Lovesusti The Worst Film Ever

LastingAware The greatest movie ever!

Dorathen Better Late Then Never

Comwayon A Disappointing Continuation

elskootero-1 I got a real kick out of EXTREME JUSTICE, but I knew right off that Lou Diamond Phillips' and his girlfriend's characters were going to screw, it up, and sure enough; they DID! I liked the way the SIS squad got rid of criminals and saved the taxpayer's a ton of money in the process, but that stupid reporter just couldn't bear to see criminals not getting their rights coddled, and her liberal cop boyfriend just HAD to F**K it up, and that's just what they did! I just don't see how people, even movie characters, think like those fools did. Imagine a world where criminals actually got punished for the crimes they commit! Tell that to that idiot reporter and her equally idiotic cop boyfriend. A GREAT film, except for those two bozos!

ofumalow Mark L. Lester has directed some of the most enjoyably trashy movies ever ("Roller Boogie," "Class of 1984," "Gold of the Amazon Women" etc.), mostly working in the low-budget direct- to-video or TV movie realm though he briefly entered the mainstream with the Stephen King adaptation "Firestarter" and Stallone vehicle "Commando." I haven't seen much of his more recent work, but always perk up when I see his name on a DVD or old VHS tape--his movies are sometimes ridiculous but they're almost always energetic and entertaining.This is actually one of his more respectable efforts, as it's a fairly effective indictment of police corruption that was made at a time when LAPD was under close scrutiny for just that. Lou Diamond Phillips plays a conscientious (but incongruously long-haired) young police officer recruited to a special unit, teamed with his mentor Scott Glenn. They're assigned to track down serial murderers, rapists and robbers, but somehow every time they apprehend the bad guys, all the perps and usually a few innocent bystanders end up dead--the whole squad is way too trigger-happy, esp. Glenn. Phillips gets increasingly uncomfortable with this, leading to the inevitable tension (a la the later "Training Day") between cop veteran and newbie partner.Both leads are good, the violent action is solidly handled, and the movie is less campy but no less fun than many of Lester's other films. It's nothing great, but it's a solid "B" flick.

bkoganbing Unlike what one reviewer said this is NOT a ripoff of Magnum Force. In that one Lieutenant Hal Holbrook put together his own little squad from Academy rookies to dispatch repeat offenders. In Extreme Justice this operation has the sanction from the higher ups of the LAPD. Just how far they sanction the exact methods used is open to question. This Special Investigations Squad seems to be quite the haven for the misfits of the LAPD, those that have forgotten their first duty is protection and service. Which is why Scott Glenn thinks Lou Diamond Phillips, a detective with more than his share of beefs with Internal Affairs for excessive use of force, is perfect for the squad.What should have sent him running from Phillips is the fact he's got a nice live-in relationship with a reporter, Chelsea Field. That one certainly threw me in this film, you'd think that Lou would be the last guy he'd try to recruit for his team.And what his team is, is a death squad. They target perpetrators follow them and wait to catch them in the act. Then it's open season.Extreme Justice went very overboard in trying to make a point. There sure would have been no harm in waiting for a gang of bank robbers to finish the robbery and taking them down outside. No civilians got hurt when the citizens of Coffeyville did that to the Daltons. Or waiting until three rapists finish the job before moving in. That's what were asked to believe here.And frankly I couldn't buy it. A lot of good players get really wasted in this one.

gridoon In a plot strikingly similar to that of Eastwood's "Magnum Force", "Extreme Justice" deals with cops that take the law into their own hands and execute criminals in cold blood. The blurring of the line between law and justice, and between vigilantism and paranoia, is done here more efficiently than it was in "Magnum Force", so the movie holds your interest, despite the routine on all other accounts script and Mark Lester's unimaginative direction. The entire male cast is solid, but Chelsea Field is unconvincing as the hotshot reporter. (**)