Harockerce What a beautiful movie!

Rijndri Load of rubbish!!

PiraBit if their story seems completely bonkers, almost like a feverish work of fiction, you ain't heard nothing yet.

Quiet Muffin This movie tries so hard to be funny, yet it falls flat every time. Just another example of recycled ideas repackaged with women in an attempt to appeal to a certain audience.

jacobjohntaylor1 This a great film. It is very scary. Doctor Frankenstein creates a monster out of dead body parts. Best on the best horror book ever. This is one of the best horror movies ever. This has great story line. It also has great story line. This movie also has great acting. This movie has great special effects. If you do not get scared of this movie then know movie will scary you. Robert Pwell is a great actor. For get Jesuse of Nazareth this is his best film. David Warner is a great actor. Titanic is great film. This is better. Carrie Fisher is a great actress. Star wars is a great film. This is better. This is not as good as Frankenstein (1931) but it is close to being has good. This a great remake.

MARIO GAUCI Mary Shelley's horror perennial has attracted numerous talents to it over the years: this one is no exception, but the end result is largely unsatisfying and oddly forgettable! Robert Powell and David Warner (as creator and creature respectively) complement each other quite well, especially in their thoughtful (as opposed to physical) final confrontation. The latter's burnt look (while not fitted with bolts in the sides of his neck a' la the classic monster make-up, he is still brought to life via electrical charges) seems to be derived from Christopher Lee's messy visage in THE CURSE OF FRANKENSTEIN (1957), while also looking forward to Robert De Niro's in MARY SHELLEY'S FRANKENSTEIN (1994). Carrie Fisher feels out-of-place here as Elizabeth, John Gielgud is wasted as the blind hermit, and Edward Judd turns up in yet another unrecognizable character role as a procurer of Frankenstein's specimens. The essence of the tale is there, to be sure (in spite of the low-key approach)…though, at a mere 73 minutes, it comes off as rushed – with the film's visuals also proving unappetizingly drab!

bensonmum2 Frankenstein (1984) is yet another of the seemingly endless versions of the Frankenstein story. This one was apparently made for British television. The director, James Ormerod, has put together a nice little movie given the obvious limitations to his budget.I won't go into the basic story as most already know it by heart.The cast is good. The movie stars Carrie Fisher, Robert Powell, and David Warner. Although listed as the 'star', Fisher's role of Elizabeth has little screen time. She is, however, good when on screen. As for Powell, other than looking like a 1970s porn star, his portrayal of Dr. Victor Frankenstein is also good. But, the real star is David Warner as the monster. His portrayal of the monster is one of the better I've seen. In a very believable performance, Warner plays the monster as a very sympathetic creature. For example, I really felt the monster's pain when his only friend is killed. I would easily rate it as on of the top three performances of Frankenstein's monster I've seen. Of note in the supporting cast is John Gielgud as the blind hermit.The make-up is also good given the budget. Instead of the scars and neck bolts we're all familiar with, this creature looks more like a burn victim. It's understandable given the high temperatures generated from the electricity that brought the monster to life.While not the best Frankenstein I've ever seen, the movie held my attention throughout. At the start of the movie, I was ready to hate it, but ended up having a great time watching the story unfold. Warner's monster was a treat.

servalansrazor The box it came in was very obviously designed to confuse us lesser mortals who were so very aware of the existence of the Kenneth Brannagh/mr Bobby version, and were so eager to lay our hands upon it that we ended up with this superior tv version of the old promethean chestnut. Okay, so it plays around with the ideas in the novel,and has some nice atmospheric sets and moody lighting, although it has suffered inasmuch as it was recorded on video tape rather than film, but it is one of the few versions to give the creature more than a stumbling thug role and some half decent lines. Also, its apparently based upon the stage play, which ran for years and in itself, wasn't half bad. Here we have top brit also rans Robert Powell and David Warner goofing around in some rather nice locations and finally succoming to each other, there are lots of nice hints as to the alter-ego frankenstein/creature link and we have Johnny Geilgud teaching the creature about god. Carrie Fisher doesn't have too much to do, but then this was a tv production after all. What is so nice about this moovie is that it is aware of its restrictions and stays firmly with the story, in an age of special effects based super-blockbusters its nice to harken back to the time when films were shot on the directors lunch money and were actually concerned with plot development and had characters who demand respect.