Nonureva Really Surprised!

Executscan Expected more

Plustown A lot of perfectly good film show their cards early, establish a unique premise and let the audience explore a topic at a leisurely pace, without much in terms of surprise. this film is not one of those films.

Bergorks If you like to be scared, if you like to laugh, and if you like to learn a thing or two at the movies, this absolutely cannot be missed.

Leofwine_draca A CASE FOR PC 49 is the second of the radio adaptations from Hammer Films. Hugh Latimer is gone, to be replaced by the instantly irritating Brian Reece who originated the PC 49 role on BBC radio. Unfortunately he plays the character as a buffoon and is thus impossible to take seriously. A shame, because the low-key plotting is quite interesting and incorporates a femme fatale, a con man, murder, an ex-convict, and some petty thieves. There are strong supporting roles for Michaels Balfour and Ripper, two of the most familiar faces in British film of the 1950s, and Christine Norden gives a good turn as the wicked woman in a role that would later be played by the likes of Diana Dors. The film itself is middling and slow to begin with, but it does end on a thrilling high.

hwg1957-102-265704 Based on a BBC radio series and made by Hammer Films it tells of PC 49 (actual name Archibald Berkeley-Willoughby!) who gets involved with solving a murder and a robbery assisted by his girl friend. It was the second PC 49 film and is tolerable but not very exciting though it does have a good climax in a brewery. Brian Reece as PC 49 and Joy Shelton as his fiancée Joan Carr are adequate but they are well supported by welcome character actors like Campbell Singer, Michael Balfour and Michael Ripper. An ordinary film from the busy director Francis Searle,

mprstephenson-634-180449 When I was a youngster, 'PC 49', along with 'Dick Barton, Special Agent',all the 'Paul Temple' series, were almost compulsory listening to almost everyone in the country. As per usual, the BBC, along with almost everything else worth saving destroyed the recordings. How many of the radio comedy shows of the 40s and 50s remain,( 'Variety Bandbox', 'Up the Pole', 'Take it from Here', Eric Barker, 'Just Fancy' remain, and how much Max Miller material is still around? Nowadays,hardly anything is worth saving, so naturally, this modern tripe will still be available in 100 years time! No-one will want to listen to it, as we will have ' moved on' by that time.Anyone at the BBC on more than ' national minimum wage' is overpaid!

Spondonman This was one of those unusual sequels: better than the original. It was the 2nd attempt at putting the adventures of PC 49 onto the screen, transferred from BBC radio, the 1st being filmed 2 years before in 1949. In those 2 years Hammer had come on by leaps and bounds with higher production values, better actors and acting and most of all better scripts. This still means that it creaks and abounds with those moments that contemporary serious people love to deride, so apart from it appealing to wide-eyes like me it can also draw cynical wasters too.Meanwhile the plot is cohesive and absorbing: jewel heist complements and is a screen for an elaborate murder-of-a-millionaire plan, the hifalutin murderers themselves get targeted by their lower class drones who concoct their own elaborately vicious plan in revenge. Into this morass of immorality comes hook-nosed Brian Reece playing lanky PC 49 and Joy Shelton playing his astute fiancée Joan, who are playing their own hunches despite being continually handicapped by the staid unimagination of the Met police hierarchy. They needed an Inspector with the brains of Claude Teal, stolid Gordon McLeod had to suffice instead … Michael Ripper was here again this time as a reforming ex-con, but didn't he do life at Hammer? Favourite bits: the glamorous scenes in sexy Della's swanky penthouse apartment - how tastes have changed; The baddie contemplating the necessity of polishing off Joan but not enjoying one bit socking her on the jaw. The popular radio series ran for 112 episodes from 1947 to 1953, the BBC destroyed all but 2 editions and of course makes sure that no one will ever hear them.To the believer, seventy-five minutes that can be well spent over and over again in the non-taxing company of some old friends, if you hated it kiss those seventy-five minutes goodbye forever!