Biohazard: The Alien Force
Biohazard: The Alien Force
| 01 January 1995 (USA)
Biohazard: The Alien Force Trailers

Triton Indutries has created a genetically-engineered creature using DNA from human sources. During the course of the experiment, however, the host mother carrying the mutant escapes from the laboratory compound, giving birth shortly thereafter. The intellient "baby" beings hunting down and killing its male DNA donors, while at the same time trying to mate with its female donors. The head of the lab wants to destroy the monster before the press can get wind of the story, but the former head of security wants to expose the whole thing.

Reviews
WasAnnon Slow pace in the most part of the movie.
Stometer Save your money for something good and enjoyable
CommentsXp Best movie ever!
Scotty Burke It is interesting even when nothing much happens, which is for most of its 3-hour running time. Read full review
Woodyanders A deadly and predatory genetically engineered mutant (James L. Miles in a funky, if hokey rubber suit) made up of the DNA of various donors escapes from a lab so it can hunt down and kill the male donors while attempting to mate with the female ones. Meanwhile, nefarious lab head Donald Brady (token semi-name Christopher Mitchum, who just barely manages to retain his dignity) wants to capture the beast for his own evil reasons. Boy, does this hilariously horrendous honey possess all the right wrong stuff to qualify as a real four-star stinkeroonie: Ham-fisted (mis)direction by Steve Latshaw (who also co-wrote the supremely silly script), terrible acting from a lame no-name cast, tacky gore, cut-rate (far from) special effects, rusty tin-eared dialogue (sample line: "He can smell you boys -- be careful"), a mechanically bouncy synthesizer score, and ineptly staged monster attack scenes. Naturally, we also get a generous serving of yummy (and utterly gratuitous) bare distaff skin. Florida exploitation cinema legend William Grefe has a funny bit as loudmouth drunk Mr. Babb. An absolute schlocky hoot.
kenton99 This is a good cheesy B-movie. A monster is running around eating people up. The creature looks great but the acting is bad. There was one point in the movie when i didn't even know what was going on. That was one of the only down sides. It was like they just gave the scrip to someone else and told them to write. The monster looks like a gorilla with green scales and sharp teeth. A great Bmovie! Over all i enjoyed this movie very much and i am happy to have added it to my collection. In case you want to buy this movie on DVD go to Amazon.com. Thats were i bought my copy, I don't think they sell it in stores.
edgewelle So many questions drifted through my head while watching "Biohazard: The Alien Force". Why is an alien force referenced in the title of the film, yet no aliens appear in this movie? Why does Steve Zurk, playing the protagonist Mike Reardon, look disconcertingly like David Hasslehoff's brother? Who dressed him? Why does the bed of a truck burst into flames after the vehicle bumps into a tree? Why does a rocket not markedly damage a car after a direct hit? Why do none of the characters in the movie seem to have any peripheral vision? Who created the titles and special effects, and why they ever employed to begin with? Lastly, how could this movie's production have concluded without the filmmakers hiding in exile?This is such a sublimely awful movie it's hard to describe. There are far too many moments of unintended hilarity to describe in this short passage. Suffice to say, this film gets more laughs than just about any comedy out there you could find. I heartily recommend this film to any fan of campy cinema.
Escoba I never thought that a straight to video, EP format film could be so engrossingly luscious. The sparse, unembellished dialougue would make Hemingway proud, and the Faulkneresque surrealism tops it off. A bold, yet flawless combination results. For example, when the bio-baby's mother uses a basketball under her shirt to simulate pregnancy, the sport's inherent physical violence foreshadows the creature's ultimate nature. Conversely, when the four-door Pontiac, just before being struck by the missile, is replaced by a two-door Buick, it becomes apparent that means of this sort will only reveal the chaos that must ensue whenever anyone employs violence. The only virtue of the car which remains unchanged is its color, red, which needs no explanation. Similarly, when the editor inverts the negative of the crashing helicopter, well, the imagery is readily apparent. This film, while disturbing, will forever change not only the way you look at filmmaking, but your view of life itself.
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