Death in the Sun
Death in the Sun
R | 01 February 1978 (USA)
Death in the Sun Trailers

A colonial police officer in Rhodesia hunts down the albino terrorist who raped and murdered his fiancee.

Reviews
Exoticalot People are voting emotionally.
Lumsdal Good , But It Is Overrated By Some
Stellead Don't listen to the Hype. It's awful
Stoutor It's not great by any means, but it's a pretty good movie that didn't leave me filled with regret for investing time in it.
Horst in Translation (filmreviews@web.de) "Albino" or "Night of the Askari" (and there are a handful other German and English-titles for this one) is a 90-minute live action film from 1976, so it has its 40th anniversary this year. The lead actor here is Christopher Lee, known from James Bond or the Lord of the Rings movies, and he is probably also the main (only?) reason why this film is still somewhat known today. According to IMDb, this is in German-language, but of course there are also dubbed versions out there in English and other languages. It runs for 90 minutes, which felt way too long already to me as it dragged on many occasions and Lee was not good enough either to really make it work in terms of the forgettable screenplay. The films tries to score a lot through his atmosphere and style, but it turns out more desperate than successful. The reason why this is in German is probably director Jürgen Goslar, turns 90 next year. It is one of his most known works and he also adapted the Daniel Carney novel for the screen here. Movie buffs will find more semi-big names (next to Lee) in the cast here. I will admit that the plot listed here on IMDb about a police officer taking revenge for a personal tragedy did sound interesting to me, but none of this expectations was fulfilled during the watch. I give this one a thumbs-down and recommend it only to the very biggest Christopher Lee fans. Everybody else should skip the watch.
guanche A well acted depiction of life in White Rhodesia from the European point of view, and a rather disturbing story of an irreconcilable conflict between a good man's justifiable need for revenge and the necessity of upholding the law. Parents, and those sensitive to violence, should be cautioned that this is an extremely gruesome film with explicit scenes of rape, murder, torture, and mutilation.The film credibly portrays the lives of European settlers determined to remain in their adopted land despite the increasing danger of rebellion. Most of them honestly believe that it is possible to live in peace with the Africans as long as they are willing to accept their "civilizing" guidance. The rebels are presented as bloodthirsty thugs who terrorize other Africans and have no real program of true revolution other than savage hatred of the White Man. Most of the Africans are more or less loyal to the Whites and are usually shown to be strong, honorable, and trustworthy, although often in a patronizing manner.Christopher Lee is quite good as a police chief determined to prevent vigilante justice when a group of terrorists led by an albino (pronounced "albeeno" in the film) witch doctor (Horst Frank) rape and murder the fiancée of a man recently retired from the police force. He (James Faulkner); along with a couple of equally vengeful African servants of the victim's elderly father (Trevor Howard); takes off into the bush to find and kill those responsible. These are not evil men out to indiscriminately slaughter Africans but people who feel that there can be no rest for their souls until they spill the blood of The Albino and his crew. Lee sympathizes with their feelings but is firm in his determination to maintain law and order and bring the killers to justice legally. This, of course, also means hunting down the revenge party, causing the settler's militia to mutiny and withdraw from the operation.The pursuit of both the killers and the posse is grim and realistic, causing the viewer to actually perceive the stresses and fatigue of the participants. Although somewhat cheaply done, subtly racist, and overly clipped and trite in spots, the film is of great interest from both the historical and moral perspective. I saw it many years ago, but, unfortunately, it; like a surprising number of other quality films; hasn't been made commercially available on either VHS or DVD.
Scythian Warrior Albino, although made in 1976, works as an action film set in the present day. This movie is basically about conflict between those who enforce the law and those who break it to terrorize others. This conflict is the key, and it explores the temptation of law enforcers to break the law to get the terrorists. This theme is perhaps more relevant now than prior to September 11, 2001.Sybil Danning fans get to see her in only a few scenes. This is NOT a sexy movie. Her character (Sally) has a key role in the plot development. Her riding a horse to the climactic confrontation for her character reminds me of classic "maiden in peril" Westerns, and thus ends up being of quite appropriate.
rundbauchdodo This rather obscure film from German director Jürgen Goslar (who also directed several episodes of the hugely popular German Krimi series "Derrick") is notable mostly for its cast. Horror icon Christopher Lee is top billed as the British police chief in the African province. His mission is to accomplish peace between the natives and the white people. The late great Horst Frank plays an Albino native who leads a gang of terrorists that try to destroy the efforts to bring the natives and the whites together. And young Sascha Hehn - at the time the film was made nearly unknown, but later cast in some German soft core films and later a TV-star as a heart throbbing doctor or Prince Charming in the schmaltzy series "Das Traumschiff", a sort of German "Love Boat" - is a young officer and the best mate of the ex-policeman on the rampage whose wife has been raped and killed by Horst Frank's evil Albino. The film itself suffers from its only real problem: Goslar directed the movie as a mix of revenge thriller in the tradition of the John Boorman classic "Deliverance" and a tedious social drama that can not succeed in leaving clichés about African natives out of the story. So the film itself becomes a mishmash of entertaining exploitation film and laughably banal social comment. Whenever Goslar goes for the exploitation, he succeeds; we witness a savage (if not that explicit) rape and murder, some really painful torture and a graphic head shot in "Dawn of the Dead" tradition, only that this film was made two years earlier. Whenever Goslar goes for social comment, the movie becomes bothersome, because it's not really convincing. The climax, on the other hand, is a worst case scenario that partially manages to bring the two aspects of the story together. All in all, this film is quite interesting for fans of obscure films of the Seventies (be it for the actors alone), but it's also a good example for a movie that doesn't live up to its potentials.