Supelice Dreadfully Boring

Hulkeasexo it is the rare 'crazy' movie that actually has something to say.

Ogosmith Each character in this movie — down to the smallest one — is an individual rather than a type, prone to spontaneous changes of mood and sometimes amusing outbursts of pettiness or ill humor.

Myron Clemons A film of deceptively outspoken contemporary relevance, this is cinema at its most alert, alarming and alive.

Thom-P This film is an official sequel to the original 1974 release directed by Just Jaeckin and starring Sylvia Kristel. Alas, Jaeckin's lush, erotic style is poorly imitated by director Francis Leroi (rumored to be a pseudonym for European porn pioneer, Lasse Braun) and Kristel's better days were already well behind her when this movie was made. The basic premise involves a now older Emmanuelle (Kristel) regaling a businessman (George Lazenby of ill-fated Bond fame) with stories of her past erotic exploits while on a flight to God knows where. The film then reverts to flashbacks in which said exploits are depicted in typical softcore fashion, with pouty Marcela Walerstein in the role of the younger Emmnauelle. This was actually one in a series of 6 films made back-to-back by producer Alain Siritzky, all with the same cast, sets and basic premise. The others being: Emmanuelle Forever, Emmanuelle's Love, Emmanuelle in 7th Heaven, Emmanuelle's Magic and Emmanuelle in Venice.