Limerculer A waste of 90 minutes of my life

Numerootno A story that's too fascinating to pass by...

Iseerphia All that we are seeing on the screen is happening with real people, real action sequences in the background, forcing the eye to watch as if we were there.

Brendon Jones It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.

JohnHowardReid SYNOPSIS: A small town ne'er-do-well hopes to win the girl of his choice by running for office as town mayor. NOTES: The stage play opened on Broadway at the Ambassador on 28 September 1925 and ran a very satisfactory 90 performances. Alan Dinehart both starred as the small-town backslapper and directed. COMMENT: The story of this film has hardly any affinity with its title. The plot mainly centers on the hero (George Reeves) winning the mayoral race against the firmly entrenched incumbent (Ferris Taylor). The fact that he will also win the girl (the lovely Rosemary Lane) seems almost incidental, as he is also keen to put down the town blowhard (John Eldredge), especially as that particular loudmouth has marriage designs on Miss Lane. The plot holds promise but unfortunately it is not realized, despite valiant efforts by Miss Lane and Mr Reeves. Oddly, it's the support cast that lets the side down, due both to miscasting (Francis Pierlot is right outside his range as the heroine's dad) and to Noel Smith's dull, listless, uninvolved direction. Yet another problem lies with a far too talkative screenplay that often gives the impression of a filmed stage play. Sad to say, photography and other credits are equally uninspired. Production values rate no more than average for a "B" feature. Perhaps slightly less.

roslein-674-874556 With boring actors and a dull script, this movie doesn't even pass the basic test of credibility. We are asked to believe that a con man has made a lot of money over a great many years with a scheme that looks very unlikely to bring in any money at all. (And if it did, surely gossip in the hotel trade or newspaper reports would soon put an end to it.) The film is full of details that accentuate the sloppiness of the idea. The crook at one point has a handful of false passports. He could not possibly afford these with the money he makes. At another point, the crook and his henchman meet another crook and take him into their scheme, even though he is very poor at what he does AND it would mean less money for each of them AND they don't need another man to pull the scheme off! He is only around so we can (presumably) be amused by his (presumably) funny face and accent. Though this film tries to belong to the genteel- but-naughty tradition of English comedy, it is neither, just clumsy and prissy.

jjghayter just thought i would add a piece of film trivia which may or may not be of interest to film buffs!. One of the stars of this film , James Hayter played a character with several children, as he happened to have 5 of his own, they were given tiny parts in one scene where "cash" Dutton is handing out ridiculously large sums of pocket money to the kids. at the end of this scene his character says " don't forget little Herbert" and passes a baby to his wife. as the youngest child at that time and only 5 months old i got my first and only chance at the limelight! i was a source of great satisfaction to my father that i earned 3 guineas! Jonathan Hayter (one of eventually eight Hayter children)

Jake "Always A Bride" is one of those little-known but delightful comedies from what I have always thought of as the Golden Age of British Comedy (late 40s into the 60s). The entire cast is ingratiating, with that wonderful British character actor Ronald Squire a standout. Terence Morgan, an actor I am not always fond of, has never been more likeable, and Peggy Cummins does her usual efficient job in the role of leading lady. The humour tends towards the subtle and wry rather than the broad, and co-scripter Peter Jones can be seen briefly making the best of a supposed foreign lingo in an early scene. Also appearing briefly as a cab driver is Sebastian Cabot.