much about the plot just didn't add up, the writing was bad, some of the scenes were cringey and awkward,
Neive Bellamy Excellent and certainly provocative... If nothing else, the film is a real conversation starter.
artur-artborg First up, I want to make it clear that my rating goes to "Ghost in the Shell 2.0" and not the original film. The rating has nothing to do with the original storyline or old animation blablabla but only this new version, which is completely unnecessary in every imaginable way. The classic animation utilised in the original film looked amazing, and removing some of these classic masterpiece animations and intercutting them with new CGI stuff looks and feels, well, wrong.It's not BAD CGI, but unnecessary, and jarring when intercut with the older (and in my opinion superior) style.Don't watch "Ghost in the Shell 2.0". Buy the original version and enjoy that one instead.
Angels_Review This story was… well confusing. The problem was that they had a 'puppeteer' who was changing people's thoughts and memories in order to use it for his own purpose to hack into official's heads. I won't lie, I don't normally understand all that political stuff. The fact that this was so heavy in that made it more of a chore to try and figure stuff out. If I missed something that someone said, to bad, I couldn't really go back and check it out because I wouldn't know where to find it again.When we get to the characters, the only ones we really get to understand slightly are Batou and Kusanagi. The others just seem like background characters compared to them. Even then, we don't get much about the two although you can tell that Batou really cares greatly for Kusanagi. When we do get near the end, it does get into a rather interesting and deep. It really dives into physiological problems and aspects to life. It might of still been a rather confusing show but I did enjoy it.The art style starts out with a lot of CG stuff in the beginning of the show and then going deeper into the normal animation after. I have to say they really took me off guard when they showed the naked body of the major in CG while she was working. Of course then they had to have an opening that expanded on showing a women's naked body being created through electronic means. There were little scenes where they would do a bit more of the CG and half of it is rather pretty. Some of the characters designs seem a bit off from how they looked in the anime that I had watched part of before, namely the major. Still, the camera angles and some of the ways they showed the world felt very classic to the anime style of the late 1990s.Some of the sounds are a bit off and the English voices sometimes don't match lip movements but the voice actors really tried their best to make such a serious show work. You can tell just how they read their lines that they were trying really hard to keep it interesting but sadly, I keep feeling that they do a whole lot of talking and sometimes not all that much action or just a lot of shooting. When we do get action, its mostly slow movement, looped or over almost as fast as it starts. Now there are also some talks that feel more like a lecture about the problems with the cyber technology and a philosophy of having your own identity. These small parts were the only things that kept my attention as the others talks seemed a bit more complicated and I had no way of understanding the political problems.
siderite As many have noted in their comments, the new CGI in this remastered version of the original Ghost in the Shell movie do more harm to the film than good. I mean, they are nice and all, but they don't add anything to the story and they contract strongly with the original animation.This being said, the movie is almost the same, so just as great. As a subject it is one of the masterpieces of modern sci-fi. One of my favourite films, GitS spawned two films and a series just as great, all adding more to the initial exploration of the human soul in the face of ever more complex and intrusive technology.I believe its beauty stands in the many levels that the film can be perceived at. If you are looking for flashy technology, police procedure and explosions, you have them all. If you are looking for dark political intrigue, there is plenty of it. If you are going for more philosophical aspects, like the source of the self, the true spring of identity and consciousness, that is at the very heart of the story. It's a win win situation. I can hardly wait for the film that is to be filmed in 2011. I just hope they don't turn it into some mellow brainless thing, like so many movies nowadays.Bottom line: I've seen the original a long time ago, so I can hardly comment on the differences. My advice to you is to watch either of them, because it is totally worth it.
foodi The new scenes are nicely executed for the most part, but completely unnecessary. As eye-candy on their own, they're not particularly impressive either. Further, they tend to break the flow of the film, especially when cutting directly from the new CG to the cel-animated original. Clearly, the entire film should have been revisited rather than this selective and perfunctory approach to an update. It reeks of something George Lucas would do (i say that negatively) and sadly, GITS2.0 fails to live up to his much more seamless updates of the original STAR WARS films.More importantly, some shots lose their original intent somewhat, for example the scene where Motoko rises to the surface during her dive; also the angel-vision that Motoko has just prior to being blasted by snipers was diluted. There are little details added here and there like rain etc, which do add to the atmosphere, but ultimately i was left wondering about the intentions of the people that carried out this re-envisioning. I cannot for a moment believe that Oshii was consulted regarding small but important decisions like changing the sex of the Puppet Master from male to female. In the absence of the original director's blessing, i have no choice but to condemn what seems to be a superficial attempt at re-marketing a classic.As an introduction to the franchise, GITS2.0 is still more than adequate, but it merely offers a diminished and disjointed experience compared to watching the original.The sound FX are improved, although lacking in subtlety. Other user-comments suggest music was redone but i detected no apparent changes.