filippaberry84
I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.
Joanna Mccarty
Amazing worth wacthing. So good. Biased but well made with many good points.
Bluebell Alcock
Ok... Let's be honest. It cannot be the best movie but is quite enjoyable. The movie has the potential to develop a great plot for future movies
Calum Hutton
It's a good bad... and worth a popcorn matinée. While it's easy to lament what could have been...
Rruffin83
I gave it a 3 because of Robert Forster's acting. Mia Farrow was horrible and Rock Hudson was annoyingly bad. The director must have given them one take per scene, Forster nailed every one and the stars missed big time. The snow that someone kept throwing across the windows every 2 seconds was hilarious. Do chunks of snow really bounce off you? lol
altair42002
I remember seeing this on T.V. in the early '80's, and even though I was still kind of young, I thought it was awful. Rock Hudson should really have been more selective of the scripts he accepted. some of his films are really good, and others like "embryo" and this piece of drek should have been left to the next generation of actors.now for the scene that I thought was the funniest of the whole movie. it happens at the very end as the camera is pulling away and the screen starts to fade to black. If I remember the scene correctly, a group of people are still in either a wrecked hotel or a cave and some guys wife has just been declared dead. as the camera pulls back you can clearly see the "dead woman" stand up and walk off set.
bkoganbing
I was surprised to see that Avalanche was produced by Roger Corman of all people. I would think that even the skimpy budget that this film had by Irwin Allen standards was not something Roger Corman was used to dealing with. Corman didn't spend it on big name guest stars for sure. His stars are Rock Hudson and Mia Farrow. Hudson is the Donald Trump like owner of a big state of the art ski lodge which is hosting that weekend some winter sporting events. He's been told like William Holden in The Towering Inferno that the lodge is in a bad place and the snow looks like it's about to come a tumbling down.Tumble down it did during a storm when a plane crashes into the top of a mountain. The Avalanche starts and it buries the whole cast in that white stuff. This is a disaster film made on the cheap, some winter sports footage mixed with real avalanche footage and some cheesy special effects by seventies standards to bind it together. The plot such as it is, is almost non-existent, the characters are never developed in the slightest, so you don't really care about them.I guess the lesson to be learned from Avalanche is for Roger Corman not to try to be Irwin Allen.
Poseidon-3
Checking in rather late, though not at the tail end, in the 1970's disaster movie cycle, this Roger Corman cheapie is only entertaining in fits and starts. Hudson (looking ragged and drunk at times) has just built a huge winter paradise in the mountains of Colorado. His ex-wife (Farrow) comes to the opening, for old times sake, while employee Forster foresees danger in the snow caps. Hudson's mother (Nolan, in a white fright wig) wines and dines with abandon. There are also trite and annoying plot threads about a studly skier, a TV show host (Primus) and his unfaithful wife and a nervous ice skater. Aside from having less than stunning production values, the film's main problem is that it takes an hour for the title event to occur and then races through all the resultant carnage with choppy editing and distorted timing. The viewer must endure a shabby, clichéd script and some bad acting while waiting for the Styrofoam chunks and plastic snow to may their way down the hill. Hudson is bad. He barks and yells inappropriately when he isn't wooden. Farrow looks idiotic much of the time and is completely mismatched with Hudson. (She learned nothing from this experience as she was soon to film the disastrous "Hurricane", another career killer. Thankfully, for her, Woody Allen was just around the corner!) Forster actually outshines the others with his charm and conviction in a thankless part. Nolan shamelessly hams up her role in a desperate attempt to add life to the often dull proceedings. She is funny, but not always in the way intended. Primus had worked for Corman before, so he should have known what he was in for. On the plus side, there are a few hooty lines of dialogue and some unintentionally hilarious, overwrought, emotional scenes among the lesser players. Also, a few of the ice and snow effects and destruction scenes are solid (most, however, are shoddy.) One hilarious scene has a skater spinning obliviously while snow encompasses her. In another, folks digging a hole out of an enclosed lodge keep knocking against the rubber "snow" so that it springs back! Then there's the rescue workers who, after witnessing an electrocution, allow the victim to fall onto the ground instead of into their net, which is right under him! There's also an ambulance door that apparently flies open simply by leaning against it. One distinction: This has to be the only 1970's disaster film that has nudity. Hudson (in a bid to reinforce his heterosexual image?) has a secretary that walks around his chalet naked! If the film had spent a half hour getting to know the people and an hour rescuing them (instead of the opposite), it might have been more entertaining. The way it stands, viewers wind up not really liking the characters and can barely keep up with the rescues!