FrogGlace In other words,this film is a surreal ride.

Brainsbell The story-telling is good with flashbacks.The film is both funny and heartbreaking. You smile in a scene and get a soulcrushing revelation in the next.

Kodie Bird True to its essence, the characters remain on the same line and manage to entertain the viewer, each highlighting their own distinctive qualities or touches.

Calum Hutton It's a good bad... and worth a popcorn matinée. While it's easy to lament what could have been...

lousilberling I haven't seen anyone else comment on this point, so here goes. Will (Jeremy Sisto), who plays Hope's (Heather Graham) "boyfriend" in the film, IS THE HEROIN. His character is a metaphor for the heroin addiction. He doesn't actually exist. It's the heroin that makes Hope do all the terrible things she does -- Will is like an embodied spirit of heroin, if you will -- and the heroin that almost kills her (like Will with the gun -- the gun is the needle...). She almost kills herself OD'ing at the end, but it's really her "shooting Will with the gun" that in the end, saves her -- because she is killing the addiction by almost killing herself (and the short-order cook helps her out.) Great film. Watch it for the clever metaphor, not as a literal tale.

view_and_review So I'm perusing the video store looking for an older movie since I wasn't interested in any of the new releases. As I pick up random DVD's to check their genre and read their tag line I picked up this movie. I see thriller and Heather Graham's name and think, "she's cool, let me read on." Then I read something that seals the deal: "this movie is like Identity..." OK, now that's the ticket, I loved the movie Identity with John Cusack.Umm.... I'm still trying to link the two movies together. This was nothing like "Identity" besides the ONE scene in which she saw different versions of herself. The movie was alright, a bit gritty, raw, and depressing, but not all that appealing. All I really got from the movie is: if you land a boyfriend that is addicted to drugs, LEAVE HIM!!!

PeachHamBeach I watched BROKEN last night after a long hard day at work. I figured I wouldn't have the energy to understand it, or I would be in an entirely wrong mood to enjoy it.I'm a huge fan of Jeremy Sisto and a longtime admirer of Heather Graham. Ever since I first heard about BROKEN, I've wanted to see it. There was just something about it. There IS just something about it. I knew instinctively that I would either love it or hate it, not depending on the story, but how the story was carried out, executed, you know what I mean. If a story of this nature is carried out by a bad team of filmmakers, it could easily end up a gratuitous, offensive piece of garbage or a watered down, soapy melodrama.I LOVED it. BROKEN is a story with a very clear message. Unfortunately, I see many critics and filmgoers have failed to get that message. There is no moralistic preaching. The filmmakers and writers were far more creative than that. Sappy TV movies of past and present like to mollycoddle viewers and talk down to us like we're children, wanting us to care about issues like drug addiction, yet giving us vapid, stereotyped characters who are dealing with addiction, all while censoring the awful effects of what "wrong" and "sin" can do to human beings. BROKEN tones nothing down. If you are disturbed by the kind of raw grit found in films like TRAINSPOTTING and REQUIEM FOR A DREAM, you might consider avoiding BROKEN.If you are familiar with their work, you know that Graham and Sisto are actors who have shied away from nothing in their careers. Both of them get far less respect and recognition for their courage, not to mention their CHOICES, than they deserve. Obviously, they are continuing to choose projects that they believe in, no matter how "small", giving 110% of their individual gifts to it, and hoping that at least a few filmgoers will have the perception to absorb the message being conveyed.Though, as stated before, there is no preaching in BROKEN, the message being sent is clear, ageless, powerful, quite biblical in scope, comparable as well to the fables of Aesop and the ancient myths of Greece. Their names are HOPE and WILL, but they are also known at first as INNOCENCE and INSPIRATION. INNOCENCE comes to the big city to follow her lifelong dream of being a musician, HOPE-ing that her talent WILL be recognized. She crosses paths with a man who becomes her INSPIRATION, and the two fall deeply and sincerely in love.INNOCENCE and INSPIRATION all too soon give way to DISCONTENT and SEDUCTION, as Hope finds that the path to stardom is a lot steeper than she imagined. Her beauty and talent are getting her nowhere in a city where beauty and talent seem to be a dime a dozen. At this time, Will offers Hope the only solution he knows to combat sadness and DISCONTENT: He SEDUCES her with the escape of heroin.For a while, Hope is eager to indulge, prefering to drift off into a zone where she doesn't have to feel the effects of the rejection of her dream. It's obvious she doesn't see that Will is someone who will not help her, but rather harm her, because he has no dreams of his own, no desire for success or a productive life or anything other than to live in a drugged stupor. To see Will wanting nothing but this is a profoundly sad thing. It made me want to know more about his past, what made him feel like his life was so meaningless? What made him hate himself so much that he could care less if the next shot might kill him? But this is Hope's story. At first I didn't like the idea that the story was focused solely on Hope while Will was one of many side characters. But if you pay attention to the story and its purpose, you will understand. Will, along with the many characters in the diner who interact with Hope, are representations of her long struggle, her INNOCENCE, her INSPIRATION, her DISCONTENT and her SEDUCTION from light into darkness. Her stillborn dream, her ignored talent and beauty in a city wrought with ruthless competition for fame and fortune; her WILL-ful decision to either make her dream come true or waste her life being strung out on drugs and prostituting herself, reducing her life worth, degrading her value, for the next temporary high; and finally her abrupt realization that her life does have meaning, and her life can touch the lives of others, if she doesn't squander it, no matter who she ends up being, no matter whether she is famous or anonymous, her renewed sense of strengh, purpose, and of course HOPE.Graham and Sisto both give beautifully emotional performances, and are joined by a wonderful ensemble which includes Jake Busey, Linda Hamilton, Valerie Azlynn, Michael Goorjian, Mark Shepard, Tess Harper, Bianca Lawson, Joe Hursley, Randall Batinkoff and the amazingly pretty Jessica Stroup who stands out as a heartbreakingly young girl who is enjoying her first ecstasy high, but perceptive enough to realize that she is being preyed upon in much the same way Hope has been.The music by the Brian Jonestown Massacre is fitting to the film's dark tone and the "Hanging Tree" song, performed in the film by Graham, is haunting and gorgeous.I recommend this film highly to anyone who has the sense to watch it with eyes wide open. I feel very satisfied, yet there are elements I do not yet understand fully. So I will be "chewing" on this great film for a time to come.I'll give it an A+.

