Cutie and the Boxer
Cutie and the Boxer
R | 16 August 2013 (USA)
Cutie and the Boxer Trailers

This candid New York love story explores the chaotic 40-year marriage of famed boxing painter Ushio Shinohara and his wife, Noriko. Anxious to shed her role as her overbearing husband's assistant, Noriko finds an identity of her own.

Reviews
Tedfoldol everything you have heard about this movie is true.
Ceticultsot Beautiful, moving film.
SteinMo What a freaking movie. So many twists and turns. Absolutely intense from start to finish.
Sarita Rafferty There are moments that feel comical, some horrific, and some downright inspiring but the tonal shifts hardly matter as the end results come to a film that's perfect for this time.
l_rawjalaurence CUTIE AND THE BOXER is a no-holds barred documentary focusing on the 40- year marriage of Ushio Shinohara and his wife Noriko. Ushio established his reputation in Japan as a leading avant-garde artist before emigrating to the United States; since his marriage in the early Seventies, it's clear he has assumed a dominant role as artist and alcoholic, seldom taking much notice of his wife, also an artist. Zachary Heinzerling's film shows how Noriko carved out a niche for herself by creating designs for herself, focusing on a character called Cutie and her struggles for self-determination. The subjects of such designs are very closely related to Noriko's own life; it's clear she has experienced a difficult time trying to put up with a difficult husband - who throughout his life has found it hard to make a living through his art - and a son who drinks too much. It's a tribute to her stoicism that she not only manages to retain her artistic voice, but creates designs of her own that satirize her husband. Ushio, by now a reformed alcoholic, views his wife's paintings indulgently; they don't represent a threat to his masculinity, nor his status as an artist. In truth Noriko's designs are far more expressive than her husband's - although Ushio claims to produce material that will show a "new" artist, he only ever produces copies of work created several decades previously. Director Heinzerling makes no judgment on either of the protagonists, but leaves us to make up our own minds, What is perhaps most admirable is the way the couple have stayed together through thick and thin - despite their differences, they are obviously still in love with one another.
Markus Emilio Robinson "Love is a roarrrr!!" This is the theme which echoes throughout Oscar nominee for best documentary "Cutie and the Boxer"; a movie that undoubtedly nobody has heard of. More about Cutie than the Boxer: Starting off as an attempt to shine light on artist Ushio Shinorhara, best known for his avant-garde pieces and action paintings from the late 60's to today, where he physically uses everything from his fists to his forehead as a paintbrush, director Zachary Heinzerling lays out an introspective story of this somewhat eccentrically generic artist as he sets up a gallery exhibition. But in an odd twist of fate, Heinzerling inadvertently captures a far more interesting subplot surrounding Shinohara's much younger wife, Noriko, giving audiences a look at the portrait of a strained marriage, filled with alcoholism and regret, where Noriko (a very talented artist herself) lives in her husband's shadow, as she likens her marriage to "two flowers growing in the same pot." Opening with the striking image of an 80 year old Asian man putting on comically large boxing gloves, dipping them into black paint and proceeding to aggressively pummel a white canvas, which stands twice his size, it would be easy to say this is a doc which contains some imagery that commands attention. But more so, "Cutie and the Boxer" contains more intriguing nuances within its character analysis. Especially during the latter portions, where Heinzerling focuses more on Noriko and her hand drawn animations; animations which star a quite liberated female character, who goes by the name "Cutie". During this section of the film "Cutie and the Boxer" takes its purest and most developed form, as these character's true motivations become transparent. Heinzerling uses the most creative means possible to bring different layers of this story to life and the cinematography is pretty great (the final shot was subtly the most artistic image in the entire film). But although the meat of this worked for me, I never felt as engaged with the subjects or subject matter as I believe Heinzerling would have liked me to. Final Thought: "Cutie and the Boxer" is honestly a movie that, from the poster alone, I was dreading to have to sit down and watch. Now, was I blown away after I finished this? No. But if you are on Netflix and interested in watching a film regarding a case of female liberation masquerading as an art documentary, then "Cutie and the Boxer" is an interesting enough watch.
joihargrove12 I am writing this review on Cutie And The Boxer. I was surprised. I didn't understand the concept of this documentary. I kind of didn't like it. I thought it was going to be longer or more information about something but no. I mean they were a cute couple I just didn't know what the concept of it was. It wasn't like a boring type of bad it was a… unfinished type of bad. There just should have been more in my opinion. They had wonderful work and sculptures but it looked like an everyday kind of thing for an artist. All artists run into problems every now and then I didn't see what the difference between them was. It didn't show me enough about who they were I feel.
BasicLogic a lie that has this man maintained 80 years, a mirage that has fooled this woman for 58 years. my my my, what a pathetic story about a Japanese immigrants who have been considering themselves as artists. i couldn't help thinking when people who hate American fast food chain, they usually cursed with a sentence: "garbage in, garbage out". this is exactly what this pathetic couple who consider themselves artists. i have to add one more sentence to nail these kind of people who call themselves artists: making junk out of junk. their whole lives are just based upon an unrealistic whim, a modern day tragic fact for so many people who consider themselves with artistic talents. this old guy could not get out of his hobbit of making ugly cardboard motor bikes, punching canvas with boxing gloves to create some meaningless color dots. he just kept punching the canvas on the wall without any thinking and creativity. his so-called art is just like a spoiled brat falls in love with color paints, industrial glue or epoxy, and cardboard, the ultimate insult to art. and this woman who creates 'cutie' cartoon is also got no talent at all. their whole lives together is just a pathetic, pointless, miserable lie and a blind belief that has been fooled them so long, just like those who believe in the unseeable 3rd parties of the world, a ridiculous religion burdened them for their whole lives. the bullie is nothing but a male shauvinist pig, while cutie, the woman with long grey hair, a typical oriental woman who never got a say in her life. the most pathetic result of their lives is that they have created nothing but a lame duck like alcoholic son, a useless, hopeless good-for-nothing drunk. this family is nothing but a joke. they are just average non-talent people fooled by their own foolishness, no wonder they have to struggle their whole lives and getting nowhere. "know thyself" is the only medicine they should take.
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