Perry Kate Very very predictable, including the post credit scene !!!

Colibel Terrible acting, screenplay and direction.

FuzzyTagz If the ambition is to provide two hours of instantly forgettable, popcorn-munching escapism, it succeeds.

Kaydan Christian A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.

Michael Neumann A look into the future of Japanese movie-making was suggested by the arrival of this brash high-tech comedy, directed by one of the vanguard of young directors making noise on the international film circuit back in the mid-1980s. In keeping with Japan's headlong surge into the 21st century the film adopted a sleek, fantastic, artfully haywire style that was as much a celebration of speed and technology as it was a mockery of it. The result is pure kinetic filmmaking, highlighted by whip-crack editing, ostentatious colors, and an agile camera constantly thrusting its fish-eye lens straight into the stunned faces of the two protagonists: a pair of TV admen waging a private war against a corrupt rival agency. None of it has any connection to reality, but this kind of space-age slapstick follows its own peculiar logic. Who would think the same director could have been responsible for the subtle, minimalist 'Deaths in Tokimeki' (qv), made just one year previously?