thebenmalibu The Yellow Brick Road of Broken Dreams Is Broken a Nightmare, or a Place?Broken is Dorothy's trip retold, with LA as Oz, as seen from Mulholland Drive. From the clean shining sea light of Zuma Beach, to the superficial artificial light of Skid Row dives and midnight diners, Broken follows the arc of a young woman from the Midwest who follows her dreams to Los Angeles, and almost lets her nightmares do her in.Heather Graham is Hope, a young woman who doesn't think that Cleveland rocks, and goes west with her guitar in hand and a song in her heart called Hanging Tree. The sea light of California lights Hope up brown and golden, she looks beautiful and happy lying on the beach at Zuma, when she is approached by a stranger (Jeremy Sisto) who approaches her as if he walked out of the glare of a setting sun,. He asks for a cigarette, but Hope doesn't have any, she has quit, so he pulls two from his pocket and offers her one. The guy says his name is Will, and this gesture of his is more than a pickup tactic, it is a clue as to who Will really is, a clue that only makes sense at the end of the movie.The yellow brick road that millions have followed to Los Angeles is lined with permanent detours and dead ends, and Will takes Hope by the hand and leads her away from the golden, dreamy light at the beach and down one of those bad paths, the path of heroin addiction which plunges Hope into a world of bad light, artificial light, the light of tunnels leading to hell, of dingy apartments with the light blocked by foil, to the light of a butane lighter, bubbling heroin in a spoon. The heroin that is slowly taking the light out of Hopes eyes and out of her dreams.Broken moves backward and forward and sideways through time, but the real time of the movie takes place after midnight in a café where Hope scratches out a living as a waitress. This is the Blue Star Café in the movie, but those who know Los Angeles will recognize it as the Hellay Café, because the patrons that Hope waits on are everyone you don't want to become in Los Angeles: Jake Busey and Joe Hursley are sadly funny as two heroin-addicted losers who can't score smack or women at 2:00 in the morning. Jessica Stroup is beautifully sad as an Xd out Valley chick stuck behind two guys she doesn't like, and looking for salvation from Hope. Linda Hamilton is evil sad as a madame who plays on Hopes weaknesses and tries to lure her even deeper with promises of big money. Hope has already prostituted herself physically and mentally, for drugs, for Will.Tess Harper is just sad as a homeless woman who seems to be able to read Hope's mind – and a reflection of what Hope will soon become if she continues with Will.The other patrons are a wannabe producer and director – younger and older versions of the endless train of BSing hopefuls that pass through Los Angeles. There is a wannabe record producer luring three wannabe rock stars with promises of meeting "the most powerful man in Hollywood" at two in the morning. The Blue Star Café could also be called the Wannabe Café, as it is a purgatory between the heaven of all that Los Angeles promises and the hell of broken dreams. Hope is trapped in this purgatory, at two in the morning. She is flashing back on her relationship with Will, a relationship that is more sex and drugs than rock and roll, a relationship that is stealing Hope's youth and beauty, and her dreams and self respect. Hope is done with the relationship, but not Will. The homeless woman warns Hope that Will will be back, he will always come back. As Hope waits on the various sad cases in the Hellay Café, the clock is ticking as Will pulls his gun and steals cars and makes his way to confront the woman who has spurned him.There is a weird tension in the Wannabe Café when Will busts in with a gun, threatening everyone. A lot of these people need killing – they would be better off dead – but Will ends up shooting the saddest and most innocent of them all. Jeremy Sisto plays a believable psycho, a common type around LA: the guy who can't make it, and takes it out on everyone around him.Hope takes all of Will's wrath on herself, and faces her moment of truth, making a decision and with a loud bang forces the viewers to make up their minds about Broken: Is Will an addict, or is he Addiction? Is he a person, or a symbol? Did all of this happen, or was it all a heroin nightmare that took place as Hope nodded on a bathroom floor. Is this whole movie reality, or is it, in the words of Dorothy: A dream, or a place?