Laikals The greatest movie ever made..!

StyleSk8r At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.

Janae Milner Easily the biggest piece of Right wing non sense propaganda I ever saw.

Brooklynn There's a more than satisfactory amount of boom-boom in the movie's trim running time.

pyotr-3 This film is a very touching Rocky-like story with a twist that comes up far more often than people think, and it's about time it was finally represented in a film.Tommy is a young boxer with potential who is nurtured by an elderly boxing manager who happens to be gay. Together, they make a great boxing team, and Tommy thrives. In the end, Tommy is offered a million dollars to go with a new management company - and if he takes this offer he must leave behind his old manager, the man who helped to make him into the man he became.The film could have been about anti-Jewish prejudice or anti-black prejudice or anti-Moslem prejudice or any other kind of foolish prejudice. But today the one remaining prejudice that rules the sports world is the foolish prejudice against gay athletes and coaches. Films like this may help people to put a face on this injustice, and see how absurd and counterproductive it is.I won't tell how the film ends, except to say that it is realistic. The performances in "Fighting Tommy Riley" are outstanding. Though probably made with a small budget, this film feels as big and as real as its important subject matter.

boxertimes3 This film was utter garbage, the shame of it all was it had promise if it weren't for the absolutely stagnant acting by Diane Tayler. It was like she was reading cue cards the whole film. Anyone who has been to film school could spot overacting a mile away. I would say if you took her performance( and i use that word lightly)out of the film, it would be watchable. In fact the scenes with Marty and the boxer were touching in a few of them and them wham back with the phony trying to be hard assed acting. Save your time & money & go see Million dollar baby or even the Meg Ryan movie has this beat. Mrs. Tayler please do the world a favor and pick another profession!

philip-1 Fighting Tommy Riley is simply one of the best Indie films I've seen. It had me glued to the screen within ten minutes. J.P. Davis is a multi-talented man. In addition to playing the title character, he wrote the screenplay and produced the movie as well. And he can act! On the surface he looks like an underwear model, like so many up and coming 20's actors, but this guy has a complete emotional vocabulary. Mainstream Hollywood should be at his doorstep. He completely inhabits Tommy Riley in a way that very few actors with the right "look" could ever hope to achieve. Casting veteran actor Eddie Jones was a coup. Jones meets Davis's intensity on every level and the two of them create a complicated and wonderful rapport. Jones, in fact, is heart breaking; a character that so often slumps into empty sentimentality is rendered with honest reality.The film is directed superbly. The story is told clearly and directly. The gay subtext of trainer lusting after fighter is handled frankly, sincerely and with a bittersweet truth. It exposes a sad case in our society, straight or gay, that older people are denied physical love at every level.This is a far more engrossing film than Hollywood hype favorites Cinderella Man and Million Dollar Baby. Director O'Flaherty has more talent in his pinkie than does Ron Howard and Clint Eastwood in their collective big buck bodies.

gradyharp FIGHTING TOMMY RILEY has so many things going for it that it is amazing it didn't do well in the box office. Perhaps audiences are tired of 'boxing movies' ('Million Dollar Baby' sort of usurped that position for a while), but this is not a typical boxing movie: Fighting Tommy Riley takes risks all over the place and that is what helps make it so fine.Written by J.P. Davis who also plays the title role, the story is less about Tommy Riley than it is about his trainer Marty Goldberg (long-established fine character actor Eddie Jones): this is not a self promoting Rocky/Sylvester Stallone story, fine as that films series was. For a first time writer and actor and directed by first time director Eddie O'Flaherty and cast with unknowns except for Eddie Jones, this film is a 'knockout' (pardon the pun).Tommy Riley is a young and gifted boxer on the skids, disillusioned by his loss at an attempt at the Olympic trials, an unfortunate lapse of self-confidence that has destroyed his relationship with his girl Stephanie (Christina Chambers) and forced him to do menial labor just to survive. Concurrently we meet Marty Goldberg, an obese, has been trainer who left the ring because of a dark demon he harbors and has turned to teaching high school English. Marty lives with his dog Lucy in squalor, surrounded by the many books he reads and quotes, memorabilia of a ruined career, and sleeping pills. His one friend is feisty Diane Stone (Diane Taylor) who Marty salvaged some time ago from her own downward plunge. Diane is a boxing promoter looking for a client. When Marty and Diane and Tommy collide the beginning of a vigorous training life begins and each of the three gains a resurgence of self-respect.Both Tommy and Marty carry a load of baggage demons that eventually surface and as Tommy slowly builds as a fighter ready for competition, Marty's devotion to the kid's career becomes more than professional and an unfortunate but inevitable encounter changes their path toward glory. With Diane's promotion Tommy gains the recognition of big time promoter Riley (Scot Belsky) and Tommy is torn between the promise of fame and wealth and his emotional commitment to Marty: his initial impulse to go with Riley (which is contingent on leaving Marty as a trainer) is met with resistance until Marty humbly encourages Tommy to go for his career rather than his obligation to Marty. The result of Tommy's decision tells the story of the film and to reveal it would be unfair.Eddie Jones and JP Davis are absolutely superb is these very demanding roles. Rarely as a film about sports been influenced by the presence of sexual preferences, and Eddie Jones handles this enigmatic characteristic with extreme sensitivity and makes us all feel his anguish at the slings that life has thrown his way. And the manner in which Davis finesses both the initial advances from Jones and then gradually alters his response in understanding Jones' behavior is nothing short of miraculous acting. Director O'Flaherty has created a brilliant little film from Davis' fine script and one can only hope there will be more collaborations as excellent as this.The cinematography (Michael Fimognari) and musical score (Lee Sanders and Tim Simonec) keep the mood of the film flowing. Bravo to all concerned not only for a fine story well done, but also for the courage to focus on sub rosa sexual themes with all the sensitivity this film represents. Highly Recommended.Grady Harp