Adam
Adam
NR | 05 October 1992 (USA)
Adam Trailers

The hand of God fashions Adam out of the clay of Earth and places him on a small and empty planet. Each of Adam's actions - at first he can't stand up, then he barks like a dog, then he sleeps - requires God's intervention. After Adam discovers how small the planet is, how little there is to do, and God's unwillingness to let him leave the Earth, he is depressed, lonely and disconsolate. So God asks Adam's patience for a few minutes while He fashions a companion for Adam. Adam is delighted: he dons a bow tie, uses mouthwash, and finds a bouquet of flowers. Is God thinking what Adam is thinking? Preserved by the Academy Film Archive.

Reviews
Huievest Instead, you get a movie that's enjoyable enough, but leaves you feeling like it could have been much, much more.
Erica Derrick By the time the dramatic fireworks start popping off, each one feels earned.
Stephanie There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes
Wyatt There's no way I can possibly love it entirely but I just think its ridiculously bad, but enjoyable at the same time.
sashank_kini-1 On hearing stories about Adam and Eve, I used to wonder how they survived in such loneliness. Isn't it dull to be with one person on a vast planet, at least after a while? Adam, the 1991 short dispelled my questions. It seems God or rather the Hand of God had an active participation in Adam's life. We see a clay Adam being taught how to act like a human, understand the concept of gravitation and the fact that the earth is round. We also see him being tormented by God at times- and in the end, we get a surprise from the Hand of God.Six minutes of entertainment, a fat six rating for 'Adam.My Rating: 6/10
MartinHafer Considering that the film is called ADAM, you can probably assume this animated short is supposed to be a strange retelling of the Creation story. However, instead of God, you have the hand of the animator dropping a simple claymation man onto a small newly formed planet. From there, the poor clay creature is mercilessly messed with by the nasty hand. In the end, in a sick twist, the hand realizes that Adam is lonely and creates a mate--you just have to see it to appreciate it.This short has both a lovely sense of humor and is very creative. In light of this, it seems appropriate that it was nominated for an Oscar for Best Animated Short of 1993.
soymilk Yet another fine example of Aardman's pure unbounded brilliance, this amusing and engaging short focuses on the misadventures of a lonesome plasticine figure when his Creator (represented by a real human hand) places him on a tiny nondescript planet and brings him to life. The musical score used in the opening title is bold, beautiful and breathtaking but, in a sparkling piece of irony, when we actually get to meet this 'Adam' for ourselves, he turns out to be a weak, innocent and hopelessly naive being who, having been given life, has trouble working out exactly what it is he's supposed to be doing with it. He goes through all the various stages of coming to terms with his own existence and identity and exploring the world around him, and when it becomes apparent that Adam will never get by down there on his own, his Creator finally chooses to take more clay and mould him a companion, much to Adam's delight. Trouble is, the finished product isn't quite what our hero had in mind, making way for a hilarious and at the same time rather poignant conclusion.The animation, in spite of looking just a tad unpolished, is excellent, the sight gags are perfectly executed (I like Adam's futile attempt to head off and see the rest of the world myself), and Adam himself is as charming a stop motion character as they come. His total obliviousness to his own limitations, which somehow manage to land him in all kinds of perilous situations on this seemingly innocuous planet, is what makes him so thoroughly appealing. It all comes together to produce one of the most fascinating and ambiguous films that the Bristol-based studio has ever crafted. Did Peter Lord intend it as a social commentary on male and female relations, a statement about humankind in general, an analogy of the animator's role as 'God' to the claymation figures he sculpts and brings to 'life', or simply a playful variation on the familiar creation story? Well, that's for your own interpretation to decide, but I personally view it as being a mixture of them all. Whatever the real meaning, it's lovable, enjoyable and Aardman's most inspired shot at a non-dialogue film.Grade: A
Robert Reynolds This short was nominated for an Academy Award and is well worth watching, though it was probably about a minute too long or thereabouts. It's often amusing, but drags in spots. Interesting idea with excellent animation, but uneven and tedious at times. Recommended.
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