Blood Father
Blood Father
R | 12 August 2016 (USA)
Blood Father Trailers

An ex-con reunites with his estranged wayward 16-year old daughter to protect her from drug dealers who are trying to kill her.

Reviews
MamaGravity good back-story, and good acting
Stoutor It's not great by any means, but it's a pretty good movie that didn't leave me filled with regret for investing time in it.
Mathilde the Guild Although I seem to have had higher expectations than I thought, the movie is super entertaining.
Raymond Sierra The film may be flawed, but its message is not.
shinsrevenge As said in the title, him playing a role of a ruined, rundown father was a new experience for me. He's not a shining hero, no one-man-army and he's far from perfect. As a former biker with a messed up past he tries his best to stay out of trouble and get back control over his life.Until one day his long-lost daughter comes back to ask for his help. With few connections from the past and very limited resources you see an aged man fighting to the limit to protect what's most precious to him. The movie feels real and genuine. It's not afraid of showing people with dark sides, issues and struggles. They all try their best (or worst) to make a living and survive, driven by different motives.Apart from your typical hollywood plot you see that life is no fairy tale, it's a fight for every day, where nothing is to be taken for granted and we have to cherish what we have and every moment. A strong performance that left a strong impression.
krocheav You want nasty, brutish, foulmouthed, low-life mindlessness? Then Blood Father could just give it to you. But, you may also need to be somewhat of a mindless thug yourself to get past the 'I've seen it all before' excesses of this endlessly clichéd chase movie. This tosh plays like its only audience will be uneducated teens or bikie gangs. Gibson plays the Gibson of so many other boringly silly-kick-ass flicks that it's no wonder he looks so frazzled (although years of booze hasn't helped). Written by Peter Craig in the style of 'I need the easy money' genre and directed with the same feel by Jean-Francoise Richet. This foolishly tired trash fest, lambasts its way to an entirely predictable finish - and even though it only runs 88 mins feels like it should have been 15mins shorter! Erin Moriarty plays Gibson's space-cadet teenage daughter like she's auditioning for a game panel show. Hers is one super-dill of a character that at best can only annoy the viewer to the point of wishing the evil gangs would put her out of her misery (or ours). One particular scene of Mel at a phone booth looks as if it were shot on a mobile phone by an untrained kid who had just bought their first phone! Michael Parks is again wasted in one of his final roles - along with William H. Macy, who's reduced to little more than an extra. Only for easily pleased lovers of grotesque movies - anyone else, save your time for something of worth.Oh, and don't be fooled by the Rotten Tomatoes ratings - seems to have been a bunch of film-school kids on duty for this one...or maybe a bunch of bad fruit peddlers.
Pjtaylor-96-138044 'Blood Father (2016)' is at its best when it explores the relationship between the central ex-con protagonist and his estranged daughter, using the 'on the run' conceit as a lens through which to view this unconventional dynamic rather than just a plot device to add tension. Its in these quieter moments that the picture actually shines, when it allows Gibson to capitalise on his outcast status and genuine acting talent to fully embody a fairly well-written character who's connection with his kid is believable, a bit unique and also quite resonant. The film can't maintain this off-kilter indie-darling drama feel for too long, though. It is interspersed with fits of furious violence that are entertaining in themselves but often feel far more generic than deserved and don't do justice to the interesting characters involved in them. They tend to make the piece as a whole seem like a more common action-film but really its the redemptive arc and central relationship that makes it stand out as more. The finale, though a little anti-climactic and a tad clichéd, is a fittingly violent end that keeps its sights set on the heart of the flick. Its this rough but still beating heart that makes it a memorable experience. 7/10
Jackson Booth-Millard After the Oscar wins and nominations for the brilliant Hacksaw Ridge, the Braveheart leading star and director is slowly getting back into Hollywood's good book, and I was looking forward to watch him return his action movie routes, directed by Jean-François Richet (Assault on Precinct 13). Basically teenager Lydia (Captain Fantastic's Erin Moriarty) buys bullets for her boyfriend Jonah (The Terminal's Diego Luna), after loading up, he and his gang go to kill a tenant family who apparently stole money stashed in the walls of their rented house. Jonah kills another tenant, then ties up another and forces Lydia to kill her, she then accidentally fires the gun at Jonah, shooting him in the neck, apparently killing him, she escapes the crime scene. Lydia contacts her estranged father John Link (Mel Gibson), an American war veteran, ex-convict and recovering alcoholic, out on parole after serving seven years in prison. John picks up Lydia and takes him to his trailer house, he learns that she is not only a drug addict but also an alcoholic. Some time passes, but Lydia continues to receive text messages from an unknown number, death threat from the gang members, she explains her situation in detail to John. One night, members of Jonah's gang try to force themselves into John's house, opening fire and trying to ram it with their SUV, until John's neighbour and sponsor Kirby (William H. Macy) and other armed residents rush to intervene, forcing the gang to retreat. John was initially determined not break the conditions of his parole, but he reasons that going to the police will put Lydia in danger, so they flee together, on the run Lydia tells John about running away from home, and about Jonah, who turns out to be a well-connected member of a Mexican drug cartel. After stopping at a motel and narrowly escaping a cartel, John attempts to get help from his former mentor and friend Preacher (Michael Parks), who makes a living by collecting and selling war memorabilia, but Preacher changes his mind after learning there is a reward for turning in Lydia. John overpowers Preacher and his wife Cherise (True Blood's Dale Dickey), and escapes with Lydia on a 1997 Harley Softail, they are pursued by two of Preacher's men, they are both killed in the chase. While Lydia dyes her hair to obscure her identity, John shaves his beard, he travels to a prison where he meets his former cellmate Arturo Rios (Miguel Sandoval), who has information about Jonah's connections, he learns Jonah stole the money himself from the cartel, blamed the tenants, and murdered them to cover his tracks. At the motel, Lydia receives a call from Kirby that she in danger to meet him at a crowded public place like a theatre, there Lydia is confronted by Jonah, who survived his injury, she is abducted by him and his gang. After leaving the prison, John calls Kirby, but Jonah answers, revealing that he captured Kirby, and kills him, John warns Jonah about harming Lydia, citing his knowledge of his connections, he offers his own life in exchange for his daughter, and they arrange a meeting at a secluded spot in the desert. John goes back to Preacher's place and picks up a landmine and some grenades, arriving at the meeting point, he improvises a booby trap with the landmine placed under his bike. John is tied up by the men and put in the car with Lydia, as they prepare to leave, two men move the bike and are killed by the explosion, John kills the gang member inside the vehicle, but Jonah escapes. The other gang members have found a vantage point in the rocks above, John is wounded by gunshots, he and Lydia take cover behind the car, John forces the remaining gang member to get closer, the two fatally shoot each other, Lydia tearfully watches his father die in her arms. In the end, Jonah is arrested and incarcerated, he comes face to face with a a visibly hostile prison gang led by Arturo, one year later Lydia is attending a support group, she reveals that she has been sober for a year and expresses gratitude to her father. Also starring Richard Cabral as Joker, Thomas Mann as Jason the Motel Clerk and Raoul Max Trujillo as The Cleaner. Gibson doesn't seem to have lost his mojo in the genre that made him a star, Moriarty is good as the vulnerable teen, Luna is a relatively good villain, Macy is worth mentioning as the hero's sponsor, and Parks as the creepy white supremacist. You could argue that it echoes themes in the Taken series, without the kidnap element of course (well, not until near the end), and you cannot take any of it seriously, it is just a load of guns blazing, fast chases and explosions that will please the crowd, nothing wrong with that, a reasonable action thriller. Worth watching!