Lollivan It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

Brendon Jones It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.

Erica Derrick By the time the dramatic fireworks start popping off, each one feels earned.

Married Baby Just intense enough to provide a much-needed diversion, just lightweight enough to make you forget about it soon after it’s over. It’s not exactly “good,” per se, but it does what it sets out to do in terms of putting us on edge, which makes it … successful?

Mozjoukine This one follows the life of Bulgarian sixties "Sexploitation" film maker Stephen C. Aposterof, who made his way to the 'States via Paris and Canada and managed to get Republic interested in his anti-Communist film, launching him on a career of sixteen millimeter nudie movies of which ORGY OF THE DEAD is the best known. The arrival of 35mm. hard core wiped him out.Lots of clips, with well shaped near naked young women, are interspersed with home movies and interviews with family members and associates, including Ted V. Michels. There's also accounts of working with Ed Wood who Aposterof's son feels got all the so bad glory that his dad should have shared.They make the man sound like the prototype of the Burt Reynolds character in BOOGIE NIGHTS.