Harockerce What a beautiful movie!

Brightlyme i know i wasted 90 mins of my life.

Sameer Callahan It really made me laugh, but for some moments I was tearing up because I could relate so much.

Jerrie It's a good bad... and worth a popcorn matinée. While it's easy to lament what could have been...

aforandromeda Lonely crime scene photographer Aiden (Josh Lawson), after years of taking pictures of murder victims on the decaying streets of Detroit, is fast losing his grip. Retreating into fantasy as a mechanism to cope with capturing the horrific images that make him a living, he imagines himself as the hero of the hour in various daydreams. Increasingly under pressure from the conflicting voices in his head, his dark, vengeful side grows along with a simmering frustration at his own cowardice and social awkwardness. After meeting attractive neighbour Virginia (Emma Lung) and sparking a curious relationship with her, Aiden becomes ever bolder in attempting to make his daydreams a reality. However, being the hero isn't quite as easy as he has imagined it to be.Crave initially begins with a stylish appearance and swathes of jet black yet gleefully malevolent humour. However, the character of Aiden is very underwritten, despite a strong performance from Lawson and this seems to be the story of the film as a whole. From it's visually arresting and intriguing opening, the film quickly finds itself going nowhere.There is little meat to the bones of the script with the storyline just plodding around, seemingly waiting for some time to pass so it can get to the final third. Director Charles de Lauzarika would appear to have thrown everything at the final half hour or so, with things getting increasingly ludicrous as the possibly schizophrenic Aiden blunders from one catastrophe to the next. The problem is, with so little attention being given to the script and direction of the middle third of the movie, you increasingly find yourself becoming rather disinterested as the plot is meandering and lacking in substance for much of the running time.This is a shame really, as there are flashes throughout of de Lauzarika's flair and inventiveness, helping to sometimes bring the film out of mediocrity. Unfortunately, Ron Perlman is wasted as Aiden's homicide detective friend, as well as the increasingly bizarre Edward Furlong. Lung does well as Aiden's love interest, however all the supporting parts are as woefully underwritten as the lead character's. The soundtrack to the movie is just as skeletal, all synths with plenty of treble and reverb, but with nothing that you would ever recall.Stylistically, Crave is a nicely filmed piece of work, with strong cinematography and a moody yet macabre feel. However, it's rendered distinctly average fare thanks to such a threadbare script that not even a talented cast like this can get much out of. Ultimately, Crave is as entirely soulless as the crime ridden streets in which it's set.

Prismark10 I expected this film to be in the vein of those early 1980s urban vigilante films such as Ms 45 or The Exterminator. A schlock B movie trying to say something important but just gives you more violence that it wants to decry.Australian actor Josh Lawson plays Aidan a crime photographer working in Detroit. He is a recovering alcoholic and prone to fantasies where he takes on minor criminals and gets applauded by the public.Aidan has has a relationship with a young girl at the same apartment block, Virginia (another Australian actress, Emma Lung). The relationship makes him happy and confidant but it threatens to be short lived. Ron Perlman plays a police detective who is also a recovering alcoholic and who he also confides in as they meet up regularly in crime scenes.Aidan decides enough is enough and acts out his fantasies by taking on some low life villains but finds out being the vigilante man is not easy. Things take an unsavoury turn when he gets involved in a tussle with Virginia's boyfriend Pete (Edward Furlong) that leads him to bewilderment.Its clear Aidan is a loner, unsociable and damaged. He usually says the wrong things to Virginia and has retreated to his fantasy life where he hears voices.A director such as Abel Ferrara would had made this film entertaining with some added social comment and it would had gathered a cult appeal. However what we have here is an overlong low budget film that meanders and gets nowhere fast. Half way through you realise that the film has another hour to go and you already think that its gone on for two hours.I cannot fault the actors who do their best with the material but the screenplay is poor and the direction is pedestrian.

zif ofoz The surface story is .. 'A downtrodden photographer, haunted by the urban violence and decay around him, retreats into an inner world of dark fantasies.' But that is just the marketing phrase to get the attention of the public.This marvelous film is just chock full of symbolism, and what gave me the lead is the setting - Detroit! Detroit - a once vibrant and wealthy industrial city now suffering under corporate self imposed decay and debt - Detroit still has wealth but the shine is soiled by the blight within it - Detroit is America today.Aiden - the photographer - symbolizes government or the people in America. We know right from wrong, we are a nice people at heart, just as Aiden is. But America fantasizes so often of being 'the avenger of the wronged and oppressed' and when we take action we so often get it all wrong and then do not understand why others in the world don't trust us.Virginia - the girl next door - she symbolizes the American psychological take on our friends, our allies. There is more to her than Aiden is willing to see (or unable to see) and doesn't understand her reaction when he inappropriately reacts to a situation. Even though America has many allies they are often put off by our inappropriate response to an international event.Pete - the policeman - symbolizes what Americans know about themselves and others! We can feed the good wolf or the bad wolf. Pete is the collective conscientiousness of the often indecisiveness of America, - when America knows which decision is rightful.Barry - the rich corporate business man - symbolizes the corporations and politicians (or politics) in America. It's only concern is for itself and when they are caught cheating, as happened to Barry, they can buy their freedom and are never held responsible for their degrading actions to the working class (the girl in the cheap motel).Ravi - the boyfriend of Virginia - he represents the people America has wronged by assault and war. Then we come running to help, as Aiden did to Ravi after shooting him, only to discover it's too late.'Crave' is a two hour movie, but I was fascinated by Aiden and never knowing which way he will turn before he finds the gun. After the gun he feels empowered but it just makes his life worse. Even though Aiden is not caught for his crimes his mental world will continue to torture him. America is Aiden, we haven't been punished for our crimes either!

johnhdavison Being from Australia I thought this Josh Lawson Movie would have been good...Don't waste your time watching it as It is below average...The story line is Carp.... and the Movie is Crap... if you watch this you have wasted a good few Hours that you could have watched something else. The movie has a lot to answer for and Josh Lawson also has a lot to answer for. I have no idea why I watched this as The movie should have been so much better. I do like the actor but.... My god Why did he do this Crap Film ? This is only my opinion But I feel this is a BAD Movie>