ElMaruecan82
What can you say about a film featuring a serial killer wearing a boiler suit, safety goggles and armed with a hammer and a sickle? Well, either it's an anti-Communist propaganda film or one that shouldn't be taken too seriously… or it better be a comedy. "City of Fear", the movie of the famous group of comedians who called themselves "Les Nuls" (in English, the "Nobodies") and directed by Alain Berberian is not just a great comedy whose story shouldn't be taken seriously, it's a comedy that takes seriously its mission of making us laugh and it's centered on a movie that actually takes itself seriously… and make us laugh as well. Talk about 'mise en abime'.The film within the film is a lousy horror Z-movie titled "Red is Dead" (an obvious wink to "Evil Dead") a movie so bad a critic doesn't even want to waste his time reviewing it, and tells the director Odile Deray (Chantal Lauby) to go to hell. And she deserves it, the film is so bad it's unwatchable, but it's also so bad it's a laugh riot, and can even be considered one of the film's highlights. All the archetypes of cheap slasher films are there, from the chain-killing of the friends, the false alerts, the chase, the death, and the ending… with an interrogation mark. This opening is like the first cartoon in "Who Framed Roger Rabbit", it wins us, as we're excited to see what's coming next and it sets the tone of the film, it's about the world of cinema. Even the victims of the killer who looks like "Red" from the film are the projectors of the film. This is not just "Les Nuls"' film, it's a film's film.I guess there was something about Cinema and TV in the middle of the 90's, a sort of symbiosis that no one would have thought possible but that efficiently translated into the big screen… at least, on the field of comedy. Basically, in French TV comedy, you had two teams, two branches of humor : "The Unknowns" (Les Inconnus) who came from theater and specialized in satire. Their 1995 "The Three Brothers" was the highest grossing movie. But they were preceded by their eternal rivals, "Les Nuls" who were raised by TV and were closer in tone to the Monty Python and SNL humor. Their most famous acts were parodies of commercials and TV news, and I can't resist to reveal my two favorite jokes. I'll Americanize the first: "Madonna said "I have a foot in New York and another in L.A… we pity Kansas City" or Chabat telling his co-anchor "Penelope, is that a tampon on your ear" her answers is "Oh. Where the hell did I put my pen?"This humor was often branded as "Canal +" spirit, the young and free-spirited channel (it wouldn't last), created in 1984, launched the career of many famous French comedians "The Nuls" were the first and most emblematic. There were Alain Chabat, Chantal Lauby, Dominique Farrugia and Bruno Carrete, the only one who doesn't star in the film as he passed away 5 years before of a devastating virus caught in some trip in Egypt. His friends paid tribute to Carrete by inserting some footage in a news report. Out of the remaining trio, Alain Chabat would live the most successful career, that would pinnacle 8 years later, by directing "Asterix: Mission Cleopatra", the second highest grossing movie at the time. And it says a lot that Chabat directed Asterix and made a big hit out of it.Indeed, even if 95% of the movies parodied in "City of Fear" are from the other side of the Atlantic, "Evil Dead", "Basic Instinct" or "Terminator", Chabat's main influence was the master of comic-book writing: René Goscinny, creator of Asterix and Lucky Luke and whose trademark was a form of parody humor with no holds barred for the sake of laughs, a very fun, lighthearted and not too controversial humor. Goscinny's specialty was characters who were both marvelously stupid and touching. In "City of Fear", the film's star is Simon Jeremi, a guy who throws up whenever he's happy, he's like a mix of Averell Dalton and Rin Tin Can with a little touch from Alain Chabat. The film is very American-like but the comedic treatment of the story is much European. And this is why the film aged better than serious French films trying to look American.So, let's get to the story. Projectionists die whenever they project "Red is Dead", they're played by iconic character actor Tcheky Cario, classic legend Daniel Gelin, a pal, Jean-Pierre Bacri and former rocker-turned-actor Eddy Mitchell. To lead the investigation, there's an elegant charming police detective played with cool seriousness by Gérard Darmon. And there's Chabat as the bodyguard hired by Odile to protect Jeremi. And with that crazy joyful bunch, you just have one of the highest ratio of gags from any French film. It doesn't necessarily make it the funniest, but at least, it's the most consistent, and it never gets too shy on pushing a gag further and further. When, at the hotel, Jeremi declares he wants to eat pig's gums, it's funny already, but then Serge asks for a restaurant that serves pig's gum, and get an answer, Martinez, the best pig's gum in the city.There are bits of humor that would have made the Zucker Abrahams brothers and the Simpsons writers extremely proud, and what is so impressive is that the film, in that midst of hilarious gags, finds the time to tell us a story, with a beginning, an end, a climax and a resolution, and a fine musical number between Chabat and Darmon, that might give you a foretaste if you want to check on Youtube. It's called "La Carioca".As for "City of Fear", fear not to watch it, as it's first class A comedy made-in-France.
writers_reign
During the last forty years France has seen at least three comedy ensembles graduate from boulevard theatre or television to the big screen and if Splendid has the best track record in terms of both ensemble films - le pere noel est un ordure, les bronzes - etc plus individual actors - Thierry Thermitte, Josiane Balasko, Gerard Jugnot, michel blanc, ann-marie chazal, actor/writer/director - Balasko, Blanc, Jugnot, this is not to say that the likes of Les Nuls (Alain Chabat) and Les Robins des bois (Marina Fois, Jean-Paul Rouve) were chopped liver. City of Fear marked the big-screen debut of Les Nuls and it turned out to be an auspicious debut in every way. It is, of course, very French so that many of the verbal gags will be lost on non-French speakers who rely on subtitles but against that there are lots of sight gags which are, of course, International. Time will tell if it holds up as well as, say, Le Pere Noel but it certainly works the first time around.
