Filthy
Filthy
| 31 May 2003 (USA)
Filthy Trailers

When WMIA news reporter Dana Diamond goes in search of the ultimate story she gets more than she bargains for. On a riot-torn Halloween night (Devil's Night) Dana is lured into an old, decrepit house by Leonard, a sadistic transient, promising her real-life violence she can capture on camera. Inside, her worst nightmares are realized as she now becomes the ultimate story. Dana is kidnapped by Leonard's crazed, incentuous family; Fermentia, the matriarch, and Pussey, her daughter, who live in a house full of stinking, rotting, decades old-garbage. Will Dana survive the unrelenting attacks of her merciless tormentors? Find out in the savage, unflinching, tour-de-force "FILTHY"

Reviews
GamerTab That was an excellent one.
Titreenp SERIOUSLY. This is what the crap Hollywood still puts out?
Softwing Most undeservingly overhyped movie of all time??
Smartorhypo Highly Overrated But Still Good
Wheeljak "Filthy" is unbelievably bad. Don't get me wrong; I love bad movies-- I'm a huge fan of the "so bad it's good" school of thought. However, to paraphrase Scarlett Johannson in "Ghost World", this movie "is so bad, it goes right past good and back to bad". As far as writing, "Filthy" has dialogue that feels so forced and clichéd, that the actors sometimes looked like they couldn't hide their embarrassment from having to deliver such tripe. The premise is so poorly-conceived that I don't think anyone has enough rope to suspend their disbelief enough to enjoy this movie.I was bait-and-switched into watching this waste of electrons when I attended a showing of "Brainjacked", a full length movie from the same creative cadre (which turned out be pretty good). Rather than first showing the movie that I came to see, and saving "Filthy" as a bonus for people who wanted to see it, Andrew Allan and co. made the decision to show "Filthy" first. Now, I can see his strategy behind this: he made "Filthy" completely immune to walk-outs, considering that a crowd which paid 8 bucks to see "Brainjacked" wasn't likely to leave until they had seen the feature.As I sat through "Filthy", I developed a strong empathy for protagonist Dana Diamond. It was not because of the movie itself, but because I walked into that theater willingly, and almost immediately I was trapped, and all I could see was rotten garbage.The Tampa Bay connection earned this movie two of the three stars I gave it.
dwanshon There are three ways to completely destroy the power of a film without touching the story and those are through sound, sight, and mind. If a movie sounds great, you have captured some of your audience. If it looks good as well, you have captured even more and finally, if you can keep them mentally involved than you, as a director, should have most to all of the audience in your hands. Sadly, Filthy did none of the above. The sound was horrendous. Synchronizing your actor's voices to match what they were saying when filming and the emotions they were feeling is not hard. Apparently, director Andy decided robots could make this English spoken poorly dubbed in English feature. I found myself laughing whenever anyone opened their mouth. I couldn't tell if anyone was actually interested in what was happening, or if the amount of beer drinking that occurred before the dubbing was finally taking effect. Second, the sight of this film was just as bad as the voices. No apparent acting classes were needed from any of the actors or from the killers. There needs to be some level of class with the both the actors and killers, but in this film there were not. Everyone else seemed like they were going through the actions that were given to them that minute and trying to remember what exactly they were doing. There were no genuine moments in this film visually, just non-actors remembering to be robots. Finally, the mental involvement is key. I am not talking about just story here, because you can have a bad story but still keep people guessing for more. I am talking about just the apparent want to see what happens. Does your audience want to see what is going to happen next? In this film, my answer would be "no". The ending does not provide any moments of shock. It is just unoriginal, flat, amateurish, idiotic, and mediocre...well just like the filmmakers.
jackson leigh What attempts to pass itself off as a near feature length production is actually a very deceptive short that showcases some of the worst excuses for film-making. Fans of bad acting will rejoice. Those that love and adore horrible special effects, unoriginal plot twists, lame situations, bad characterizations, and banal cinematography will be completely riveted to their seats. Filthy tries desperately to shock and scare but ultimately just fails. About every horror classic is ripped off, oops I mean played homage to. It is obvious that the filmmakers behind this low, low budget exercise in schlock cinema are horror fans, but they could have attempted to insert some originality into this mess. Instead, we get a lame rip off of the Texas Chainsaw Massacre. Figures since the film is only self distributed, meaning you get ripped off of fifteen dollars and some "filmmaker" ships you a DVD from his parents' basement. And speaking of parents' basements, is that where this film was shot, since it features some of the worst sets I have ever seen. Horror fans, please save your money, unless you desperately wish to burn a copy of this train wreck. Otherwise sit back and be insulted by the on screen "brutality." Every scene is poorly composed and shot and the direction for the actors is completely missing in action. Actually the only "brutality" is what the audience feels for having to endure this over long (and that's bad for a short), amateurish, and completely uneventful movie. Bravo guys, here's to another feature, I can't wait to see what you come up next, let's hope its even shorter.
Brandon7221 Forget the blood and guts of classic horror -- knives, axes etc...no, think more in terms of "Faces of Death". The edgy, fast paced story following a doomed newscaster walks the tightrope of grotesque.Blood, guts, excremant, and the creative use of hand-held hole-punchers -- it's there to make you squirm. These are "throwback" filmmakers to the works of classic horror (Carpenter for instance), not some cheasy, cliche that Hollywood cranks out with teenagers from the WB sitcoms.The short film has all of the makings of a successful cult film - great editing, sound and strong cinematography. The strength of the film is really the two leads: Jennifer Bass and Shari Lawrence. This is an emotional rollercoaster of fear and nausea which is handled perfectly by these two actresses.Now, the question is whether you can stomach it or not.The supporting cast did a good job and the musical score is an homage to "Halloween". You want to look away, but you can't -- you don't want to miss anything.Enjoy it -- just don't eat first.