Karry Best movie of this year hands down!

Leoni Haney Yes, absolutely, there is fun to be had, as well as many, many things to go boom, all amid an atmospheric urban jungle.

Marva-nova Amazing worth wacthing. So good. Biased but well made with many good points.

Yazmin Close shines in drama with strong language, adult themes.

Robert J. Maxwell Anthony Quinn is the captain of a pirate ship in the middle 1600s. The ship and its crew loot a British passenger ship. Half a dozen young kids, mostly British, board the victim ship accidentally sail away aboard the pirate ship. Quinn, a drunken and pediculous lout, comes eventually to care about the children in his own crude way, before a British Naval steamship capture him and his superstitious crew and rescue the kids, who are by this time wearing tattered clothing and are filthy.The two central roles are those of Anthony Quinn and Deborah Baxter as one of the children. Quinn does his usual reliable number -- Zorba the Greek with edginess. He's dashing around the deck in his bare feet shouting orders in Spanish, slapping impertinent seamen about the head.But Deborah Baxter's role is important. And she's magnetic. It's worth speculating why this should be so, but the answer isn't too flattering to the gentlemen in the audience. She was nine years old when this film was released. She's not striking beautiful -- no porcelain doll like Brooke Shields in "Pretty Baby." There is nevertheless something extremely appealing about her appearance and demeanor. Please, I'm no pedophile. I find older women more likable, for all the reasons given by Benjamin Franklin.But Deborah Baxter, prepubescent though she may be, combines her juvenile vulnerability with a clearly seductive quality, which Quinn's character, the writers, and director Alexander MacKendrick all recognize and put to use in the story. It mocks our sensibilities to deny it. Jenny Agutter was about fourteen when she made "Walkabout" and Sue Lyon fourteen when she was Kubrick's "Lolita." Not that Quinn's pirate captain necessarily realizes what's up. He's clearly embarrassed at one point, at which he finds himself having to pin Baxter down to the deck, hovering above her, the crew chuckling because the position is suggestive. It's also clear that by the end, Quinn's desire to help and protect her has eclipsed any sexual feelings he might have felt.She's a decent actress too, for a young girl. Her confusion at the climactic trial puts a definite period at the end of Quinn's career. And she turned quite beautiful in the next few years. That's why she was cast as Teddy Roosevelt's daughter in "The Wind and the Lion." Her character in that film, Alice Roosevelt Longworth, was a no-nonsense woman who lived into a candid late old age and died just one or two decades ago. You know the song, "Alice Blue Gown"? She's the "Alice." I loved Quinn. People accuse him of overacting, yet it fits the part of a self-indulgent, not-too-bright pirate captain, huffing and puffing, always on the edge of hysteria. It's not really Zorba we see on the screen. It's Zampano from Fellini's "La Strada." A brute, but one who comes to have civilized feelings after all.

hugofreitasxavier Alexander Mackendrick's cut was a lot longer than the studio edit. Yet, still this holds up as a fabulous story on the redeeming power of innocence.A group of children on their way to England to get a civilized education that their parents feel is they are lacking in wild and superstitious Jamaica, when the ship they are in is assaulted by pirates.In the confusion the children end up in the pirate ship. Much to the distress of the crazy captain (Anthony Quinn still overacting much from the recently successful Zorba) and second-in-command James Coburn.If the leading actors are perfect, the children steal the show and prove once again that Mackendrick is probably one of the best children's director ever.(just out of curiosity try and spot the you writer-to-be Martin Amis among the children - curiously the less interested in acting as it turns out) Mackendrick does this with great realism: his pirates don't speak the hollywoodesc Spanglish, the scenarios are really shot on location (mostly in high sea ships). he had great problems with the studios and still it turned out a great movie.A fabulous tale of innocence and how it can change the hearts of hard men - and the movie shoes this, as the book by Richard Hughues, without falling for the sentimentalistic side of the story. It's a tough movie for it's time.What this movie could have been if the director's version could have been released. Even so, magnificent.

mlraymond Superb adaptation of Richard Hughes' novel about a group of British children being sent home to England from Jamaica, and inadvertently ending up as uninvited guests aboard a pirate ship. Set in the period of about 1880, much humor arises from the proper Victorian English children's fascination with their reluctant babysitters. The crew of scalawags is made up of various Latin American and African men, with most of their conversation in untranslated Spanish. The irony of the unexpected situation is due to two factors: the kids' parents had sent them home because their mother was appalled at the way they were growing up wild and uncivilized, absorbing the voodoo superstitions and folk tales of the islanders, instead of being raised as proper English children. The other factor was that the inept pirates had not realized that the children had snuck on board the pirate ship, seeing it as a great adventure, and the buccaneers had sailed away, with no idea that the kids were shut in the ship's hold, having totally forgotten about them.Anthony Quinn is marvelous in a great comic role, as the unwilling father figure to the curious and innocent bunch of kids he's been stuck with. The sight of Quinn chasing some young English children around the ship, hollering " Hey, give me back my hat!", while his crew laughs uproariously, is truly funny. James Coburn is the voice of reason as a sly ,articulate pirate, who stands between the bumbling captain and his restless crew. The presence of the children on the ship becomes more and more problematic, as they inadvertently cause all kinds of problems just by being around, and the men begin to see them as bad luck.SPOILERS AHEAD: A little girl puts a man's coat on backwards, and covers her face with her hair, and stalks toward the terrified sailors, declaring in a spooky voice that she's a Duppy, an evil spirit with its head on backwards. The grown men look scared, and try to hide from this small child, who is fully aware of what she's doing, until Quinn orders her to stop fooling around, because it's bad luck for the ship. An already complicated situation turns deadly ,when the pirates think they will be able to finally safely rid themselves of the kids, by leaving them with a friendly brothel madam in Tampico. One of the older boys sneaks ashore,and is enjoying the sight of rowdy behavior in the street from the vantage point of a high window, but he suddenly falls, and is killed. The tragic situation is made worse by the news that English patrol vessels are looking for them, because it is mistakenly believed that they murdered the children, after the kids didn't return to their outward bound ship, and the English captain and crew assumed the worst.No more of the plot will be revealed here, except to say that an unpredictable series of events causes disaster for all involved. The very ending is one of the most poignant scenes I've ever seen in any film.Direction, acting, shipboard scenes, period detail, script,cinematography ,are all excellent. The children are totally believable, with a standout performance by Deborah Baxter as Emily. This is a wonderful film that should be watched over and over again. Heartbreak and hilarity have seldom been better matched.

mmarshal I saw this fantastic movie for the first and only time as a child in a theater when it was first released in 1965. Since then, I've hoped to see it again and share it with others, but it is not available for viewing anywhere. Repeat, ANYWHERE. It never appears on American TV (I've checked, there are several web sources one can use to track whether specific movies are scheduled to run, and I've never seen any of them showing High Wind appearing on any North American station. In fact, the only time any of theses sources showed it being broadcast anywhere was once, on a network in Japan back in 1988). It has never been re-released for theatrical showings, and it has never been released on video. I even regularly check eBay to see if a "black market" copy might be available, but none have ever shown up.Mt gut tells me the reason for this is likely the usual in these sorts situations: some endless (and meaningless) copyright dispute. I don't know if that's the case, but if it is, I wish the opposing parties would wake up and realize that (a) this release -- as great as it is -- is too old and unknown to be a big future money maker for anybody, and (b) that whatever that income might be, because of their arguing neither of them is making ANY money of this film.A great movie, but one lost, in all likelihood because of greed. What a shame.