Claysaba Excellent, Without a doubt!!

Beystiman It's fun, it's light, [but] it has a hard time when its tries to get heavy.

Bea Swanson This film is so real. It treats its characters with so much care and sensitivity.

Fulke Great example of an old-fashioned, pure-at-heart escapist event movie that doesn't pretend to be anything that it's not and has boat loads of fun being its own ludicrous self.

The_Movie_Cat Logging on to the IMDb to rate this movie, I was surprised to find that I'd previously rated it some years ago, giving it a perhaps-harsh 4/10. That's the beauty of this later Poitier endeavour... it's so forgettable you can see it more than once and each time it's like the first.That's not to say that the languid pace and TV movie direction by Poitier (far more effective in front of the camera than behind it, sadly) make this a film without merit. In its layered depiction of black people on the screen, Poitier's second England movie may not be the equal of the first, but has plenty of things to say... even if it does say those things in a relaxed, heavily reflective manner.The real problem with the film is that as a love story with a tragic twist it's incredibly staid, almost sterile. Chemistry is not flowing from the screen here, even for the relatively passive time in which it was made. And such a stiff depiction of romance is only expounded by the presence of Yvette Curtis as Poitier's daughter. While okay at general lines, she's unable to emote, and scenes where she's supposedly concerned over whether Catherine lives or dies see her looking like she's wondering to have jam or just butter on her morning toast.Six years before this Poitier was the biggest box office star in the world, having had three huge hits in 1967. After this it's directing and co-starring with Bill Cosby in three so-so comedies and appearing in a Michael Caine thriller, then acting retirement. Such a drastic change in his standing is remarkable.Despite Poitier's much later return from retirement (and later, sad decline into TV movie actor... what a waste) A Warm December marks one of his final last gasps as a major force. As a Sidney Poitier work then it's probably not even in the top 15 of his films that you should make a point of seeing. But, if you've got an afternoon when you're not too busy, A Warm December will help to pass the time quite pleasantly... if not so memorably.

Rodney Charles A Warm December is my all time favorite film! An inspiration way ahead of it's time and still remains so, even today. When on earth will this film be released on DVD? Also, will the score be made available? A Warm December is so refreshing! It is superbly paced and provides a lesson in meaningful drama. I learn something new every time I view this film. EXCELLENT work by Sidney Poitier in front and behind the camera! It is quite astounding to realize that he accomplished such an evolved story in the 1970's. This story is superbly written, wonderfully edited and the score is simply magnificent. I cannot say enough about this wonderful film. The performances are superb across the board and Esther Anderson and Sidney Poitier are a joy to watch. Thank you so much for this inspiring film Mr. Poitier. Did I mention this is my all time favorite film?

Lawrencesr Had this been Doris Day and Rock Hudson...this movie would have won an Academy Award as best picture. It was one of the first movies of this type to display minorities of color as people and not stereotypes.The outstanding performances by all of the actors in this movie and should be emulated by all movies of this type. If anyone has any information on Esther Anderson; please contact me.If anyone has any information on Yvette Curtis; please contact me.Good Writing,excellent performances, and insightful dialogs make this a movie that should be in all collections.This is movie making at its best.

eek-a-mouse I first saw this film about ten years ago and was bored by the run-of-the-mill, short on chemistry " romance",despite the personal, individual attractiveness of Poitier and Anderson,who looked gorgeous in those 70s fashions and Afro hairdo.However,I just recently caught what I consider the best and most memorable part- the spellbinding, electrifying appearance of the beautiful,talented South African singer, Letta Mbulu.What a voice! It was my first introduction to South African group performance.It saves the film in my opinion.The film does have other redeeming qualities however, such as the star quality Sidney Poitier and the striking Johnny Sekka, a Senegalese actor who in his early roles in British cinema was type cast and who fared slightly better in Hollywood.