Perry Kate Very very predictable, including the post credit scene !!!

MonsterPerfect Good idea lost in the noise

Married Baby Just intense enough to provide a much-needed diversion, just lightweight enough to make you forget about it soon after it’s over. It’s not exactly “good,” per se, but it does what it sets out to do in terms of putting us on edge, which makes it … successful?

Fulke Great example of an old-fashioned, pure-at-heart escapist event movie that doesn't pretend to be anything that it's not and has boat loads of fun being its own ludicrous self.

Horst in Translation (filmreviews@web.de) "Feral" is an animated short film from 3 years ago. It runs for 12 minutes and managed an Academy Award nomination. It is probably my favorite from the nominees, but that is not because I think this is a must-see, but because it really was a weak set of nominees including the winner "Mr Hublot". Feral definitely delivers in terms of the animation style. It is certainly not for everybody, but I liked it. The way they used all these shades of gray made it look truly artistic. And I also liked the inclusion of color near the ending when the protagonist reunited with nature. What I did not like that much was the story. It's a bit of "Jungle Book" and "Nell", but there is nothing really new or refreshing about this one sadly. It's a tale of isolation and integration when a boy is picked up in the jungle by a hunter. The boy adapted to nature and basically lived like an animal. The transformation scene around minute 9 is maybe the only really good moment from this short film and that is also more due to the animation than to the story. I would have been fine with this one getting the Oscar. Beautiful to watch and I recommend it. Lets see what the next projects by Daniel Souse will look like.

Robert Reynolds This short was nominated for an Academy Award for Animated Short. There will be spoilers ahead:This is a visually beautiful and haunting short, told with no dialog. The basic premise, that a feral boy is found by a hunter and returned to civilization, is deceptively simple.The fact is, when you find a child who has essentially lived as a wild animal for a sizable portion of his life, it is shortsighted at best to think, as the adults in the film clearly do, that merely cutting his hair and dressing him as a "proper" boy dresses makes him a boy. For starters, he has absolutely no idea what the culturally instilled modes of behavior are for a human child.He still has the instincts of a feral animal and those will take years to break down and replace with the behaviors installed by years of being raised in the social settings of human societies. That's what this short is about.It has precious little to do with "freedom", as the boy was no more "free" in the wild that he is in "civilization". He just trades the norms he became accustomed to in the wild, which will sooner later mean a relatively early demise (he very nearly dies before the hunter finds him) for the norms of human society. He's in a cage either way, he just traded a cage he's comfortable with for one which is strange and terrifying.An excellent short which is available for download for a reasonable cost and is well worth tracking down. Most highly recommended.

Hellmant 'FERAL': Two and a Half Stars (Out of Five) Another 2014 Oscar nominated animated short film is this 13 minute tale of a wild boy found in the forest by a hunter and brought back with him to civilization (for the first time). It was written and directed by Daniel Sousa and features no dialogue. I found it to be somewhat bizarrely interesting but ultimately a letdown; it doesn't seem to really go anywhere. It is one of the more mature and dark Oscar animation entries (this year) and the visuals are nice to look at but the story has been done many times before (to much better effect). I'd say it's definitely one of the weaker nominees this year.Watch our movie review show 'MOVIE TALK' at: http://www.youtube.com/watch?v=PAefz9rzS5w

boblipton FERAL is a nominee for the Best Animated Short for the awards issued in 2014 and while the beauty of its bleak and spare art is certainly moving, there is an overwhelming pomposity to its construction.To tell a story about the overwhelming need to be free in a branch of movie-making which is the most nearly controlled of its genres, in a form in which, if the producer be dissatisfied with a performance, he can rip the actor up, is nothing short of bizarre. Every sequence, every frame, every jeer of a child's voice is added and modified at the insistence of the creator. It calls attention to its own artificiality even while decrying it. This short is, as I have said, quite beautiful, but it lacks that most essential craft in the composition of such a didactic story: the art that conceals art.