ClassyWas Excellent, smart action film.

Spidersecu Don't Believe the Hype

Comwayon A Disappointing Continuation

Cem Lamb This movie tries so hard to be funny, yet it falls flat every time. Just another example of recycled ideas repackaged with women in an attempt to appeal to a certain audience.

catala_2001 I must have seen the movie at least once in all the decades: once in the 70s, once in the 80s, about thrice in the 90s and twice in the 2000s. I think it's great: Mia Farrow, the gealous stiff husband, the funny moustached fellow in white, London, the love story, the food streets, the final scene on the boat and, of course,... the music, which has been haunting me for almost four decades! With all the new films to see, that I can hardly keep up with, and which I devour for hours every day, a classic like "Follow me" is a treat", it's like a magic box that you open and old memories pop up like pop corn!Really great!

cs241935 Everything the two previous viewers have said about this film is on the mark. The direction, the performances, the photography and editing, the subtle score, and the play / screenplay by Peter Shaffer--all are superb. I would add only one point: Shaffer has done a clever variation / reversal on the Orpheus-Eurydice myth, with Jayston as Orpheus, Farrow as Eurydice, and funniest of all, Topol as Pluto, private eye, public eye, king of London, king of the underworld, and, and, and.... That the detective's raincoat is "white" is indicative of Shaffer's sense of humor. I suspect that this is one of those films that will reveal something new to the viewer each time s(he) views it. It is now being shown on the Sundance TV Channel, where I came upon it by accident.

faraaj-1 I just saw this film a few months ago in a state run "art" cinema in Bucharest, Romania. I had nothing better to do and I saw some decent reviews in IMDb so I decided to see this movie. Plus, I'm a big fan of director Carol Reed.The print was quite poor but the acting, especially by Topol, who I loved in Fiddler on the Roof (one my favorite movies) was good. 70's London was well photographed and the music was perfect. The film was quite moderately funny as well. In the first scene where he introduced himself, I felt Topol was quite irritating. But as we slowly get to know the character and his free-spirited nature, he begins to become likable, especially when he starts leading Mia in the streets of London with funny 'edible' names which is a highlight of the movie. This film was supposed to launch Topol as a male romantic lead. Instead, it fizzled and he continued to sing "If I were a rich man..". I think there was something missing in the movie but I can't point out exactly what it was - its an eccentric, moody little film.Wouldn't it be nice if Hollywood remade this instead of well established classics like Psycho and Italian Job. This film never made it to the big league. Most film buff's would never have heard of it and the premise is quite interesting. The idea deserves a second chance with a better known cast (and packaging) although the original music theme should remain.

gaia_w A wonderful quirky romance with a twist. The film unwinds at a slow pace at first, but wraps you up as you get involved in the "is she/isn't she?" story along with the hapless husband. TOPOL plays the type of charming offbeat character we all wish we knew at some time in our lives - and the ending, while not perfect for all parties, is certainly not a disappointment.