StunnaKrypto Self-important, over-dramatic, uninspired.

Actuakers One of my all time favorites.

Fairaher The film makes a home in your brain and the only cure is to see it again.

Casey Duggan It’s sentimental, ridiculously long and only occasionally funny

Red-Barracuda A Native American Vietnam veteran with war traumas is institutionalised. He escapes and kidnaps the four psychiatrists responsible for putting him there. He maroons them in the middle of the desert and a deadly game of cat and mouse ensues.Despite the promise in its set-up, Fleshburn doesn't make the most of these potentially suspenseful ideas. I've seen other films where characters are isolated in a wild environment they are unaccustomed to while being terrorised by a villain perfectly at home there and it's obvious that the basic concept is quite a good one. But for this to work it helps to have characters you can empathise with and a real sense of danger; an interesting villain is also a bonus. This film really fails on all these counts, with a story that moves along tediously with very little overall dynamism. It is, however, notable I guess for featuring the actor Steve Kanaly of 'Dallas' fame in the role as the central hero.

dougdoepke Cheapo film that manages some suspense. However, it's too uneven to fulfill the premise. Three men and a woman are left to die in the searing Arizona desert. Their crime is having institutionalized a crazed Navajo Vietnam vet. Now he wants revenge, and just as importantly, show that his "medicine" is stronger than the white man's.Though the acting is better than expected, the survival element comes and goes. The early part, where Sam shows how to get food, water, and keep cool by digging holes, amounts to an interesting survival manual. The trouble is many other logical precautions are implausibly lacking, like covering bare skin in the sun or seeking shade while talking. Then too, Sam seems to get stronger as the movie progresses, which makes little sense given the draining heat. That, plus a meandering narrative, doesn't help. Frankly, events appear to have been made up on the fly, maybe as the budget or conditions permitted. As a result, a finely adapted musical score is also largely wasted.Too bad, because at times the film shows genuine promise. But a basic lack of coherent narrative and thematic development undercuts that promise. For a more riveting tale of desert survival, catch Robert Ryan in Inferno (1953).

John Seal Though it's far from a classic, Fleshburn is also far from being a complete failure--in fact, it's a good example of what can be achieved by filmmakers with limited resources. Sonny Landham stars as Vietnam vet Calvin Duggai, a PTSD sufferer sent to a mental institution on the advice of four psychiatrists. Calvin escapes, kidnaps the four responsible for his confinement, and dumps them in the desert, where he hopes they will swiftly expire from exposure to the elements. He hasn't figured on the resourceful of Sam McKenzie (Dallas regular Steve Kanaly), who takes charge of the group and attempts to lead them to safety. Fleshburn benefits from a lean screenplay which catapults us immediately into the action as well as a surprisingly good score by Arthur Kempel, which avoids most of the clichéd cues rampant in films of the time and utilizes REAL instruments instead of drum machines and Casiotone rhythms. Landham, usually cast as either a heavy or a stud, is effectively malevolent as Duggai (check out his evil grin towards the end of the picture), Kanaly is quite good as the hero, and the film even has time for two gay characters who are neither aberrant nor evil. Overall, Fleshburn is a surprisingly good film that exceeded my (admittedly low) expectations.

Michael_Elliott Fleshburn (1984) * 1/2 (out of 4) In 1975 Calvin Duggoi (Sonny Landham) deserted his troops in Vietnam due to spiritual beliefs held by the Native Americans. When he returned home four psychiatrists deemed him mentally unstable so the court systems threw him into a mental hospital where he remained for the next nine years. When the nine year mark hit, Calvin decides to break out and track down the four responsible for having him locked up. After stealing a truck Calvin kidnaps all four people and drives out in the desert where he drops the four off and demands that they live like Indians. Meaning, the four city folks will have to find their own food and water and perhaps, die under the heat of the sun.When VHS took off Fleshburn tried to hide itself as a horror title but that's certainly not the case. This film is part drama, part action film and it really doesn't do either genre any justice. The low-budget nature of the film doesn't help matters either nor does the childish acting, which grows very tiresome very quickly. The film could be seen as a forerunner to the hit show Survivor but even that show features better acting.The film has a very interesting idea to work with, although it's certainly not anything original. The idea of an Indian seeking revenge by forcing the white man to live as an Indian should have made for a more entertaining movie but instead of anything smart, the director has the viewer out in the desert just watching people sit around and wine. Really, not much happens in this film, which is a shame. We see them learn how to catch food, find water and finally try to walk out of the desert but all of this takes a total of three minutes so the other 80+ minutes we're just watching them sit around. The only saving grace the film has is in the first twenty-minutes when Calvin is tracking down his victims. He does this by breaking into their houses and the director actually does a nice job getting a few jump scares as I like to call them.