Jeanskynebu the audience applauded

Colibel Terrible acting, screenplay and direction.

Casey Duggan It’s sentimental, ridiculously long and only occasionally funny

Brennan Camacho Mostly, the movie is committed to the value of a good time.

rdoyle29 Small town American star athlete Robert Taylor gets the opportunity to attend Oxford and discovers that his brash American ways do not go over too well with the British. He romances fellow student Maureen O'Sullivan while earning the hostility of her brother until he makes things right with a personal sacrifice. A decent dramatic comedy about cultures clashing whose incredible cast also features Lionel Barrymore, Vivien Leigh and Edmund Gwenn. Remade as "Oxford Blues" in the 80's.

judithh-1 "A Yank at Oxford" is one of several films intended to "toughen up" Robert Taylor's image after his success in a number of boudoir romances. Taylor plays Lee Sheridan, a college boy who has been spoiled rotten by his newspaper owner father, played by Lionel Barrymore. Father Sheridan's habit of holding the presses for Lee's latest athletic triumph has only contributed to the boy's swollen head.Despite his lack of academic focus, Taylor is offered a place at Oxford. Upon his arrival, he immediately encounters a group of his fellow students, who begin a campaign to humiliate him. He also meets the leading lady, Maureen O'Sullivan.The rest of the delightful and humorous picture focuses on the relationships among three people: Taylor and O'Sullivan, boyfriend and girlfriend; Taylor and Griffith Jones, his leading tormentor; O'Sullivan and Jones, brother and sister. A nymphomaniac Vivien Leigh adds spice to the mix."A Yank at Oxford" allows Robert Taylor to show that he is not only a fine actor but also a fine athlete. Granted that the script specified that he would always win, Taylor is believable as a runner and as a rower. He can also swim.O'Sullivan is a charming coed torn between her boyfriend and her loyalty to her brother. Jones and Taylor cover up for one other for different peccadilloes. They evolve from antagonists to teammates to friends. A remarkable scene that deserves special mention concerns the venerable English tradition of "debagging." The cast is uniformly good. Taylor looks and acts younger than his twenty-seven years. Jones is one of a fine contingent of British actors including Edmund Gwenn, Robert Coote and Edward Rigby. Lionel Barrymore shines as the older Sheridan. A pre-Scarlett Vivien Leigh is lovely and engaging."A Yank at Oxford" was MGM's first British-made film. Jack Conway, the American director keeps things moving at a brisk pace. Harold Rosson's photography has a newsreel-like immediacy. And Oxford, of course, looks wonderful.

neithernor2000 In 1938, when the Great Depression had ended and a World War was about to begin, it was easy for elitist British college students to make fun of a transplanted American athlete. But the romantic counterpoint to the culture clash works very well thanks to the great chemistry between Robert Taylor and Maureen O'Sullivan. A memorable quote from this enjoyable period piece needs to be acknowledged. In a morning after scene, Robert Taylor says to Maureen O'Sullivan: "Don't wipe the sleep from your eyes. It's a beautiful sleep." The scriptwriter responsible for that line was F. Scott Fitzgerald.

Denny Kelly Taylor was entirely too old (27) and WAY too "meaty" to play a star athlete in this film. His fat legs show to disadvantage, and the scenes of him outpacing the track team are absurd. Thers is no possibility of someone of his weight beating the skinny competition shown in this film. If the character had shown some spark of humility & a desire to learn better, this would have been a much more enjoyable story. Think of Harold Lloyd in "The Freshman", where his character wants to succeed by his own efforts, and learns early-on that he can't fake it. Heart warming was that, while this is just a demonstration of a notion of Yankee Superiority and how 'We Americans' can overcome the 'Snooty Englishers'. Spare us.Taylor's character ultimately fails to win our hearts with sincerity; his "nerve" is all he has, and while that's enough to turn the story to his favor, it really isn't sufficient to make us believe he's a good egg after all.Of course, all of this is tainted by Hollywood's habit of using 25-30-35 year olds in the roles of college students (and even 40 year olds, in the case of The Nutty Professor of Jerry Lewis - several of his supposed Football Heroes were OLDER than he was, at the time of filming)