Misteraser Critics,are you kidding us

Matrixiole Simple and well acted, it has tension enough to knot the stomach.

Brennan Camacho Mostly, the movie is committed to the value of a good time.

Kinley This movie feels like it was made purely to piss off people who want good shows

The_Void Crazy Love is a little known eighties cult film that traces a boy's life through three key events. The film is Belgian produced; based around three stories by cult writer Charles Bukowski and brought to life by Belgian director Dominique Deruddere. Crazy Love does not have a particularly good reputation these days, although it apparently caused quite a stir upon its release and that isn't all that surprising considering the subject matter; although to be honest, nothing in this film particularly shocked or offended me. The central character is Harry Voss, who we first meet as a young kid who is learning about sex from his friend, with the aide of a few loose women. We then pick up a few years later and Henry is a schoolboy, befallen by an extreme case of acne that leads to him being rejected by the opposite sex and ridiculed by his peers. The third and final chapter sees the once bright young boy as a drunken waster who cuts a stark contrast to the boy we saw in both the first and second chapters of the film.The three parts of the film are all incredibly different and the director succeeds in creating an atmosphere to carry this off. Crazy Love is a 'coming of age' film; a favourite subject among Hollywood 'cookie cutter' filmmakers, but this one is about as far from the mainstream as you can get. The first segment is the lightest of the three, but still packs a punch as we watch the subject discovering sex and eventually getting acquainted with his hand. The second segment focuses more on the idea of teenage alienation and sees the film take a darker turn as the sensitive young man is rejected by all the girls because of his deforming acne. This provides a nice opener to the third section, which is completely dark and dismal and probably what earned the film its reputation - the ending is not something that many will forget in a hurry! Overall, it's not really surprising that this film hasn't gone down as an all time 'classic, but it certainly has its place among cult fans and that isn't surprising either. Be sure to catch this film if you want something a bit different!

cannibalcam I can assure you that Mondo Macabro is truly the wild side of cinema. The flicks these guys dish out are of all levels of genre's. Drama, horror, exploitation, euro, thriller, cult, etc.. Nice tot see someone hand out films that are of quality from all walks of life. Crazy love is all about the other walks of life.O.K., I can understand growing up in a town way out in Belgium somewhere in 55, attending local cinema and becoming enthralled amongst the gleaming screen of persuasion. I'm talking on a male perspective, sorry ladies. You come running home with the thoughts of kissing, petting and other boner reacting thoughts. You hang out with a next door pal which is a little older and tosses you into the whole scheme of things, of supposed love making. You both fail miserably but on you must go. That I can understand. What I can't understand is how someone could freely talk masturbation when you where such a pre teen, then have your buddy whip it out and throw one back in front of you? I don't think so. The director had that happen, and it was his brother. So maybe it could happen but look where he is from. Well, On to 1962, a few years older and a complexion only a mother could love. You feel really bad, you understand what he going through and he still can't land that lady he most certainly loves.On to the 70's and by now, you would think he would at least have found Mrs. right? Wrong, still no luck and no a drunken loser. He hooks back up with old time budd and for old times sake. Lets steal a corpse and see what he does. You have to see what true love would do to you.I thoroughly enjoyed the film, other then the jerk of class I was drenched in emotion. Kind of like an after school special if you will. The director talks a little about the flick and his reasoning. Sure, he knows what he's talking about but when he fessed up to the brother showing brother, or brother watching brother part of his life. I sort of turned the rest off and couldn't get that vision out of my head. A disturbing touch to an already disturbing story. An off the beaten path for this label to come out with but cult is cult and the wild side of cinema needs a home somewhere.

robert_e_campbell this movie really has nothing to do with bukowski. there is the terrible acne, the yearning for love, and the alcoholism. other than that, when writer has made everything his own, and the people releasing this film should have billed it as "inspired by charles bukowski" not based of the poems of.it is told in 3 sections, and while the fist two sections are beautifully acted by the two boys/men playing "henry voss" (must not have gotten the rights to play henry chinaski), the 3rd and worst section is played by an actor trying to recreate Mickey Rourke in "Barlfy," only the make-up artists made him up to look even greasier. throw in masturbation with a 12 year old boy, a direct "elephant man" allusion, and an ending that makes one want to throw up, and you have a combination of ingredients that would make bukowski punch someone in the jaw. only i didn't even get that: i felt deflated and cheated. as a fan of bukowski's work, at arm's length, this is purely garbage.but i did get a kick out of thinking that it is possibly johnny depp playing guitar in the prom scene (which in bukowski's poem, he only looks through the window and observes, why the director decided to fictionalize this, i don't understand).rent this if you're a huge bukowski fan ready to be let down hard. it's in the same category of fante's "ask the dust" adaptation, about a struggling Italian writer in his teens, played by collin farrel.

coreyjwade This film deserves more props. It is absolutely charming, and in a very poetic way. The filming in itself is very smooth with each transition and has great purpose in every scene each of which converge, including the fine details. The shadows of the spreading rain drops during the masturbation scene is phenomenal. The build-up and execution of the dance scene is also about as romantic as I have seen.I can see why this film did not get the props it deserves. It has some controversial material, though it is all executed with superb and poetic class. The diversity of the three sequences are also extraordinary. Very effective imagery, and a story that is told so well that you know where it is going at the end. There are no tricks, just a heartfelt love story with Bukowskian flair. And after watching a documentary on Hank, I can say that this captures the work of the true man inside, not the reputation that he developed as a womanizer during one stage of his life.